Nicole Brossard's Mauve Desert is a feminist intertext, which Susanne Lotbiniére-Harwood's Re-Belle Et Infidéle states: "Is a body of text written in the feminine by feminists rereading and rewriting what other feminists have written and spoken" (126). Throughout history, the privatized female semantic space inhibited the bilingual nature of the woman and her ability to speak in both the dominant, masculine language system and her own muted tongue, which, in turn, allows her to succeed in the art of translation.
James E. Portar states, "not infrequently books speak of books. Not infrequently, and perhaps ever always, texts refer to other texts and in fact rely on them for their meaning." In my paper, I wish to explore intertextuality—how writers draw ceaselessly from the past, highlighting the transience and fragility in their own narrative, and how the mere rendering in two stories of analogous setting, characters, and plot, can change meanings inexorably. Specifically, I will analyze Shakespeare's "The Tempest" alongside its 21st century counterpart "Eastwords" by Kalyan Ray.
BHAGVAD-GITA; Anthology of Essays; June 30, 2012.
Contributions are invited from scholars and writers from any discipline across the world for an Anthology of Essays on BHAGVAD-GITA to be published this year by an Indian publisher of international repute. The essays must focus on the contemporary relevance of the philosophical thought contained in this time-honoured text. The essays may include the following issues, but may take up other significant issues as well:
Romantic Circles Pedagogies invites submissions for a special volume on translation theory in the classroom. Possible topics include:
CFP for international conference on images, space, and acts of "seeing": The Nomadikon Centre, University of Bergen, Norway and The College of St. Rose, Albany, New York, USA invite paper proposals for the 6th Nomadikon Meeting: "Ecologies of Seeing or Seeing Whole: Images and Space, Images within Images." The Conference will be held Sept. 27-29, 2012 on The College St. Rose campus in Albany, New York. The conference theme reflects an overall interest in the process of seeing itself, with "seeing" suggesting but certainly not limited to physical sight, but inclusive of an embodied "seeing." The conference is interdisciplinary and invites papers on film, painting, photography, performance, music, material culture, and literature.
** Apologies for cross-posting **
Expressions of interest are invited from scholars across the humanities interested in philosophy, theatre and performance to contribute to an edited volume on:
Žižek and Performance
Jonathan Franzen: Identity and Crisis of the American Novel
University of Córdoba, Spain, 18-19 April 2013
The Department of Italian Studies at the University of Bologna (Italy) is now accepting submissions for its next issue (n. 6/2012) of Scritture migranti, an international journal dedicated to writing on migration.
Interested scholars should send a complete essay or an abstract of approx. 20 lines by June 20, 2012 to the editorial committee: firstname.lastname@example.org .
For some time now, philosophers, sociologists and neuroscientists have started to look once again at the world of emotions and passions to try and understand the mechanisms behind them. The development of this field of inquiry bears witness to a renewed fascination for human behaviour. Many disciplines seem to be characterised these days by this 'affective turn', which has led to fresh attention to the nature of artistic and literary expression, and for its capacity to illustrate the physical and ethical dimensions of feeling.