What cannot be taken up or kept alive? What is too used to reuse, too basic to break down further? What are the ideas at dead ends? Adaptations, translations, dead languages, genres fallen out of favour, tropes no longer sensical, ruins, methodologies in unremitting decline? Who are the guardians of garbage that monitor and control our cycles and recycles? What happens to an artifact too special to recycle, not special enough to reuse? Give us the histories, the institutions, the authorities who intervene to unmake the unrecyclable. Where do our capacities for metamorphosis fail us? What materials have run out of time? What materials have all the time in the world to stay unchanged? Plastic in the shape of an albatross? Manuscripts sealed into the walls?
Identity is often seen as being a controversial topic. Whether it is fictive or real, (de)politicized and/or aesthetic, gendered or engendered, identity is often seen as being a powerful political
Digital humanists often tout their work as transformative to literary scholarship. Textual encoding, text mining, corpora analysis, and geospatial analysis all promise to shift our understanding of literary texts, historical periods, and cultural phenomena. Digital Humanities (DH) is certainly, as Stephen Ramsay recently quipped, the "hot thing." DH panels multiplied at the 2009, 2011, and 2012 MLA Conventions, and they received significant coverage in The Chronicle of Higher Education and Inside Higher Ed each year. More English Departments are hiring digital humanists; digital humanities centers multiply across a range of institutions.
As a popular genre, detective fiction often refers to or even uses as its foundation social issues, crises, and questions contemporaneous with its production. Recent examples of this, by authors such as Henning Mankell and Stieg Larssen, rely on even more extreme engagement, bringing attention in their plots to the rights and exploitation of political refugees, sex trafficking, and modern warlords. Such a dark turn in an already dark genre may cause one to wonder: is the genre foreshadowing the end of civilization, esp. given that such crimes and injustices occur in supposedly modern, just societies, such as Sweden and are often investigated by overtaxed, exhausted detectives and police systems?
Call for Papers: Alfred Hitchcock
Southwest Texas Popular Culture and American Culture Association
34th Annual Conference
Albuquerque, New Mexico
February 13-16, 2013
Hyatt Regency Hotel and Conference Center
330 Tijeras Ave. NW
Albuquerque, New Mexico 87102 USA
Submission Deadline: November 16, 2012
Conference Website: (updated regularly)
Eve Kosofsky Sedgwick in her paper 'How to Bring Your Kids Up Gay: The War on Effeminate Boys,' noted, 'the gay movement has never been quick to attend to issues of effeminate boys.' Indeed, Sedgwick's paper and Carol Mavor's *Reading Boyishly: Roland Barthes, J. M. Barries, Jacques Henri Lartigue, Marcel Proust, and D. W. Winnicott* (2007) serve as the impetus, at least in part, for this seminar.
NeMLA Conference held in Boston at Tufts University
Profiles of the Black Civilizational Image(s)
View the CFP on our webpage here: http://pi.library.yorku.ca/ojs/index.php/pivot/announcement/view/103/
Sometimes silence is not golden – just yellow.
When they hold their tongues, they cry out.
Do digital platforms change the way we remember? How will the myriad tracks we leave behind through social media and our online presences shape the historical practices of the future? When and how do digital technologies in the classroom move from being novel experiments to transparent modes of teaching? How does digitization reshape archives and archival methodologies? How does metadata contribute to forgetting and the shape of memory? How do we define and put into practice the growing field of Digital Humanities?
Call for Papers: Experimental Writing and Aesthetics
Abstract/Proposals by 16 November 2012
Southwest/Texas Popular & American Culture Associations 34th Annual Conference
"Celebrating Popular/American Cultures in a Global Context"
Albuquerque, NM, February 13-16, 2013
Hyatt Regency Albuquerque
Albuquerque, NM 87102
Panels are now forming on topics related to Experimental Writing and Aesthetics in contemporary American poetry in such areas as
• the aesthetics of experimental writing in any genre or in multi-genre/multi-media works including digital and graphic compositions involving language,