ASAP/Journal seeks critical and creative contributions for a guest-edited special issue on “autotheory.” Fusing self-representation with philosophy and critical theory, autotheory moves between the worlds of “theory” and “practice,” often exceeding disciplinary boundaries, genres, and forms. This special issue embarks on a rigorous investigation of the autotheoretical impulse as it moves across medial, disciplinary, and national borders from the 1960s to the present. In dialogue with scholars, artists, and activists, this issue will broach the central question: What are autotheory’s conditions of possibility, and what are the political, aesthetic, and cultural effects of this theoretical turn in contemporary cultural production?
Practicing Evidence – Evidencing Practice. How is (Scientific) Knowledge Validated, Valued and Contested?
International Conference and Pre-Conference Workshop. 19-21st February, 2020, Munich
The Humanities Center at Texas Tech Annual Conference 2020: “Justice”
Texas Tech University, Lubbock, Texas
April 3-4, 2020
NeMLA 2020 Seminar
Boston, March 5-8, 2020
This seminar seeks to explore the current engagements with "New Sincerity" in literature from Central and Eastern Europe. It expands the geographic borders of discourses on "New Sincerity" by moving beyond the North American and post-Soviet contexts. It also aims to examine the changes to the "New Sincerity" aesthetic in an age of "post-truth" and more than two decades after David Foster Wallace’s call for writers who are "too sincere."
This panel examines the teaching of college writing, rhetoric, and composition in the digital age by exploring rhetorical situations, genres, and technologies in both the professional and academic realms, with particular attention to digital rhetoric, pedagogy, information and media literacy, and literary and cultural studies. This panel engages deeply with NeMLA’s conference theme of “shared spaces and places” online and in the classroom, and focuses on the cutting-edge of “shaping languages and cultures” in the digital sphere.
ACCUTE Member-Organized Panel: Fangs, Claws, and Pariahs: Victorians vs. the Creature
Congress of the Humanities and Social Sciences, Western University, London, Ontario, May 30-June 5, 2020
About Chalchitra Darpan
Chalchitra Darpan is an upcoming film journal by Celluloid, the Film Club of Miranda House, University of Delhi. The journal is a medium to bridge the gap between film academia and undergraduate research. It aims at encouraging film and media enthusiasts towards analysing the ever-changing field of films.
Editors-in-chief: Giitanjali and Oli Chatterjee
Opening Edition: Urban Spaces
Urbanisation and urbanity have brought with them new cultures, artistic avenues and opportunities. The cultural perceptions of a city, its conception, its morality and its decline have become an arena for discussions of modernity, technology, crime, theology, nostalgia and much more.
Can we theorize World Literature as an intellectual and creative practice of resistance against the cultural imperialism embodied by the idea of the Global, the celebration of what Graham Hubbard calls the “postcolonial exotic,” and the hegemony of the English language? Is there a degree of antagonism between World Literature and the Global--or between the notions of translation and lingua franca? In what ways have these various terms been conflated or exchanged, and what do these conceptual entanglements tell us about the stakes and methodology of World Literature as a theory, a field of inquiry, and an institution?
“A thing is when it isn’t doing”, writes Brian Massumi in Parables for the Virtual: Movement, Affect, Sensation (2002: 6). But the thing is always doing, so much so that the thing, any-thing, is constituted through the doing. Every-thing is fundamentally relational. Given this starting point, the key terms of the onto-politico-aesthetic debate change; they are: affect, immanence, movement, intensity, emergence, becoming, event, virtual, nature-culture, space-time.