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CFP: Theorizing the 'First Wave' Globally (2/1/06; MLA '06)

updated: 
Tuesday, November 29, 2005 - 10:24pm
full name / name of organization: 
kanika batra
contact email: 

Theorizing feminisms globally, from late 19th to mid 20th centuries, emphasizing sexuality and class, interrogating Western periodization ('first wave'). Abstracts by February 1. Pamela Caughie (pcaughi_at_luc.edu) and Kanika Batra (kanikabat_at_yahoo.com).

CFP: Literature and Psychoanalysis (1/18/06; 3/27/06-3/28/06)

updated: 
Tuesday, November 29, 2005 - 10:24pm
full name / name of organization: 
Alvin Henry
contact email: 

Psychoanalysis & Literature
A conference at the University of California at Berkeley

Monday-Tuesday, March 27-28, 2006
Hosted by the Departments of English and Social & Cultural Studies
Featuring Keynote Speaker: Maire Jaanus, Barnard College
Endnote Speaker TBA

This conference aims to explore the intersection between literature and
psychoanalysis and is interested in papers that address, but are not
limited to, the following topics:

CFP: The Structure of Reflection (France) (2/15/06; 7/16/06-7/22/06)

updated: 
Tuesday, November 29, 2005 - 9:28pm
full name / name of organization: 
David Lauer

Call for Papers and Invitation

12th International Philosophy Colloquium Evian
12. Internationales Philosophie-Kolloquium Evian
12ème Colloque philosophique international d'Evian

The Structure of Reflection - Self-Consciousness and Critique
Die Struktur der Reflexivität - Selbstbewusstsein und Kritik
La structure de la réflexivité - conscience de soi et critique

Evian (Lake Geneva), France
July 16-22, 2006

CFP: History Across the Disciplines 2006: Apocalypse and Aporia (grad) (1/27/06; 3/10/06-3/12/06)

updated: 
Tuesday, November 29, 2005 - 9:28pm
full name / name of organization: 
lnewhook_at_dal.ca
contact email: 

CALL FOR PAPERS

HISTORY ACROSS THE DISCIPLINES 2006:
APOCALYPSE AND APORIA

On behalf of the Dalhousie Graduate History Society and the Dalhousie
Association of Graduate Students in English, we would like to invite Master's
and Doctoral Candidates in all branches of the Humanities and Social Sciences
to
participate in our upcoming graduate student conference taking place from 10-12
March 2006.

CFP: Faith, Knowledge and the Interface of Epistemologies (2/10/06; 5/4/06-5/5/06)

updated: 
Tuesday, November 29, 2005 - 9:27pm
full name / name of organization: 
William C Mitchell
contact email: 

CALL FOR PAPERS

University of Washington Graduate Conference for Interdisciplinary Studies
May 4-5, 2006
Submission Deadline: February 10, 2006

*****************************************************
Faith, Knowledge and the Interface of Epistemologies
Speaker: Robert Michel Pyle
*****************************************************

CFP: Changing the Subject: Poesis, Praxis, and Theoria in the Humanities (grad) (2/1/06; EGSO, 4/22/06-4/23/06)

updated: 
Sunday, November 27, 2005 - 11:23pm
full name / name of organization: 
EGSO Albany
contact email: 

    Call for Panels and Papers: Deadline 2/1/06
   
  The English Graduate Student Organization (EGSO) of the University at Albany, SUNY announces its annual graduate student conference Saturday April 22 and Sunday 23, 2006:
   
  Changing the Subject: Poesis, Praxis, and Theoria in the Humanities
   
  Robert Scholes is the Keynote Speaker, presenting a paper titled "Changing the Subject: Periodical Studies"
   

CFP: Identity Construction Costs (grad) (12/17/05; Acacia, 2/17/06-2/18/06)

updated: 
Sunday, November 27, 2005 - 11:23pm
full name / name of organization: 
DannaV27_at_aol.com
contact email: 

 
Acacia Group's 2006 Conference: Politicizing texts
The Acacia Group of California State University, Fullerton is seeking papers
for our 2006 conference to be held February 17 and 18, 2006. We are
interested in papers/presentations for the following suggested panel:
 
 
Identity Construction CostsIf identity is a construct, necessitating
constant maintenance, what are the inspiration/pressures that create form/s of
identity construction? How are those pressures created and revealed? Do those
pressures change over time? If so, why? What kinds of writing lend themselves
more or less to disclosing the forms, effects, changes in, and costs of
construction?
 

