In recent years, increasing critical attention has been paid to the role of media in shaping experience and cultural memory. While the engagement with the past has been redefined as performative, rather than reproductive, the importance of different media for preserving, retrieving, forming, and producing narratives of nationhood has been emphasised. The special issue of Nordic Irish Studies on Cultural Memory and the Remediation of Narratives of Irishness is devoted to the significance of the mediation and remediation of traditional narratives of the nation for negotiating a sense of Irishness.
The eighteenth and early nineteenth centuries saw the eruption of violent conflict in the French and American revolutions, an industrial revolution sweep Britain, the prolonged hostilities of the Napoleonic wars, as well as the economic catastrophe of the South Sea Bubble. The period was also a time of upheaval in literature: philosophically, stylistically, generically and in the changing nature of the literary marketplace. Recent scholarship has continued to highlight the importance of political and intellectual debate to British literary output, as well as the battles taking place within literary circles and texts themselves.
Wayne Gretzky. Celine Dion. Rick Mercer. David Suzuki. Pierre Trudeau.
The list goes on and goes way back. Celebrity culture in Canada, although vastly under-estimated, continues to be a massive cultural and economic force to be reckoned with and such a reckoning is long overdue. This proposed edited collection seeks to uncover how celebrity operates in Canada when Canadian subjects, institutions, media, audiences and/or industries are involved.
This is a proposed panel for the International Canadian Studies conference "Meeting Places/Lieux de rencontre" organized by Saint Mary's University, Halifax, Nova Scotia & Mount Allison University, Sackville, New Brunswick, September 18-21, 2013. More information on the conference can be found here: http://www.smu.ca/events/meetingplaces/
Panel: "Nation/hood and Narratives of Place"
As Postmodernity has become the norm in culture, traditional boundaries among literary genres and other arts, technologies, and mass media have disappeared, infusing each other and blurring the boundaries that used to define them. This session explores this cross-discipline interaction through US or Canadian artistic and literary productions.
-A Performative Conference -
Sat 1 to Sun 2 September 2012
CFP Deadline: Saturday, 31st March 2012
What is the relationship between structures of dissemination and the environment that our (creative) practice is concerned with/seeks to convey? What is the relationship between the academic environment and the work we produce? How do we utter (repeat/recreate) our environment?
Topic: "Borders and Double-Consciousness in Ethnic American Literature"
Call for Papers: Issue 2.1
NEW Deadline extension: 20 April 2012
Special Theme: Evaluation, Critique, Prizes, and Peer Review
What are the best and newest methods for creating, evaluating, and disseminating scholarly and creative work? This question motivates the next issue of NANO. As digital formats help to foster new ways to share and critique written and artistic work, as more people try to squeeze through the narrowing bottleneck of publishing, approval, and jobs, something has to give, or at least change.
Four guiding questions:
I have received wonderful proposals so far, but I still need a few more to complete my first screening. Below please find my original CFP:
Disjointed Perspectives on Motherhood/ Pedagogies of the Reversed Maternal Image (Collection), 05-01-2012
full name / name of organization:
Catalina Florina Florescu, Hudson County CC/Metropolitan College
Disjointed Perspectives on Motherhood/ Pedagogies of the Reversed Maternal Image (Collection)
Editor: Catalina Florina Florescu, PhD