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Decay Theory

updated: 
Wednesday, September 4, 2019 - 3:24pm
American Comparative Literature Association (March 19-22, 2020)
deadline for submissions: 
Monday, September 23, 2019

"Decay Theory" Scholars have recently turned to processes of decay as a way to theorize what has been excluded or marginalized in totalizing formulations of capital, the Anthropocene, and the global. From within these fissures, explorations of decay emerge to challenge hegemonic political orders, tropes of human’s ecological dominance, and ontological or aesthetic stasis. This seminar will bring together these emergent disciplinary perspectives to begin theorizing how decay might reshape our scholarly methods and archives. Decay, we contend, is especially useful to think with because it spans the symbolic (e.g. Francis Fukuyama, Political Order and Political Decay) and the material (e.g.

Edited Volume CFP: Reading Lovecraft in the 21st Century

updated: 
Monday, September 23, 2019 - 3:48pm
Edited Volume_Not Dead, But Dreaming: Reading Lovecraft in the 21st Century
deadline for submissions: 
Saturday, November 30, 2019

Edited Volume CFP

 

Not Dead, But Dreaming: Reading Lovecraft in the 21st Century

 

[ACLA 2020] Ordinary Language Philosophy and Literary Studies

updated: 
Wednesday, September 4, 2019 - 3:28pm
American Comparative Literature Association
deadline for submissions: 
Monday, September 23, 2019

Call for Abstracts

  ACLA 2020 (American Comparative Literature Association)Conference Dates: March 19-22, 2020, ChicagoAbstract Submission Deadline: Sept. 23, 2019 (9 a.m. EST)  Ordinary Language Philosophy and Literary Studies  

The Lyric Self and Courtly Traditions

updated: 
Sunday, September 15, 2019 - 11:38pm
American Comparative Literature Association ACLA
deadline for submissions: 
Wednesday, September 25, 2019

A new preference for the production and consumption of lyric forms of poetry, over that of more narrative options like the epic, often coincided with a governing body’s establishment of courtly norms and practices. This trend is consistent across a multitude of seemingly disparate cultures. The popularity and refinement of the ghazal during the Ghaznavid dynasty and the sonnet at the Elizabethan court are just two examples of similar formal developments arising within different cultural contexts. Shorter lyrics were often formally rigorous, but also highly customizable, and many of these forms also called for a new emphasis on the construction and expression of self.

CfP for the Panel: European Identity: From Culture to Politics, Ghent, Belgium, 25 – 26 October 2019

updated: 
Tuesday, September 3, 2019 - 5:23pm
Dorian Isone / Euroacademia
deadline for submissions: 
Wednesday, September 25, 2019

Call for Papers for the Panel

European Identity: From Culture to Politics

 

As part of the 8th Euroacademia International Conference

‘The European Union and the Politicization of Europe’

Ghent, Belgium, 25 - 26 October 2019

 

Deadline: 25th of September 2019

 

Panel Description:

 

Complicity [ACLA 2020]

updated: 
Monday, September 23, 2019 - 5:40pm
Anirban Gupta-Nigam | UC Humanities Research Institute
deadline for submissions: 
Monday, September 23, 2019

In recent years, subtle discussions of beneficiaries (Bruce Robbins), bystanders (Robert Meister), spectators (Luc Boltanski), and implicated subjects (Michael Rothberg) have drawn attention to the political, ethical, and aesthetic imperatives emanating from occupying positions of complicity in structures propped up by historical injustice. While much of this scholarship zeroes in on atrocities and events of historical significance, Robbins and Meister, at least, also wedge open space for considering complicity at the level of everyday life. What does it mean for someone to feel depressed by diagnosis of climate catastrophe? To feel overwhelmed by capitalism? To desire escape routes in the face of resurgent racist nationalisms around the world?

Agamben and Literature (ACLA 2020)

updated: 
Wednesday, September 4, 2019 - 3:44pm
American Comparative Literature Association
deadline for submissions: 
Monday, September 23, 2019

Giorgio Agamben is one of the most compelling contemporary theorists of literature. Yet despite ever intensifying interest in Agamben’s work, his studies of literature and poetics remain a less explored dimension of his corpus. This seminar seeks spirited contributions that engage with Agamben’s reflections on literary texts, as well as those mobilising the concepts and interests of his aesthetics into new readings. Papers addressing the connections between literature and other aspects of Agamben’s thought (such as sovereignty and biopolitics) are welcome, as are explorations of his writing’s intellectual and historical contexts – including its affinities with the work of thinkers such as Benjamin, Blanchot, Foucault, Derrida, de Man and Hamacher.

Technoaesthetics: Ways of Seeing the 21st Century (NEMLA 2020)

updated: 
Tuesday, September 3, 2019 - 5:53pm
Northeast Modern Language Association
deadline for submissions: 
Monday, September 30, 2019

In a letter written to Jacques Derrida in 1982, Gilbert Simondon poses a question to the project of deconstruction: “Why not think about founding and perhaps even provisionally axiomatizing an aesthetico-technics or techno-aesthetics?” Aesthetic thought has for too long remained at the level of subjective contemplation, which effaces any substantive understanding of technology’s effects upon the larger cultural sphere. The technical and the aesthetic, Simondon contends, should instead be understood as a “continuous spectrum” of experience, as each are composed of a “set of sensations” that emerge as matter is transformed, whether by the artist, the engineer, the designer, or the machinist.

Poetry and Painting: Conversations

updated: 
Thursday, September 5, 2019 - 3:39pm
Faculty of English, University of Oxford
deadline for submissions: 
Saturday, November 30, 2019

You know how  

I feel about painters. I sometimes think poetry  

only describes.  

                          Frank O’Hara, ‘John Button Birthday’ (1957)

 

The supposed similarity between poetry and painting was famously characterized in Horace's ‘Ars Poetica’ by the dictum ‘ut pictura poesis’ (‘as is painting, so is poetry’). Yet in 1766, Gotthold Ephraim Lessing influentially argued for the limits that condition these different art forms — how could a visual scream ever be rendered linguistically? 

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