Writing the Self and its Shame - CFP (ACLA 2020, Chicago)
The Southeast Asian American Section of the Association for Asian American Studies invites submissions for a panel:
Trauma and Southeast Asian American Studies
Association for Asian American Studies 40th Conference
April 9 – 11, 2020, Washington, DC
“Ethical Dramaturgies”: a special issue of Performing Ethos: An International Journal of Ethics in Theatre & Performance
The history of the relationship between theatre and ethics laid out by Nicholas Ridout in the eponymous 2009 book from Palgrave’s Theatre &Series describes the relationship of ethics to theatre in the Western tradition as a shift in focus from ethical dramatic content to ethical theatre practice. Following Ridout’s argument, this special issue of Performing Ethos, “Ethical Dramaturgies,” engages ways of writing, working, and presenting performance as they show up in historical and contemporary theatre, performance, and production practice.
Open Philosophy journal (http://www.degruyter.com/view/j/opphil) invites groups of researchers, conference organizers and individual scholars to submit their proposals of edited volumes to be considered as topical issues of the journal for 2020. Proposals will be collected by October 31, 2019. To submit your proposal please contact Dr Katarzyna Tempczyk at email@example.com Open Philosophy is a
From Fredric Jameson’s The Political Unconscious (1981)to Toni Morrison’s Playing in the Dark (1992), theories of narrative so often double as theories of violence, the one theory reciprocally informing the other. For Jameson, the Marxian violence of exploitation central to the long history of capitalism can be interpreted from the internal dynamics of narrative form: just as capitalism works to repress the true reality of its oppressive mechanisms, narratives work to repress the true reality of History itself (that being, the grand narrative of class struggle).
What is it to be human? How can we best live our lives in today’s complex world? What values show humanity at its finest, and how can these be cultivated?
CFP for NeMLA 2020, March 5-8. Boston, MA Panel Session: Visibility of the Invisible: The Idea, Theory, and Ontology of Trace
This panel invites proposals to examine the notion, theory, idea, and ontology of the trace and the ways in which it can be deployed in literature, critical theory, image studies, art, film, and other media and disciplines.
From its rudimentary manifestations as smoke and fire and footprint, to theological significations of the image of Jesus on the Shroud of Turin, the trace, as a visible marker of an absent presence, generates a compelling milieu to meditate on the proliferation of meaning in text and image.
Call for Papers for ACLA 2020 Seminar (Chicago, March 19-22)
Inviting paper abstracts for a proposed seminar for the upcoming American Comparative Literature Association conference, to be held in Chicago, March 19-22, 2020. Submit abstracts by September 23, 2019, via the ACLA website: https://www.acla.org/legal-forms.
Depending on the institution, the department, the politics, and the history of a space, composition and literature faculty often face constant pressure to legitimize or explain the work that we do. However, few opportunities are available to do so in real and tangible ways with departments and faculty outside of our own. This panel seeks to explore the ways that writing and English courses function within and across institutions throughout the country in an effort to develop real-time strategies that increase the visibility of our work, including its interdisciplinarity. How can we increase collaboration with faculty outside of our own silos in order to foster a stronger writing culture across campuses?
51st NeMLA Convention | March 5-8, 2020 | Boston, MA
Feminist film critics have pioneered work on the intimate relationship between gender and genre, thus problematizing and unsettling long-standing dominant narratives, structures of looking, and spectatorial positions. Indeed, much of the work by feminist filmmakers showcases an innovative use of genre conventions that opens up new narrative avenues and destabilizes audiences' expectations. Considering its historical dimension, the notion of film genre becomes an invaluable category and analytical tool to explore questions not only of sexual difference, but also of sexual orientation, race, class, or culture.