Catalogued at the National Library in Ottawa, Canada, the quint: an interdisciplinary quarterly from the north is now in its fourth year of publication. Publishing top quality academic articles, poetry, fiction, reviews, and art, the quint welcomes a diversity of disciplines and methodologies from the humanities and social sciences. The quint's thirteenth issue is issuing a call for theoretically informed and historically grounded submissions of scholarly interest—as well as creative writing, original art, interviews, and reviews of books. The deadline for this call is 20th May 2012—but please note that we accept manu/digi-scripts at any time. Links to the quint are accessible at www.ucn.ca.
In the past two decades, there has been a surge of literary and critical environmental works. Although ecocriticism has been a flourishing field of inquiry for some years now, literary critics are just beginning to explore literature and the environment from postcolonial perspectives. Postcolonial eco-/environmental criticism, albeit belatedly, has become a burgeoning field in the past few years. However, most eco-/environmental critics are heavily focused on contemporary environmental texts, so little or no attention has been paid to the aspects of nature in British or in Anglo-phone modern literature. Nature or the environment is rarely considered a part of the imperial colonial process in analyzing modern literary works.
CFP: Simulated Childhoods--Mechanized Children.
With apologies for cross-listing.
Eighth Biennial Conference of the Society of Early Americanists
February 28—March 2, 2013
CFP: Culinary Contact Zones: Charting Transatlantic Exchange in Early American Food Culture
Panel Organizer: Christopher Farrish
World Picture Journal Annual Conference
University of Sussex, Brighton
2-3 November 2012
Felix Ensslin, Staatlichen Akademie der Bildenden Künste, Stuttgart
Alberto Toscano, Goldsmiths College, London
The annual World Picture Conference gathers scholars from a range of different disciplines to address the relation between critical theory, philosophy, and aesthetics. For this year's meeting we welcome papers on questions of action. Such considerations might include (but are in no sense limited to):
From the pilgrimage of body and soul in Gonzalo de Berceo's Milagros de Nuestra Señora and the nautical textual voyage in Columbus' Diario de a Bordo, representations of the migrant in modern Iberian and Latin American literatures, trope of the "journey" has been essential in shaping literary discourse from the Middle Ages to the present. The word "journey" is understood here as a comprehensive that can encompass all kinds of travel – physical, emotional, mental, spiritual – one place to another, near or far, whether it be by land, sea, air, or the imagination regardless of motives, means, and goals.
Call For Papers
"FOUR-FOOTED ACTORS: LIVE ANIMALS ON THE STAGE"
12-14 December 2012,
University of Valencia, Spain
The aim of this conference is to explore the role of live animals on the stage, from the early modern era to the present time. Papers dealing with visual or textual representations of performing animals, typologies of animals in the theatre, the hybridisation of the drama with the circus, the zoo and the cinema, as well as the semiotic transfer of animal roles from the text to the stage are particularly welcome. Corollary topics may also include, but are not limited to:
The Tucson Bradbury Chronicles: Mars _is_ The West
Edited by Gloria McMillan
Although this essay collection is keyed to the fact that Ray Bradbury spent a formative teen year in Tucson, Arizona, that impressed his young mind, largely shaping his metaphorical Mars, we are interested in broader issues and perspectves about Ray Bradbury as a bridge-builder and boundary-crosser.
He took up issues only now gaining something like a full airing. "I See You Never,"
(_The New Yorker_, Nov. 8, 1947) is perhaps the first story in an American literary magazine taking up the plight of undocumented Mexican workers in the US.
Call for Papers
Unlike traditional theories on hybridity that consider multicultural infusions, and at times profusions of colonial migrations, postmodern literature illuminates neo-hermeneutics of what Gayatri Spivak calls segregated subalterns, "the lowest strata of the urban subproletariat." This panel is interested in investigating these ideas in nineteenth- and twentieth-century British, American, Eurocentric, and Asian literature and thought. The post-Enlightenment text is an unpalatable interjection written by a set of cultural shifters who defy imperial homogeneity, political and economic unions. In Colonial Desire: Hybridity in Theory, Culture and Race, Robert J. C.