Conference: American Comparative Literature Association (ACLA) Annual Meeting, Sheraton Grand Hotel, Chicago, 19-22 March 2020
Seminar: Kazuo Ishiguro and the illusion of the World
Submit a Paper: https://www.acla.org/kazuo-ishiguro-and-illusion-world
Deadline: 23 September 2019
Since the 2016 election, there has been much soul searching in certain progressive circles about the role that identity should play in liberal politics in the United States and beyond. Authors as diverse as Kwame Anthony Appiah, Francis Fukuyama, Mark Lilla, and David Wootton have recently urged us to consider the possibility of constructing a form of liberalism in which identity does not necessarily play a central role. In the writings of at least some of these authors, we may discern a desire to recover the heritage of classical liberalism, with its emphasis on abstract individualism and the importance of so-called “negative” freedoms, such as freedom of speech.
According to Walter Benjamin, “the art of storytelling is coming to an end”; we are losing “the ability to share experiences.” Without storytelling, which was once “a capability that seemed inalienable to us, the securest among our possessions,” we are fragmented into a piece of “information” and isolate ourselves in what is believed to be subjectivity (“The Storyteller”). And yet, in exceptional situations, storytelling appears still possible. For example, when the northeast Japan was struck by the earthquake and tsunami disaster, after initial muteness and banal narrativization by the major media (which was indeed a disaster for storytelling), there emerged stories among the survivors.
In the trajectory of neoliberalism and an increasingly global marketplace, the necessity of undercutting the Western subsumption of the world is urgent. As Jean-Luc Nancy has argued, however, such a saturation of Western meaning, though potentially catastrophic, is not a forgone conclusion. On the contrary, it is precisely at the limit of the Western notions of telos and subjective agency that a new conception of the world can be collectively understood and created. It is also against such a limit that feminist discourses challenge the universal subject in the name of sexual difference and theories of intersectionality.
Translation Reviewis a peer-reviewed journal committed to publishing the best new scholarship on all aspects of literary translation studies. Each issue highlights a translator in an interview and features articles and essays on the history, practice, and theory of translation, as well as translations of contemporary international writers into English.
Please see instructions for authors available at the link:
A decade ago, Dipesh Chakrabarty declared in “The Climate of History: Four Theses” that understanding climate change required a transformation in our concept of history. This seminar poses history as a limit-problem for contemporary literary and critical responses to climate change. How do existing responses, in light of their various theoretical provenances, contend with a phenomenon whose nature is diachronically outside an anthropocentric critical framework and irreducible to the terms and temporalities of human history, economics, and social structuration? Under the heading “speculative ecology,” our panel aims to bring together literary, theoretical, and historical responses to the ecological crisis of our time.
Medieval Virtualities (A Roundtable)
A Sponsored Session from the Program in Medieval Studies, Rutgers Univ.
55th International Congress on Medieval Studies (ICMS Kalamazoo), May 7-10, 2020
Extrapolating Nostalgia: Special issue of Science Fiction Studies
IX International Gothic Literture Congress:
“Internationalizing the Gothic”
Objective: To continue the study of the plural presence of the Gothic in various modes of art, as well as time and space contexts.
Dates: December 2, 3 & 4, 2020 (Wednesday, Thursday and Friday).
Place: School of Modern Languages, University of Costa Rica
Call for Papers: We are calling for papers centered upon the idea of the Gothic as a timeless and intertextual mode that surpasses the limits of genre and nation.