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Essais call for literature, rhetoric, and cinema studies papers

updated: 
Friday, June 10, 2011 - 6:10pm
Essais, through Utah Valley University

Essais, a new journal published through Utah Valley University for undergraduate literature students, is asking for papers dealing with any subject in literature, rhetoric, theory, or cinema studies. Please send all questions or submissions to essais.uvu@gmail.com

Submission due date is September 16, 2011 for our Fall publication. Deadline for Spring publication mid-january for our Spring issue.

Last CfP 5th MeCBIC, 23-24 August 2011, Paris (Fontainebleau)

updated: 
Friday, June 10, 2011 - 10:05am
Gabriel Ciobanu / Romanian Academy, Iasi Branch

Call for Papers
MeCBIC 2011
5th Workshop on Membrane Computing
and Biologically Inspired Process Calculi
23-24 August 2011, Paris(Fontainebleau)

http://www.info.uaic.ro/~mecbic/mecbic2011/
================================================================

*** IMPORTANT DATES ***

Title and Abstract: 18 June, 2011
Paper Submission: 25 June, 2011
Notification: 01 August, 2011
Revised version: 11 August, 2011

The Fourth Biennial International Conference of the Contemporary Women's Writing Association [Update!]]

updated: 
Friday, June 10, 2011 - 8:00am
Department of Foreign Languages and Literatures, National Chiao Tung University, Taiwan





The Fourth Biennial International Conference of the Contemporary Women's Writing Association


Contemporary Women's Writing: (Wo)Man and the Body
11-13 July 2012
Department of Foreign Languages and Literatures,
National Chiao Tung University, Taiwan


'Bodies have all the explanatory power of minds. Indeed, for feminist purposes, the focus on bodies, bodies in their concrete specificities, has the added bonus of inevitably raising the question of sexual difference that mind does not' – Elizabeth Grosz, Volatile Bodies: Towards a Corporeal Feminism (1994)

Otherness: Essays and Studies 2.2 (www.otherness.dk) - CFP Journal Issue - Deadline Sept 2, 2011

updated: 
Friday, June 10, 2011 - 7:53am
The Centre for Studies in Otherness

The Centre for Studies in Otherness invites papers for the e-journal issue Otherness: Essays and Studies 2.2.

Otherness: Essays and Studies, a peer-reviewed interdisciplinary e-journal, publishes research articles from and across different academic disciplines that examine, in as many ways as possible, the concepts of otherness and alterity. We particularly appreciate dynamic cross-disciplinary study. We publish two issues a year, alternating between special topic issues and general issues. This is a call for our general issue, forthcoming in Winter 2011.

'The foreigner is neither a race nor a nation ... we are our own foreigners, we are divided.'

UPDATE: HAIKU AESTHETICS; 31 July 2011

updated: 
Thursday, June 9, 2011 - 11:49am
Anthology

Scholarly essays are invited for an anthology of critical essays on Aesthetics of Haiku Poetry to be published by a reputed publisher from India. The essays may include the traditional as well as contemporary trends in Haiku poetry with special focus on evolution and development of Haiku in English language across the world. For further details, please write to Editor of the anthology at editorial.2008@indiatimes.com.

DEADLINE for submission of FULL PAPER: 31 JULY 2011.

UPDATE: CRITICAL ESSAYS ON KEATS; Anthology; 31 July 2011

updated: 
Thursday, June 9, 2011 - 11:41am
Editor

Scholarly critical / analytical / interpretative essays are invited from scholars across the world for an Anthology to be brought out on the ODES OF JOHN KEATS with a view to providing postgraduate scholars and teachers with new critical insights and perspectives. The anthology will be published by a reputed Publisher headquartered in India and having its main business base in USA, UK and Ireland.

Deadline for submission of essays: 31 July 2011

[Update] Playful Interruptions in Recent Film (7/1; 11/3-6/11, M/MLA, St. Louis)

updated: 
Thursday, June 9, 2011 - 7:34am
Drs Comer and Vayo

New deadline, July 1.

In Jean-Luc Nancy's The Inoperative Community representations are not just works of art (oeuvre); they also, in fact, work. Representations present "community" and thereby give a disparate group of beings an identity, borders, and a body. If representations work, what happens when a work founders, when it falls apart, and opens onto something else? Would this opening then be the place or space of play, even serious play? What does this "absence of work" look like formally? What are the ethical consequences of such playful interruptions? Papers on non-mainstream directors are of particular interest.

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