This seminar invites papers on stylistic production in any medium and genre, in any period or place.
Clerks, bureaucrats, copyists, scriveners, archivists, bookkeepers – they are, along with the repositories of written facts they work and sometimes live in, organs of the greater corpus of the archive. This human machinery of archons (Derrida) is hidden in full display, at once peripheral and essential to the archive, managing its material flows, embodying the Law, maintaining and guarding the archive’s very possibility of existence.
Since the nineteenth century to the present, fragmentary writing has been widely deployed in literature and philosophy (i.e. Ernst Bloch, Schlegel, Mallarmé, Adorno, Maurice Blanchot, Kafka, Beckett etc.) as a strategy to disrupt the idea of totality by and through writing. Fragmentary writing as an incomplete totality, bears absent voices and traces and alludes to a whole.
Anglo Saxonica is a multidisciplinary journal that publishes original and innovative research on a variety of issues relevant to the study of English(es), broadly understood both as language and as all the literatures and cultures of the English-speaking world. In so doing, Anglo Saxonica also promotes dialogue among English-speaking geocultural areas. Its editorial policy promotes the thematic cohesion of each volume, open to different academic approaches on current issues in English and American studies, including original research articles, reviews, interviews and selections of creative writing. The journal also publishes special issues with a particular thematic focus that are guest-edited by leading scholars in the field.
As a research team devoted to artistic practice, we are motivated by the questions: How does artistic practice lead to the production of knowledge? How does, in turn, artistic knowledge relate to its material base? How does contingent materiality guide the artist towards finding form and developing a statement?
The proposed volume is consecrated to the object as a process in order to offer new insights into the ways the object (broadly construed, comprising digital and other non-classical objects) becomes an active element in artistic practice. This exploration intends to furnish a better understanding of artistic production.
CFP for panel proposal to the annual meeting for MELUS (The Society for the Study of Multi-Ethnic Literature of the United States) from 2-5 April 2020 in New Orleans, LA.
The MELUS conference theme (Awakenings and Reckonings: Multiethnic Literature and Effecting Change–Past, Present, and Future) calls for comparative and interdisciplinary analysis of representations and imaginings of the past, present, and future as they relate to race, ethnicity, citizenship, and diaspora.
CALL FOR PAPERS
with renewed deadline
The New Series of The Anachronist
invites academic papers for its 2019 issue (to be published in early 2020), featuring
a thematic section on
“Dehumanization in Literature: the figure of the perpetrator,”
as well as a general section
Society for Novel Studies
Call for Papers: The Novel’s New Worlds
St. John’s College, University of Oxford
April 2-4, 2020
Highlights of the conference include:
Keynote lecture by Leah Price
Special panel on Novel Objects (RÊVE: European Romanticisms in Association)
Keyword and Novel Seminars lead by Nancy Armstrong – Adelene Buckland – Paul Crosthwaite – Mark Currie – Merve Emre –Alex Houen – Yoon Sun Lee – Deidre Lynch – B. Venkat Mani –Ellen Rooney – Helen Small – Vanessa Smith –Aarthi Vadde
Peripatetic seminar on speculative fiction led by John Plotz
CFP: Brandeis Novel Symposium
Friday April 24, 2020
Brandeis University, Waltham, MA
Deadline for submissions: November 1, 2019
The fourth annual Brandeis Novel Symposium examines the genre’s relation to issues of settler colonialism, land, and indigeneity. The focal text is Willa Cather’s The Professor’s House (1925). As in previous years, we invite papers that explore these larger questions from diverse theoretical, historical and formal angles, taking Cather’s novel either as focus or simply as a point of departure.
The First Virtual Conference Language, Communication and Education (LCE2020) will be held on January 15-17, 2020 (15-22h Central European Time). The theme of LCE2020 is “Linguistic Advances in the Digital Era”. Seven thematic strands have been distinguished (see conference strands and topics).