------CFP DEADLINE EXTENDED------
Weird Council: An International Conference on the Writing of China Miéville
Saturday 15th September 2012
Senate House, University of London
School of Arts, Birkbeck, University of London
Sponsored by Gylphi: Arts and Humanities Publisher, Birkbeck, University of London and the University of Lincoln
Part of the Gylphi Contemporary Writers series
Professor Sherryl Vint (Brock University)
Professor Roger Luckhurst (Birkbeck, University of London)
Response and Q&A from China Miéville
CFP: Hitchcock's Children (working title)
KEYNOTE SPEAKER: Dr. Russell Berman (Stanford University)
How do various systems of authority (e.g. literary, political, sexual, cultural, economic, linguistic) seek to control individuals, groups, or cultural movements? How do individuals, groups, or cultural movements engage in resistance to subjection?
2012 PAMLA Special Topics Session. "The Art of Translation --Spanish & English. The Re-creation of A Literary Text" (19-21 Oct., Seattle)
In recent years we have witnessed a substantial recognition and a clear academic conceptualization of the literary translation and the way translators deal with the cultural and linguistic nuances that surround a literary text. Papers for this session will focus on shifts in the field with particular attention to the role of the literary translator in the process of restructuring and redefining translation as a solid scholarly discipline.
Proposed special session for the International Conference on Romanticism to be held at Arizona State University, Tempe, AZ, Nov. 8-11, 2012
General Editor: Zahi Zalloua (Whitman College)
We welcome contributions that examine the representation and staging of antagonism in comparative studies and literary theory. How might one conceive of antagonism today? Why are certain forms of antagonism readily made visible while others remain hidden--or simply disavowed? How does the field of literary studies manage its own antagonism(s)? Is antagonism--antagonistic rivalry between critics--a hindrance to the faithful work of interpretation? Or is it better understood as, or in terms of, the field's engine of change? Topics of interest could include:
For many of us, gaming the system and SF&F bring to mind Captain Kirk's solution to the war simulation game known as the Kobayashi Maru, but games and gaming have long enjoyed a privileged position in Science Fiction and Fantasy. Works such as Ender's Game by Orson Scott Card and The Players of Null-A by A.E. Van Vogt have a game as the central feature of the narrative; the fantasy quest narrative is essential to the development of role-playing games; video gaming is an important element of much cyberpunk fiction in general (Tron may deserve its own mention with regard to video gaming); more recent works by writers such as Charles Stross and Cory Doctorow use online gaming to structure their narratives.
The recent earthquakes in Chile, Christchurch and Japan have left a host of powerful images in the minds and memories of millions of people around the world. Film has always played a crucial role in the imagination of disaster. From its earliest days, cinema has registered the impact of seismic events. The aftermath of the 1906 San Francisco earthquake is recorded on film. In New Zealand, footage from the Napier earthquake of 1931 shows the destruction of the town. Hollywood even recast New Zealand in Green Dolphin Street (Saville, 1947) as the fictional setting for a special effects mega-quake and tsunami.
The Incorporation of American Literature