From the 1960s onwards, there has been a critical change in approach to thinking about love that has gradually shaken it free from the both the duality of eros-agape and the rigor mortis of eros-thanatos.
The 9th Annual Miami University English Graduate Student and Adjunct Association (MEGAA) Symposium
The Role of Immorality and Depravity in Constructions of the Self and Community
March 16, 2012, 9:00-4:00 Oxford, Ohio
What's vice today may be virtue, tomorrow. -- Henry Fielding
In order to know virtue, we must first acquaint ourselves with vice.--Marquis de Sade
Greed, avarice, and lust; bribery, prostitution, and blackmail; sex, drugs, and rock 'n' roll—vice is a sign and cause of social ills as well as an outlet of rebellion against structure and stagnation. How we (dis)associate ourselves with vice helps constitute our individual and group identities and affiliations.
The bourgeoisie has, through its exploitation of the world market, given a cosmopolitan character to production and consumption in every country. […] In place of the old wants, satisfied by the production of the country, we find new wants, requiring for their satisfaction the products of distant lands and climes. In place of the old local and national seclusion and self-sufficiency, we have intercourse in every direction, universal inter-dependence of nations. And as in material, so also in intellectual production. The intellectual creations of individual nations become common property. National one-sidedness and narrow-mindedness become more and more impossible, and from the numerous national and local literatures, there arises a world literature.
Spaces of Work 1770-1830 will address the relationships between workers and spaces in Britain. We aim to showcase current research and are particularly interested in interrogating under-analyzed types of work and space. For example, we hope to develop the theorization of types of work that critics have not conventionally understood as 'work' (the performance of music as practical activity, for instance). We also aim to bring attention to under-analysed spaces. For example, due to Romanticism's traditionally rural focus, literary critics of this period have only recently begun to interrogate urban spaces; interdisciplinary discussion of urbanism in this period would therefore be particularly valuable.
As part of the bicentenary celebrations of Dickens's birth, the editors of a special issue of Neo-Victorian Studies on 'The Other Dickens: Neo-Victorian Appropriation and Adaptation' invite contributors to consider the 'other' Dickens – those aspects of Dickens's life and work that have been the subject of recent revision, reappraisal, and transformation in contemporary culture. The special issue will aim to critically assess our persisting fascination with this canonical Victorian figure and, more generally, the 'Dickensian' cultural legacy of the Victorian age in the twentieth and twenty-first centuries.
The 2nd Annual Conference of the Popular Culture Association of Canada will be held at the Sheraton on the Falls Hotel, Niagara Falls, Ontario, Canada.
We invite proposals for papers and/or panels on theories of popular culture, research methods in popular culture, the teaching of popular culture, and any epiphenomena of popular culture, past or present.
Our broad definition of popular culture encompasses communicative texts, practices and experiences, mediated and unmediated, contemporary and historical, Canadian and non-Canadian (including the local and the global).
CALL FOR PAPERS
RIGHT OF RESISTANCE: Theory, Politics, Law (16th-21st century)
Brunel University – London, 8th-9th February 2012
The intellectual, social and political climate of post-war France was explosive. From Charles de Gaulle to the May '68 protests, from Bataille and Blanchot to existentialism and the difficult post-war reception of Heidegger, from the painful legacy of the war to the slow trickle of revelations about the Holocaust, from the Nouveau Roman and Oulipo to the Nouveau Réalisme and Fluxus, it was a period of experimentation and despair, in which the desire for renewal was balanced against the impossibility of moving beyond the recent past.
**The formal deadline for proposals was 1 November - but we'll accept an expression of interest during November, so long as further details follow soon.**
Inaugural Conference of the European Beat Studies Network, Middelburg, the Netherlands Sept. 5-7 2012
full name / name of organization:
European Beat Studies Network
Chad Weidner - firstname.lastname@example.org
Papers are invited for the Inaugural Conference of the European Beat Studies Network (EBSN). We are open to submissions of both long and short papers, panels, roundtables, dialogues and performances on any aspect of the Beat Generation. Suggested topics may include but are not limited to:
Melville's work is nothing if not a palpable grasping with words: the fingers of cognition investigating themselves. How does Melville use his myriad characters (Billy Budd, Bartleby, Ahab, even Moby Dick), to say nothing of his many allusions (Kaspar Hauser, Peter the Wild Boy, Calvin Edson), to explore different forms of consciousness—from that of the diversely human to that of the diversely more than human? How might neuroscience and disability studies inform not only our individual readings of Melville but also very the act of reading him itself? How might Melville contribute to discussions of embodied thought, emotion, narrative empathy, object and spatial visualization, cerebral lateralization, metaphor, and the like?