This session will explore poetic Modernism in terms of form and context, examining its simultaneous subversion and incorporation of what came before. Papers are invited to deal with the evolution of the craft demonstrated by major poets like Eliot, Pound, and Yeats or later poets such as Auden, MacNeice, and David Jones. Alternatively, we invite papers on poetic forms as a reflection of or reaction to the destabilized rhetoric used in the liberal and conservative political maneuvers leading up to WWI.
diacritics is launching a mini-series of thematic issues entitled "More than Global," to be published in volumes 41 and 42. "Humanists" may be facing an urgent task, or the discontinuous writing of what Susan Buck-Morss recently named a non-synthetic but "syncretic" take on world history and cultures. In this mini-series, we would like to bypass comparison, and go "more than global," in connecting discrete texts, phenomena, periods, images, languages, places—without unifying them. While certainly keeping in view the discourse of the social sciences, we seek to underscore the specificity of literary, critical, and philosophical thought in any sound attempt at reflecting on what "global" could mean anew.
diacritics is launching a mini-series of thematic issues entitled "Thinking with the Sciences," to be published in volumes 41 and 42. We believe it is now time for scholars in the humanities and the literary disciplines to think with the sciences (and not against, or instead of them). Our title also suggests that epistemology is necessary but not sufficient; and that the promotion of an ancillary use of philosophy and the arts as illustrations or aesthetic adornments for "scientific knowledge" is not what matters. We welcome bold, broad, interdisciplinary, and theoretically sophisticated submissions that could be of relevance to this series.
Cinephilia/Cinephobia: New Mediations of Desire and Disgust
University of Pittsburgh, November 9-11, 2012
Hosted by the Film Studies Graduate Student Organization (FSGSO)
Deadline: June 15, 2012
Keynote by Christian Keathley, Professor of Film and Media Culture at Middlebury College. Keathley is author of Cinephilia and History, or The Wind in the Trees (Indiana University Press, 2006), and currently at work on a book titled The Mystery of Otto Preminger, under contract with IU Press.
York University 2012 English Graduate Students' Association Colloquium:
November 9-10, 2012
Prophecies of a 2012 end of days; Black Friday at Wal-Mart; Howard Beale in Network inciting viewers to scream "I'm as mad as hell and I'm not going to take it anymore!" From mass hysteria to individual neuroses, the elusive nature of frenzy lends itself to dramatically different conceptualizations across the disciplines.
As twenty-first-century critics we are inclined to think of medicine and religion as oppositional disciplines with incompatible approaches to the world. The "secularization thesis," promulgated in the work of Max Weber and other early-twentieth-century sociologists, has positioned scientific objectivity as replacing religious superstition, with medicine "switching sides" from a spiritual discourse controlled by ministers and shamans to a scientific one produced by doctors and researchers. But this relatively new thesis elides how, as anthropologist Linda L.
Edited Collection CfP: Pedagogies of the End: Teaching and Knowledge at the Fin de Siècle
Co-Editors: Dan Bivona, Arizona State University, and Helena Gurfinkel, Southern Illinois University Edwardsville
Traiter l'image comme un texte/
Traiter le texte comme une image
Lex-ICON : Treating image as text & text as image
Université de Haute-Alsace, Mulhouse
7-10 juin 2012
Co-organisé par Jennifer K Dick (UHA/ILLE), Océane Delleaux
(UHA/CREM/Edith), Éric Suchère (École Supérieure d'Art et Design de SaintÉtienne),
Didier Girard (UHA/ILLE), Jean-Robert Gerard (UHA/ILLE)
et Fréderique Toudoire-Surlapierre (UHA/ILLE)
Assistantes d'organisation : Claire McKeown, Anne Raimondo et Caroline Adam
Languagetalks 2012: Graduate Conference at Ludwig-Maximilians-Universität Munich, 8-10 November 2012
Languagetalks is an interdisciplinary conference series, organized at regular intervals by members of the structured Ph.D. programs ProLit (Promotionsstudiengang Literaturwissenschaft) and LIPP (Linguistisches internationales Promotionsprogramm), both affiliated with LMU Munich's Faculty for Language and Literary Studies.
Alles Mögliche. Sprechen, Denken und Schreiben des (Un)Möglichen / The Works. Of the (Im)Possible: Speaking, Thinking and Writing the (Im)Possible
The Shakespeare Institute Review is a new online academic journal, which is funded by the University of Birmingham College of Arts and Law. It is run by four research students at the Shakespeare Institute, Stratford-upon-Avon, UK.
Students at this institution, and on other postgraduate Shakespeare programmes, are invited and encouraged to contribute short papers for publication. Each issue of the journal will be themed.
We thought it exhilaratingly inappropriate, and so irresistible, to signal the birth of this journal with an issue looking at death.