George IV fined Leigh Hunt, the Editor, £100 for publishing Lord Byron’s anonymous satire, “The Vision of Judgment,” in their new independent journal, “The Liberal,” about George III not exactly having gone to heaven in 1823. Earlier, on September 3, 1811, Byron wrote in a letter to Hodgson, a friend, “I will have nothing to do with your immortality; we are miserable enough in this life, without the absurdity of speculating upon another. If men are to live, why die at all? And if they die, why disturb the sweet and sound sleep that ‘knows no waking’?...
Marxist critics from Adorno to Fredric Jameson have emphasized the revolutionary potential of modernism in its effort to project viable alternatives to capitalism. Indeed, one of the central goals of avant-garde artistic production is the radical break from existing norms, with experimentation serving as a means of liberation from artistic values and institutions deemed both oppressive and outmoded. But it is also, to varying degrees, a rhetoric of reform.
PAMLA 2016: Ekphrasis: Classical, Modern and Post-Modern
This special session will explore the evolution of ekphrasis from its roots in the Homeric period to the present day. Papers on any aspect of ekphrasis, theoretical or applied, are welcome.
Submission Deadline: June 2, 2016
Please submit your proposal via the PAMLA website
For questions about the session please contact Diana Shaffer at
EXTENDED DEADLINE CONFERENCE CALL
Neurocultures: Brain Imaging and Imagining the Mind – Second international and interdisciplinary conference organised by the Department of English Studies at the University of Bielsko-Biala.
26-28 September 2016
Patricia Pisters, Professor of Film Studies at the University of Amsterdam.
Fernando Vidal, Research Professor at ICREA (Catalan Institution for Research and Advanced Studies).
To tie in with the forthcoming Literary London Conference (6 - 8 July 2016) on the theme of 'London and the Globe', the Literary London Journal invites contributions for a special issue on 'Shakespeare's Londons/London's Shakespeares'.
The deadline for submissions is 31 August 2016 and articles (between 5,000 - 7,000 words long) might broadly address one or more of the following topics or questions:
· How are ‘Londoners’ (Henry VIII, 1.2.155) constructed in Shakespeare’s plays?
· What role did – or do – London audiences play in constructing Shakespeare?
· In what ways can we rethink Shakespeare’s anatopism, ie. his staging of London as other cities?
Polish Association for American Studies Annual Conference
American Studies Center, University of Warsaw,
27-29 October 2016
Transnational American Studies:
Histories, Methodologies, Perspectives
Rob Kroes, Utrecht University, Netherlands
Agnieszka Soltysik-Monnet, University of Lausanne, Switzerland
CALL FOR PAPERS
Cervantes y la tradición: (Re)lecturas y comentarios críticos
Fecha de entrega: el sábado, 30 de julio de 2016
Fecha de publicación: el viernes, 30 de septiembre
The study of trauma, Judith Herman points out, has a history of “episodic amnesia.” Knowledge gained is periodically forgotten and must be persistently reclaimed. After almost 15 years of combat in the Middle East and of rising attention to a broad range of stressful events, American culture, its media, academics and clinicians have become increasingly responsive to the diverse nature and complexity of traumatic experience.
CALL FOR PAPERS
Untold Futures: Speculation, Redemption, Disappointment
University of Chicago English Graduate Conference
November 17-18, 2016
Keynote Speaker: Kate Marshall, Associate Professor of English, University of Notre Dame
Roundtable: Adrienne Brown, University of Chicago; Penelope Deutscher, Northwestern University; Joseph Masco, University of Chicago; Vivasvan Soni, Northwestern University
2016 marks the 500th anniversary of the first printing of Thomas More's Utopia, the text that created and provided the name for its own genre. Since the appearance of More's text, utopias have been imagined as unreal realities and worlds where people exist according to a specific vision of an author, whose aim might be justice, art, or an imagined reality with a specific agenda.
We request abstracts that address any aspect of early modern utopianism. Please submit 250-300 word abstracts along with a brief bio or a one page C.V. by May 15, 2016 to: Dr. Ruth McIntyre, email@example.com.
This section of the academic journal "Sinestesieonline" is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages.
"Il Parlaggio" is the name created by Gabriele d'Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the "neverending show".
Call for papers
Planned Obsolescence: Texts, theory, technology
Université de Liège (Belgium) - December 8th and 9th, 2016
[Pour le français, voir plus bas.]
Film Adaptation: Theory, Practices, Reception
School of Film Studies and School of English
Aristotle University of Thessaloniki
May 25-27, 2017
Keynote Speaker: Deborah Cartmell
We are pleased to announce the call for papers for the next issue of 452oF: Journal of Literary Theory and Comparative Literature, which will focus on Imaginary of Open Space in Contemporary Culture. We would appreciate the dissemination of the attached document, in which further information can be found.
The journal has published fourteen issues so far and been included in several indexes. We would also like to point that one of its key features is that all accepted papers are translated into Spanish, English, Catalan and Euskera. If you are still not familiar with 452oF, we kindly invite you to have a look at its last issue at http://www.452f.com/.
Arts of Healing: Cultural Narratives of Trauma