This panel will explore "experience" as a constructed form of knowledge in American literature. Papers may focus on one text, on works by one author, or on multiple writers. I am also interested in essays centering on experience in connection with American literary historiography. Of particular interest are analyses of scholarly traditions that privilege experience as an epistemological category—often in the service of arguments that foreground the distinctiveness and/or the exceptional quality of American culture. Essays may address any American literary period(s), genre(s), and/or themes. Papers may also compare constructions of experience in American literature with the literatures of other linguistic, national, and/or cultural groups.
In April 27-28, 2012, the Society for Novel Studies will hold its first biennial conference at Duke University, sponsored by the journal NOVEL: A FORUM ON FICTION.
Conference Call for Papers
HOME/LAND: WOMEN, CITIZENSHIP, PHOTOGRAPHIES
5-7 July 2012
The School of the Arts, Loughborough University, UK
Home/Land is an interdisciplinary conference that asks what dialogues might be engendered, globally and locally, around concepts of citizenship and belonging by engaging with women's photographic practices. In the terms of this conference, 'photographic practices' may include both historical and contemporary work, still and/or moving image, derived from fine art and social science contexts and embracing genres such as portraiture, landscape, documentary and installation.
Too often, students of medieval English literature unnecessarily categorize Old and Middle English as completely disconnected, highlighting Beowulf and Chaucer as the exemplary markers, with little in between. This panel seeks instead to explore moments of interaction across the spectrum of earlier and later medieval English literature. Examples may include parallel literary forms, English identities, linguistic developments, and the ways that they interact with historical, religious, and social frameworks.
From post-colonial theory to sociology to anthropology, the concept of liminality has offered a means for understanding instances of cultural, social, and political "in-between-ness." I am looking to organize a panel that examines the nature, use, and/or function of the liminal in contemporary literature for the 2012 International Conference on Narrative, to be held March 15–17 in Las Vegas, NV (http://narrative.georgetown.edu/conferences/2012_Narrative_Flyer.pdf).
We live in a competitive sensory environment. The marketing of consumer goods continually appeals to taste, touch, vision, hearing, and smell, compelling other practices to engage our senses in what David Howes describes as a 'hyperaesthetic culture'. This environment is saturated with alluring and intense sense experience that proliferates as technologies such as ultrasonography, satellites and computer applications provide access to things previously beyond human perception. Bodies are cultivated to be aesthetically appealing and optimally available to the senses for commercial, medical and security purposes.
Video Games as Text; Texts as Play
The University of Wyoming is accepting abstracts for its upcoming graduate student conference: Video Games as Text; Texts as Play. The conference will be held the second weekend of April, Thursday the 12th to Saturday the 14th. Abstracts will be due by January 15th. Our keynote speaker will be Judd Ruggill, Assistant Professor, Arizona State.
Major Minors: Neglected and New Issues in Literary Studies
The 22nd Annual Mardi Gras Conference at Louisiana State
LSU Student Union
February 16th & 17th, 2012
Keynote Address by Meredith McGill, Rutgers University
-ality is a new electronic fiction publication. We are looking for submissions from all authors that relate to any of the -ality words: reality, equality, spirituality, sexuality, corporeality, and so on.
The journal is edited by two graduates from the State University of New York at Binghamton, joined by Richard Burian, a scholar in linguistics and language who hails from Australia, taught in Hungary, and now resides in Canada.
We ask for fiction submissions of no more than 8,500 words, or three 1,000 word flash fiction submissions. Our reading period opens September 1st and ends December 15th for the first issue. Our Spring reading period opens February 1st and closes April 15th.