CALL FOR RESEARCH PAPERS
NEW ACADEMIA - (ISSN 2277-3967) (PRINT)
AN INTERNATIONAL JOURNAL OF ENGLISH LANGUAGE, LITERATURE AND LITERARY THEORY
Vol.1 Issue 3: July 2012
CALL FOR RESEARCH PAPERS
Alternative Modernisms: An International, Interdisciplinary Conference
16-18 May 2013
Professor Jean-Michel Rabaté (University of Pennsylvania)
Professor Griselda Pollock (Leeds University)
Professor Ástráður Eysteinsson (University of Iceland)
CALL FOR PAPERS
Strange Contraries in thee combine,
Both hell and Heaven in thee meet,
Thou greatest bitter, greatest sweet
No pain is like thy pain, no pleasure too like thine.
John Norris, 1687
From Cover to Cover: Reading Readers
Department of American Culture and Literature
30th Anniversary Conference
November 7 – 9, 2012
The BCLA invites conference papers on the theme of migration for its triennial convention, to be held at the University of Essex, UK, July 8-13 2013.
Debts to the Moor: Influences, Adaptations, and Citations of Shakepeare's Othello
In The Varieties of Religious Experience, William James informs us that the mystical state operates in an ineffable realm and, as such, language remains incapable of accurately narrating or textualizing the mystical experience. And yet, mystical literature has attempted to find expression for what, ostensibly, can be described as an absence, a lack, a debt within the normative structures of communicative and discursive language. If the mystical experience inhabits a landscape beyond the limits and borders of language, how do writers find the words to describe the ineffable? How do form, word-play, negative dialectics and deconstructive tendencies help structure, out of an absence, a mystic analysis or language of unity?
The Wide Net, the country's first journal of exclusively Master's level research in English and cultural studies invites submissions for its summer issue: Bread and Circuses.
"Bread and Circuses": the possible catchphrase of all politics. The Romans used it in its most literal sense, yet our tribunes and senators still defer to its symbolic significance. While we constantly worry about our bread in these depressed economic times, we are also constantly subjected to a 24-hour view of the gladiatorial arena of our cultural circus. For our second issue we want to examine the contemporary cultural relevance of the phrase.
In the recent anthology Shakesqueer (2011), Madhavi Menon claims, "Reading Shakespeare as queer rather than queered challenges the rule of chronology and identity that has thus far kept his poems and plays from exercising queer agency." This panel takes up Menon's urge to reconsider the relationship between queer theory and the early modern, welcoming papers that read early modern literature, both Shakespeare and beyond, as a body of queer texts, rather than historically distant productions at which we might look through a contemporary queer lens.
The book responds to the vivid development of hip-hop culture in the Eastern and Central and Eastern European states and shows how a universal model of hip-hop serves as a contextually situated platform of cultural exchange with a number of meaningful and important functions and implications. The volume takes up the challenge of showing how hip-hop became an intrinsic element of urban environments in this part of the world, what impact it has on the mainstream culture and what functions it serves in different contexts. The book's content, besides tracking hip-hop's development, exhibits and explains hip-hop's functions and receptions of hip-hop in the national cultures in the spheres such as lifestyles, social structure, politics or consumer trends.