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Gender in English Studies International Symposium 2012 (19-21.10.2012)

updated: 
Monday, February 27, 2012 - 6:08am
English Department, Szczecin University, Poland

GES 2012: 'The fluidity and contestability of gender and sexuality'

The aim of this symposium is to contribute to the academically informed discussion on gender within Anglophone and Celtic linguistics and literature as well as culture studies. To explore gender issues from a variety of perspectives, we plan to organize plenary lectures and themed sessions on the topics of the fluidity and contestability of gender and sexuality. The point of departure for the conference is the assumption that gender-related processes take place in context (spatio-temporal, social, cultural and political etc.) and need to be investigated as such.

[UPDATE] Environmental Utterance: A Performative Conference, 1-2 Sep 2012 (CFP deadline 31st March 2012)

updated: 
Monday, February 27, 2012 - 5:52am
University College Falmouth

ENVIRONMENTAL UTTERANCE
- A Performative Conference -

Sat 1 to Sun 2 September 2012

CFP Deadline: 31st March 2012

What is the relationship between structures of dissemination and the environment that our (creative) practice is concerned with/seeks to convey? What is the relationship between the academic environment and the work we produce? How do we utter (repeat/recreate) our environment?

Material Religion in Modern Britain and her Worlds

updated: 
Monday, February 27, 2012 - 4:47am
Lucinda Matthews-Jones (Liverpool John Moores University) and Tim Jones (University of Glamorgan)

This two-day symposium will explore material cultures of religious belief and faith in modern Britain. As Birgit Meyer, David Morgan, Crispin Paine and S. Brent Plate have recently pointed out, studying material objects provides us with an alternative evidence base in the study of modern religious belief (Birgit Meyer et al; 2011). Yet few attempts have yet been made to do so. While many scholars now concede that Britain's religious landscape is more varied and rich than the narrative of secularisation allows, a tendency remains in the historiography of religion to privilege written sources over material manifestations of religion. This means that all sorts of belief practices have been overlooked.

Being More than Ambivalent Towards Race: Class in Contemporary African American Literature

updated: 
Monday, February 27, 2012 - 12:10am
Midwest Modern Language Association (MMLA)

In keeping with the theme of "Debt" for the 2012 Midwestern MLA conference, this panel is interested in the class implications that contemporary African American literature offers its readership. Since the first letters written in African American literature, money has had a central place in claims for independence, subjectivity, and resistance. How has this understanding of subjectivity and resistance changed in a late twentieth/ twenty-first century context? To what extent is contemporary African American literature invested in the American dream of financial well being that characterized earlier writing?

Ecologies of Seeing or Seeing Whole: Images and Space, Images within Images conference Sept 27-29, 2012 (proposals due May 10

updated: 
Sunday, February 26, 2012 - 3:57pm
The Nomadikon Centre, Bergen, Norway & The College of St Rose, Albany, NY USA

The Nomadikon Centre, The University of Bergen, Bergen, Norway and The College of St. Rose, Albany, New York, USA invite paper proposals for the 6th Nomadikon Meeting: "Seeing Whole: Images and Space, Images within Images." The Conference will be held Sept. 27-29, 2012 on The College St. Rose campus in Albany, New York. The conference theme reflects an overall interest in the process of seeing itself, with "seeing" suggesting but certainly not limited to physical sight, but inclusive of an embodied "seeing." The conference is interdisciplinary and invites papers on film, painting, photography, performance, music, material culture, and literature.

Hannah Arendt and American Literature: MLA 2013: due 3/15

updated: 
Sunday, February 26, 2012 - 12:52pm
Matthew Stratton (UC Davis) + Patrick Redding (Manhattanville College)

Call for Papers: MLA 2013
Proposed Special Session: "Hannah Arendt and American Literature"

The organizers seek papers that address any aspect of Hannah Arendt's philosophy or cultural criticism as it illuminates literatures of the United States from any historical period. We are particularly interested in papers that look beyond Arendt's immediate position among New York Intellectuals. Potential topics include the concepts of expatriation, her re-working of Kantian judgment as a critique of democratic representation, evolving relationships between public and private, or the possibility of an American communism "after Marx."

The Erotics of Post Project (from MLA 2012)

updated: 
Saturday, February 25, 2012 - 7:05pm
Carmen Derkson

"But between the past which no longer is and the future which is not yet, this moment when [we] exist is nothing" –from de Beauvoir's _The Ethics of Ambiguity_

Seeking essay proposals for a book on The Erotics of 'Post': Reparation, Practice, Theory. At the recent MLA 2012 conference (Seattle), I sought essays engaged with poetics, subjectivities, especially feminisms, and the eroticism of post—its implicit delays, lingering temporal modalities, and totalizing narratives—for my panel "Re-Fashioning the Poetics of 'Post'; Or, How to Imagine Beyond Postmodernism." Successful proposals will grapple with the current interdisciplinary manifestations of "post" while positing a working practice or approach for contemporary theory in the present.

[UPDATE] MEDIASCAPE - "History and Technology in Cinema, Media, and Visual Culture" - Spring 2012 Issue

updated: 
Friday, February 24, 2012 - 1:04pm
MEDIASCAPE, UCLA's Journal of Film, Television, and Digital Media


Call For Papers - MEDIASCAPE - Spring 2012 – "History and Technology in Cinema, Media, and Visual Culture"

MEDIASCAPE, UCLA's open-access peer reviewed journal for film, television, and digital media, is now accepting submissions for its next issue. This next issue considers the theme of History and Technology in Cinema, Media and Visual Culture. Guidelines for submissions to individual sections are below.

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