CFP: Value in Art (grad) (12/17/05; Acacia, 2/17/06-2/18/06)

updated: 
Sunday, November 27, 2005 - 11:22pm
full name / name of organization: 
DannaV27_at_aol.com
contact email: 

Acacia Group's 2006 Conference: Politicizing texts
The Acacia Group of California State University, Fullerton is seeking paper=
s=20
for our 2006 conference to be held February 17 and 18, 2006. We are =20
interested in papers/presentations for the following suggested panel:
=20
Value in Art
=20
If art (any=E2=80=94literature, plastic, dance, film, visual) may be though=
 of man=E2=80=99
s attempt to understand himself, does the free market create/deny art? How=20=
do=20
other economies create/deny art? Must art be a reaction to oppression? Coul=
d=20
art be purely expressive? How important is =E2=80=9Caudience=E2=80=9D respo=
nse to the=20

CFP: Critical Thinking/Complacent Writing (grad) (12/17/05; Acacia, 2/17/06-2/18/06)

updated: 
Sunday, November 27, 2005 - 11:22pm
full name / name of organization: 
DannaV27_at_aol.com
contact email: 

 
Acacia Group's 2006 Conference: Politicizing texts
The Acacia Group of California State University, Fullerton is seeking papers
for our 2006 conference to be held February 17 and 18, 2006. We are
interested in papers/presentations for the following suggested panel:
 
 
Critical Thinking/Complacent Writing
Some writers, activists, and literary critics feel that after or apropos
Derrida and the philosophy of deconstruction, effective political action is
impossible. Is there really an impasse? How might a deconstructive theoretical
approach obstruct effective action in praxis? How might a deconstructive
theoretical approach occlude or bring to light overlooked/new voices and

CFP: Tethering the Imagination (grad) (12/17/05; Acacia, 2/17/06-2/18/06)

updated: 
Sunday, November 27, 2005 - 11:22pm
full name / name of organization: 
DannaV27_at_aol.com
contact email: 

Acacia Group's 2006 Conference: Politicizing texts
The Acacia Group of California State University, Fullerton is seeking paper=
s=20
for our 2006 conference to be held February 17 and 18, 2006. We are =20
interested in papers/presentations for the following suggested panel:
=20
=20
Tethering the Imagination=20
How is art/literature =E2=80=9Ccreative=E2=80=9D? When is it imaginative? W=
hen is it=20
realistic? When is it fantasy? How can we know? Must there always be, even=20=
the most=20
fantastic art/literature, a tether to the mundane and understandable? Who i=
s=20
supposed to be capable of such =E2=80=9Cunderstanding=E2=80=9D? If so, why=20=
and how is that=20

CFP: Kindred Spirits Conference: Humans and NonHuman Animals (1/15/06; 9/7/06-9/9/06)

updated: 
Sunday, November 27, 2005 - 9:45pm
full name / name of organization: 
Kara Kendall
contact email: 

Announcing A Call for Papers for
        Kindred Spirits: the Relationship Between Human and NonHuman Animals,
            An Interdisciplinary Conference

        Law, Race, Speciesism, Sexuality, Feminism, Ethics, Rights Movements,
Literature, Religion, Gender Studies, History, Science, Creative Writing,
Philosophy, the Visual and Performing Arts, Veterinary Medicine, etc.

Please visit the Kindred Spirits Website for information updates:
        http://www.indiana.edu/~kspirits/

Dates: September 7-9, 2006
Place: Indiana University, Bloomington, Indiana

CFP: Postmodern Authorship (12/15/05; ASU, 2/24/06-2/26/06)

updated: 
Sunday, November 27, 2005 - 9:45pm
full name / name of organization: 
st jack
contact email: 

(Re)Markable Identities: Confronting, Corrupting, and Conflating Cultural
Discourses
February 24-26, 2006
Arizona State University œ Tempe, Arizona

Call for papers:

In The Postmodern Condition, Jean Lyotard suggests, gA postmodern artist or
writer is in the position of a philosopher; the text he writes, the work he
produces are not in principle governed by preestablished rules, and they
cannot be judged according to a determined judgment.h How then are we to
consider the postmodern artist or writer?

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