We seek essays for an edited collection on the topic of innovative criticism. Building on the work of the autobiographical or creative modes popularized in the late 1980s and early 1990s, this collection assembles essays that explore the alternative methods, approaches, and practices that experimental, innovative, alternative, minor, and/or avant-garde texts call for or require. As such, this collection acknowledges that the act of literary or cultural criticism is not neutral or distanced but is a personal and politicized practice that performs critical authority and expertise according to understood and agreed upon critical conventions.
III Annual LANGSA Graduate Conference
February 23rd 2013
University of Connecticut
CALL FOR PAPERS
Open Humanities. Multifaceted Approaches for the 21st Century
Call for Papers and Reviews
Wreck – University of British Columbia Graduate Journal of Art History, Visual Art & Theory, Volume 4 (2012)
Processes of Change: Translation, Metamorphosis, and Conversion
"Change alone is eternal, perpetual, immortal." – Arthur Schopenhauer
(text, media, culture)
2013 NATIONAL CONFERENCE OF THE POPULAR CULTURE / AMERICAN CULTURE ASSOCIATIONS
The Horror Area co-chairs of the Popular Culture Association invite interested scholars to submit proposals for papers or complete panels on any aspect of horror in fiction, cinema, television, gaming, theory and culture for the 2013 PCA/ACA National Convention to be held in Washington, DC. The conference runs from 27 to 30 March, 2013.
Dr. James Iaccino, The Chicago School of Professional Psychology, Chicago, IL
Dr. Carl Sederholm, Brigham Young University, Provo, UT
Kristopher Woofter, Concordia University and Dawson College, Montréal, QC
This panel will explore the 'cognitive turn' in literary studies as it emerges in contemporary American fiction and non-fiction. Since George H. W. Bush declared the 1990's the "decade of the brain," there has been a surge of cross-disciplinary work done at the site of cognitive studies, neuroscience and the humanities. For example, scholars such as Lisa Zunshine and Paul John Eakin have called for literary methodologies that account for cognition and perception in their analyses. Additionally, a growing number of fiction and non-fiction texts use cognitive studies and neuroscientific research to upend generic constraints, as well as challenge assumptions about how we construct, perceive, and describe the world and ourselves within it.
Since the early 1990's, the internet has increasingly influenced how cultural texts are read and disseminated. This media shift has transformed long-held notions of publicness, authority, and the archive. For media scholar Lisa Gitelman, media history is about nothing less than the 'experience of meaning' (18), an experience that the web has changed by 'eschew[ing] the punctual logic of more conventional public discourse' (144). This panel enters ongoing debates about the internet's influence on literature, critics, and their publics, exploring how new media's social network shapes fiction and the critical reading practices that make sense of it.
Call for Panels and Papers
Writing by Degrees 2012
October 19-20th, 2012
Binghamton, New York
The Bundy Museum
Writing by Degrees, the nation's oldest graduate-run creative writing conference, is now accepting paper and panel proposals for its 2012 event—a two-day celebration of writing, pedagogy, and community building at Binghamton's historic Bundy Museum.
44th Annual Convention, Northeast Modern Language Association (NeMLA)
March 21-24, 2013
Host Institution: Tufts University
CALL FOR PAPERS
Nexus: A Journal of Cultural Studies has been envisaged as a premiere journal in Pakistan in the field of literature, language, art, culture, and screen studies. The journal aims at re-vitalizing scholarly debate regarding all aspects of culture and civilizational identity in Pakistan, South Asia, and the Middle East by publishing cutting-edge research from and about the region.