Conference Date: Friday, April 30, 2010
Location: University of California, Irvine
Deadline for the submission of abstracts: February 5, 2010
Conference Date: Friday, April 30, 2010
Terrain Vague: The Interstitial as Site, Concept, Intervention
This collection of essays will focus on terrain vague—marginal, semi-abandoned space in or along the edge of the city—as abstract concept, specific locale, and subject of literary, architectural, or otherwise artistic intervention.
MYTH, LITERATURE, AND THE UNCONSCIOUS
Date: 2-4 September, 2010
Venue: Wivenhoe Park Campus, University of Essex, Colchester, UK
The Centre for Myth Studies at the University of Essex is pleased to announce an international conference on "Myth, Literature, and the Unconscious" to be held at the Wivenhoe Park campus, 2-4 September, 2010. We invite proposals for papers (of 20 minutes duration), or panel sessions, dealing with the conjunction of myth, psychoanalysis, and literary-artistic activity. While proposals on any aspect of myth, literary, and psychoanalytic studies are very welcome, the organisers would particularly encourage interdisciplinary contributions. The topics might include, but will not be confined to:
A journal published by The College of The Bahamas
School of English Studies
CALL FOR SUBMISSIONS
Lucayos is looking for submissions of papers 20-25 pages in length on art, film, literature and culture of the postcolonial world. The journal also invites submissions of creative pieces, specifically poetry, life writing, essays, and short stories. Submit works in full by March 30, 2010.
CALL FOR PAPERS
WORD / IMAGE / CULTURE
25th Annual Interdisciplinary Conference in the Humanities
Sponsored by the Department of Foreign Languages and Literatures of the University of West Georgia: November 11 – 13, 2010
Adaptation- Call for Papers
University of Washington, Seattle. May 20 - 21, 2010.
Keynote Speaker: Paul A. Harris, Associate Professor of English at Loyola Marymount University (Los Angeles).
Culture After Postmodern Culture
To celebrate 20 years of publication, the journal Postmodern Culture is holding a conference, "Culture After Postmodern Culture," at UC Irvine October 9, 2010. The conference asks what culture means today and examines ways it is challenged by new discourses on ecology, the animal, sexuality, materialism, anthropology, the trans-state, and new media, among others. It also asks how methods for investigating culture have changed over the last two decades. The conference is expected to lead to a special issue in the journal.
Keynotes: Alexander Garcia Düttmann and Manuel de Landa
Hosted by the Graduate Students in English Association, the UNT Critical Voices Conference is organized to meet the needs of advanced undergraduates, graduate students and new professionals. The conference welcomes academics of all levels for a weekend of intellectual debate, cultural experiences, and networking.
Overview: Tzvetan Todorov defines the Fantastic (or Fantastique) as the "duration of...uncertainty" when one is unsure whether the Fantastic is real, illusory. The CSUN Sigma Tau Delta & Honors in English Colloquium invites you to submit abstracts on a wide range of literary topics related to the Fantastic, including:
* the Bizarre (queer, or strange)
* the Imaginary and Visionary
* the Grotesque
* the Radical (departure from tradition or 'normalcy')
* the Gothic, Fantasy or Science Fiction
specs, a journal of arts and culture, invites submissions of critical and/or creative work for the 3rd volume on the theme of "Toys." We seek works of fiction, non-fiction, cultural criticism, artwork, poetry, and pieces that blur genre boundaries. The editorial board consists of writers and academics from various fields. We are excited by specialty, an excess of detail, fragments, narratives, meta-narratives, and more. We are particularly interested in works that examine contemporary culture and/or cross the critical/creative divide while riffing on the theme of "Toys" in multiple ways (philosophy, anthropology, mythology):
Estetika welcomes contributions in English or German on all topics related to aesthetics, the philosophy of art or the history of aesthetics, especially on (but not limited strictly to) the possibilities of the transformation and re-description of traditional concepts (such as the aesthetic experience and the aesthetic object); the cognitive and social dimensions of the Aesthetic (das Ästhetische); the emotions and affects; the history of aesthetics; the history of aesthetics as an institutionalized discipline; and, last but not least, the definition of aesthetics in contrast to traditional and more recent disciplines (such as the theory of art, the psychology of art, cultural theory, and visual theory).
To some this title may seem paradoxical or too daunting as human cognition starts with the very opening of the eyes. If we have established that our approach to the phenomena that are other is always unavoidably a matter of semiosis, and that even in an attempt to naturalize phenomenology, like that of Maurice Merleau-Ponty, who points to the corporeity of consciousness as much as an intentionality of the body, it appears that our most negligible movements present our cultural being or habituality (Cf. Iris Young, Throwing Like a Girl, 1990, 2005). However, many authors have claimed (for example, the novelist D. H. Lawrence or philosopher Luce Iragary) that we know by touch and intuition.
Call for Papers:
McGill Graduate Group for Feminist Scholarship (GGFS) presents:
Thursday, May 13, 2010
McGill University's Graduate Group for Feminist Scholarship requests papers for our annual interdisciplinary symposium on Thursday, May 13, 2010. This year's conference theme is: "Performing Feminism(s): Gender and Sexuality on Display." We invite papers on this topic from scholars engaged or interested in feminist, gender, LGBTQ, and sexuality studies across disciplines, although interesting proposals on any relevant topic will be considered.
Instrumental English: Interdisciplinary
Approaches to English Studies
UNCW Graduate English Association Conference
University of North Carolina Wilmington
Saturday, April 24, 2010
Fisher Student Center
The field of English Studies grows increasingly complex as the 21st century progresses. With
rapid political, social, and technological advances occurring globally, our multifaceted discipline
is more relevant than ever. This conference seeks to celebrate the universality of English Studies
and emphasize its utility and congruence with other academic disciplines.
Keynote Speaker: Prof. Peter Hutchings (University of Northumbria, UK)
The figure of the werewolf has haunted art, literature and culture for millennia. While not as common as their male counterparts, female werewolves appear in a variety of texts, of different genres and different cultures. From transcripts of witchcraft trials to Buffy, the female werewolf and her shapeshifting sisters continue to challenge, excite and entertain.
Conference Dates: 9 - 10 September 2010
This conference will explore representations and cultural meanings of female werewolves and other female shapeshifters, and the perennial fascination of these creatures. Papers are sought from researchers in all disciplines.