Diagrams, Maps and Plans in Visual Art.
University Art Association of Canada, October 14-16, 2010
Deadline for submissions: May 3rd, 2010
Diagrams, Maps and Plans in Visual Art.
Since Richard von Krafft-Ebing's first clinical naming of "masochism" as a perversion located in men in 1890, masochisms and masochists have been approached through a variety of lenses: scientific, sexological, artistic, literary, psychiatric, and dramatic. Importantly, the most prolific period regarding the circulation of ideas and theories about masochism is the same period that produced the modernist text.
The Program Chair invites submissions devoted to interdisciplinary discussion of current research into particular aspects of textual work: the discovery, enumeration, description, bibliographical analysis, editing, annotation, and mark-up of texts in disciplines such as literature, history, musicology, classical and biblical studies, philosophy, art history, legal history, history of science and technology, computer science, library and information science, archives, lexicography, epigraphy, paleography, codicology, cinema studies, new media studies, game studies, theater, linguistics, and textual and literary theory.
2010 Shakespeare and Popular Music Conference and Colloquium
School of English and Theatre Studies
University of Guelph, Guelph, Ontario, Canada
September 6, 2010
"If music be the food of love, play on" – William Shakespeare, Twelfth Night (I.i.1).
"See I'm a poet to some, a regular modern day Shakespeare,
Jesus Christ the King of these Latter Day Saints here" – Eminem, "Renegade."
CALL FOR PAPERS
"THE LANGUAGES OF RESISTANCE"
First Annual Texas A&M Department of Hispanic Studies Graduate Student Symposium:
In homage of centenaries of Julio Herrera y Reissig (1875 – 1910), Miguel Hernández (1910 – 1942) and José Lezama Lima (1910 -1976)
Just a friendly reminder that the deadline for abstract submissions is approaching. Please circulate widely. Thank you.
Call for Papers: Essays for Journal Special Issue
In his Apology for Poetry, Sir Philip Sidney defines poetry as "an art of imitation", a form of "mimesis"; he describes it as not only a "representing, counterfeiting, or figuring forth" but more importantly as a "speaking picture." This attribution of aural and visual elements to the poet's pen delineates poetry as a medium able to integrate seemingly disparate elements: a site of necessary hybridity. As a "speaking picture", poetry mirrors the visual arts by imagistically portraying the verba (signifier) or form which conveys, transmutes, or mimics the res (signified) or Platonic Idea. The visual arts, which mirror or embody the spoken word, serve to access this elusive signified.
Call for Papers
Session: "New Ways of Seeing: Art, Visuality, and Surveillance"
Conference: Universities Art Association of Canada, 14-16 October 2010
Deadline for abstracts (250 words): 3 May 2010
Archives, Texts, and Memory
Due to the vulcano eruption in Iceland, Resonance(s): A Deleuze and Guattari Conference on Philosophy, Arts and Politics is postponed to July 8-10, 2010. Proposal submission date extended until June 10th. Please see our website for details. (http://www.resonative.net)
PCA/ACA & Southwest/Texas Popular Culture and American Culture Associations
April 20-23, 2011
San Antonio, TX
Proposal submission deadline: December 15, 2009
Conference hotel: Marriott Rivercenter San Antonio
101 Bowie Street
San Antonio, Texas 78205 USA
In 2011, the Southwest/Texas Popular Culture and American Culture Associations will hold their 32st annual meeting as a joint conference with the national Popular Culture and American Culture Association in San Antonio, Texas, April 20-23, 2001.
Celebrating 25 years in academic publishing, New German Review has been a medium for
graduate students, post-docs, and junior faculty to share their ideas with the academic
New German Review encourages contributions within the broader field of German
Studies, including literature, history, culture, philosophy, and linguistics. Book reviews
and interviews also form an essential part of our publication.
This is a reminder for the registration deadline for the (re)Performing the
The deadline is on April 30th...
Daniël Ploeger and Seda Ilter
(re)Performing the Posthuman
a conference on performance arts and posthumanism
University of Sussex, 21-22 May 2010
The shape of nationalist fervor is drawn against a background of coherent visuals. But what if the mother tongue speaks in pluralities at the very origin of the nation? This panel seeks to examine the roles of multilingualisms, accents, dialects, and inflections within and upon the national project, as well as the effects of gendered experience on nationalist constructs.
This panel welcomes papers from a wide variety of disciplines and scholarly perspectives,including pedagogy and the interdisciplines.
RECONSTRUCTION 11.3: POPULAR FICTION
Edited by Cameron Leader-Picone and Matthew Schneider-Mayerson