In "The Site of Memory," Toni Morrison claims that as an African American writer her literary heritage is the autobiography, the slave narrative. Quoting Harriet Jacobs, Morrison claims that a central trope of the slave narrative is occlusion, leaving the unspeakable unspoken. However, for Morrison, a writer heavily indebted to her formerly enslaved precursors, "the exercise is very different. [Her] job becomes how to rip that veil drawn over "proceedings too terrible to relate." Morrison pays her literary debt to these authors by revealing that to which they were unable. In what ways do 20th and 21st Century black American authors struggle with or against their 19th Century literary heritage? Or even their early twentieth century heritage?
Seeking critical essays (20-30 pages in length) on works of fiction that feature the disaster of Hurricane Katrina within the narrative.
Following the successful launch of the inaugural Samuel Beckett Summer School last July, Trinity College Dublin is delighted to announce that this year's school, whose patron is Edward Beckett, will take place on campus from July 15 - 21, 2012. The weeklong celebration of the Nobel-Prize-winning Irish writer is designed to draw scholars, students and enthusiasts from around the world to explore his work in the very location where Beckett, as a student, began his distinctive intellectual and creative life.
The Harry Potter area of the Midwest Popular Culture Association/Midwest American Culture Association invites panel and paper proposals for its annual conference. The conference will be held from October 12-14, 2012 at the Renaissance Columbus Downtown Hotel in Columbus, Ohio.
Proposals and abstracts of about 250-300 words on any aspect of Harry Potter are welcome, although topics focusing on Pottermore or Harry Potter within the context of literary history are of particular interest this year.
Please submit proposals and abstracts to the Area Chair. Electronic submissions should be sent to Orlando Dos Reis, Kansas State University at email@example.com. Deadline for submissions is May 30, 2012.
BIG DATA AND UNCERTAINTY IN THE HUMANITIES September 22, 2012, University of Kansas
This conference seeks to address the opportunities and challenges humanistic scholars face with the ubiquity and exponential growth of new web-based data sources (e.g. electronic texts, social media, and audiovisual materials) and digital methods (e.g. information visualization, text markup, crowdsourcing metadata).
Journal Announcement and Call for Submissions
Monsters and the Monstrous
Volume 2, Number 2, Special Issue on Monstrous Pedagogy: Teaching and Reading the Twilight Saga
As we approach the release of the final cinematic installment of the Twilight Saga we want to focus on monsters and pedagogy and in particular the relation between "Twilight and the Classroom". How do we teach Twilight? Why do we teach Twilight? Should we teach Twilight?
The Editors welcome contributions to the journal in the form of articles, reviews, reports, art and/or visual pieces and other forms of submission on the following or related themes:
We invite papers of high literary standards by scholars in the field of Indian Writing in English to contribute to a book to be published by McFarland & Co., Inc., USA in 2013. We encourage only Poststructuralist / Postmodernist / Cultural / Postcolonial / Globalization perspectives. Papers focusing the works of Amitav Ghosh, Anita Rau Badami, Chrostopher Cyrill, Shani Mootoo, Bapsi Sidhwa, Gita Mehta, Chitra Banerjee Divakaruni, Sujata Bhatt will be preferred.
Over thirty sessions for the 2012 PAMLA Conference to be held October 19-21, 2012, at Seattle University, have extended their proposal deadline through Tuesday, May 15 (see list below). To see more about the conference, or to submit a paper proposal to one of these sessions, please visit:
Sessions still in search of panelists include:
The overwhelming success of Gertrude Stein's The Autobiography of Alice B. Toklas finally confirmed Stein's celebrity status in the United States in 1933. Yet she lamented that she had become known less as an important author than as the host of a Parisian salon in which famous writers and European painters gathered amidst her collection of modern art. Her earlier, more challenging writing continued to go unnoticed and unpublished despite the wide public appeal of the autobiography and the success of Virgil Thomson's production of Stein's opera Four Saints in Three Acts in 1934.
Proposals will be accepted for this panel until May 15.
This panel welcomes any paper on allegory as either a strategy of interpretation or a mode of literary construction. Especially encouraged are papers engaging with allegory in unconventional or theoretically challenging ways: finding allegory in unusual places; interrogating long-held assumptions; rethinking historical or contemporary critical discourse. Genre and period are open.
Please contact the organizer, Brenda Machosky, with inquiries or submissions. 50-word abstracts and 500 word proposals will also need to be submitted through the PAMLA conference site.