category: theory

Call for papers- Dental Hypotheses- 2010

full name / name of organization: 
Dental Hypotheses
contact email: 
kolahi_jafar@yahoo.com

We would like to encourage you to consider submitting your research papers to Dental Hypotheses.

Journals and Collection of Essays

full name / name of organization: 
The Indian Review of World Literature in Einglish -http://www.worldlitonline.net
contact email: 
ganesanbalan@yahoo.com

The Indian Review of World Literature in English
(http://www.worldlitonline.net)
Call for Papers

THE EVERYDAY

full name / name of organization: 
Hellenic Semiotic Society and Department of French Studies and Modern Languages of the University of Cyprus
contact email: 
bettyk@freemail.gr; aplampro@ucy.ac.cy

THE EVERYDAY
INTERNATIONAL CONFERENCE
________________________________________

African Studies at Midwest Popular Culture Association Conference 1-3 October 2010

full name / name of organization: 
Midwest Popular Culture Association/American Culture Association
contact email: 
brownvelez@wisc.edu

Call for Proposals
African Studies
at
Midwest Popular Culture Association/American Culture Association 2010
Minneapolis, MN!
Panel and paper proposal deadline: 30 APRIL 2010

Interceptions: Theory's Modernism and Modernism's Theory (December 11th, 2010)

full name / name of organization: 
University of Glasgow
contact email: 
interceptions@googlegroups.com

Sponsored by the AHRC and run in association with the Scottish Network of Modernist Studies and British Association of Modernist Studies, this one-day postgraduate-led symposium aims to provide a foru

South Atlantic Modern Language Association Convention (SAMLA): November 5 - 7, 2010, Atlanta, Georgia

full name / name of organization: 
St. John's University
contact email: 
tamayok@stjohns.edu

Special Session: “Servants and the Text”

Apocalypse and its Discontents

full name / name of organization: 
University of Westminster
contact email: 
arism74@yahoo.co.uk

Apocalypse and Its Discontents
A One-Day Conference at the University of Westminster
Saturday 11 December 2010

Trans-Formations: Theorizing Class and Race in the 21st Century - Postgraduate Panel (June 17, 2010-June 19, 2010)

full name / name of organization: 
University of Freiburg, Germany - Freiburg Institute of Advanced Studies/Department of North American Studies
contact email: 
freiburg.transformations@googlemail.com

The Department of North American Studies at the University of Freiburg and the Freiburg Institute for Advanced Studies announces a call for papers from postgraduate students working with issues of cla

Representing Perpetrators (CFP deadline 12 April 2010)

full name / name of organization: 
Department of English Literature, University of Sheffield
contact email: 
s.vice@sheffield.ac.uk

Representing Perpetrators:
An Interdisciplinary Conference

24-25 September 2010

Humanities Research Institute
University of Sheffield

Spectacle! The Seduction of Illusion

full name / name of organization: 
Crisis Carnival 2010
contact email: 
sdsu.grad.conference@gmail.com

Crisis Carnival 2010: Spectacle! The Seduction of Illusion

What do the Olympic opening ceremony, drag queens, and Shakespeare have in common?

Linguistic theorists such as Judith Butler, Jean Baudrillard, and Guy Debord have all conjectured that we engage daily in performances that obscure the line between illusion and reality. These performances both re-affirm and challenge society’s values, boundaries, and taboos. By analyzing these spectacles, we can question the relationship between performance and the “real,” with the hopes of discovering the motivations behind these seductive visions.

In a society dominated by media constructions of our cultural values, it is more important than ever to evaluate the role that spectacle plays. What is the social significance of illusions – to inspire change, to help us distinguish the values most important to us, or to help us escape?

The goal of this conference will be to bring the conversation into a contemporary context. How are social anxieties personified in the spectacle of monstrosity? What role do today’s avatars, clones, and digital doppelgangers play in our conceptions of our “real” selves? How has the relationship between performance and the real changed since Shakespeare?

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