The medium and its specificity have oriented the discourse on the arts throughout various historic and historiographic periods. For modernism, for example, Clement Greenberg advocated the specificity of the medium as the legitimate drive of artistic production for the avant-garde. The critical discourse that emerged around Greenberg and his followers was oriented around the various articulations and possibilities of the medium, an investigation played out across the history of the twentieth-century's art and its historiography.
Call for Papers
3rd Annual Tufts Graduate Humanities Conference
October 18, 2013
Keynote: José Muñoz
Focus: This issue will examine effective leadership practices in college and university writing programs, including first-year composition, basic writing, and ELL/ESL writing programs; undergraduate and graduate writing degree programs, including rhetoric and composition; writing across the curriculum/writing in the disciplines; writing center/writing fellows; service learning; and other programs focused on writing instruction. Submissions should thoughtfully consider how writing specialists fill formal and/or informal leadership roles (both administrative and not) in classrooms and/or programs, with particular attention being given to essays that utilize leadership research/theory.
CALL FOR PAPERS (deadline 25 May, 2013):
Summer symposium "Heterologies of the Everyday: The Everyday Production of Presence". Nordic Summer University, research circle Heterologies of the Everyday, Ulsteinvik, Norway, July 29- August 5, 2013
"Writing Ireland: Identity, Memory, and Place"
In keeping with the special focus of SAMLA 85, we welcome papers that focus on the ways Irish identity, space, and memory are shaped through conventionally understood literary genres (poetry, fiction, drama, memoir) as well as work from related fields, including but not limited to art, critical theory, folklore, and film studies. This panel seeks to address recent trends in scholarship and the ways Irish identity (systemic or individual) and space are constructed and defined. By June 1, 2013, please send abstracts of no more than 300 words to Sarah Dyne, Georgia State University, at firstname.lastname@example.org.
The Phenomenology of Reading: Experiencing Literature Today
October 11th-12th, 2013
Temple University: Philadelphia, PA
Keynote: Charles Altieri (Berkeley)
CFP: Post-medium Condition of Moving Image
The Program Committee of the Association for Studies of Culture and Representation invites proposal submissions for an interdisciplinary panel titled "Post-medium Conditions of Moving Image." The panel will be held at the 8th Annual Meeting on June 29–30, 2013 at Kansai University, Osaka, Japan. Submissions must be 20-minute presentations that cover the theoretical and historical issues of moving image from various disciplines and methodologies.
Call for Papers
4th Annual Graduate Student Conference
Stony Brook University, The State University of New York
Cultural Analysis and Theory Department
Stony Brook Manhattan
October 18th & 19th, 2013
The annual conference of the Bibliographical Society of Australia and New Zealand will be held at the State Library of New South Wales, Sydney, 20–22 November 2013 on the theme of 'Bibliography in the Digital Age'.
The Society invites abstracts for presentations relevant to the theme of the conference, ranging from digital scholarship, digital scholarly editions, digitising and promoting collections online through to antiquarian dealers and the material book in the digital age.
Kudzu Review is seeking work for its Winter Solstice Issue 3.1 as well as for its very first themed issue, "Apocalypse & Renewal." We define ecologically-minded very broadly, and our interest is in a wide range of approaches to literature, theory, creative writing, and visual art. We are interested in everything from epic poems to recipes for kudzu cake!
Check us out today at kudzureview.com.
Deadline for Winter Solstice: September 1st; after that all work is considered for Summer Solstice.