According to Darcy Ribeiro (1995), the Brazilian people have religiosity as a cornerstone of its culture. It not only played a large role in its “civilizatory” process, but also stimulated resistance movements, among which are the ones in Canudos, Bahia, and Lagoinha, Goiás. Religion has remained a strong identity feature through all of Brazilian history and, still today, it is the center of relevant social conflicts. Nevertheless, there is, in the Brazilian literary scene, very little space dedicated to the study of the representation of individuals and/or religious doctrines. The academy, thus, fosters the shunning of literary works bearing relationship with the mystic, the religious or, anything, in any way, connected with the sacred.
The Modernist Studies in Asia (MSIA) research network is proposing an affiliated panel at the MSA conference in Brooklyn, October 22–25.
Global and planetary modernisms tend to map different modernisms according to countries and continents, implicitly imposing a static, area studies–inflected order on these divergent and discrepant artists, texts, and practices. Against this tendency, for this panel we seek papers that trace surprising movements of modernism (broadly understood) within, across, and beyond Asia. Put another way, we are interested in accounts of how Asian modernism won't stay still.
[sic] – a journal of literature, culture and literary translation
University of Zadar
Obala kralja Petra Krešimira IV. br 2
Call for Papers
(Open, Non-Thematic Issue)
[sic] – a journal of literature, culture and literary translation invites submissions for the upcoming 20th issue. We accept:
- original research papers: 5,000 to 7,000 words
- reviews: up to 2,000 words
- translations of literary texts: 5,000 to 7,000 words
CALL FOR PROPOSALS FALL LITERARY FESTIVAL 2020
Lit Youngstown seeks proposals for In Many Tongues: Constituents of the Barbaric Yawp, 4th annual Fall Literary Festival, September 24-26 in Northeast Ohio. Proposal submission form here.
I sound my barbaric yawp over the roofs of the world.
“Old English” at the 74rd Annual RMMLA Convention
October 8-10, 2020
Deadline for Abstracts: March 31, 2020
ACROSS is a biannual, peer-reviewed online journal which addresses mainly humanities scholars. Exploring themes of cultural diversity from the interrelated perspectives of cultural studies and history, literary studies, media studies, linguistics and critical discourse analysis, the journal welcomes contributions with a potential for enhancing the global, multicultural dialogue in the ever-changing world of the twenty-first century.
ACROSS promotes research excellence. We are certain that your expertise will help us build a space of imparting knowledge in the field of multiculturalism and multilingualism across the world.
Subject areas include but are not limited to:
7-10 January, 2021
Breaking Textual Boundaries: Collaborative Writing and Multiple Authorship
Digital Methodology in the Linguistic Study of Literature: Practice
Linguistics and Literature Forum Session 2
MLA 2021 Annual Convention, Toronto, Jan 7-10
Digital tools have become increasingly more important in the linguistic study of literature; for instance, they allow us to streamline much of our work. In what ways have digital methods made your work easier or more efficient? Do some tools lend themselves better to particular problems? What best practices have scholars found as they manage programs and data?
Digital Methodology in the Linguistic Study of Literature: Theory
Linguistics and Literature Forum Session 1
MLA 2021 Annual Convention, Toronto, Jan 7-10
Digital tools have indisputably made many tasks in the linguistic study of literature much easier and faster than used to be. But the turn to digital methods has brought more than ease and efficiency; it has forever changed the field. What are the ways in which digital tools have shaped the linguistic study of literature? And what are the ways literary studies has itself inspired innovation, methods, and the development of new digital tools?
Considerable research has been devoted to Fyodor Dostoevsky's incorporation of non-Russian art and texts as inspiration for his writing. Comparatively less attention, however, has been to paid to the immense influence the author's own life and works have had on literature, drama, philosophy, and art. This panel seeks to explore Dostoevsky's reception, as a man and as an author, by 20th and 21st century world writers and artists. It is co-sponsored by the International Dostoevsky Society and the Reception Study Society in celebration of the author's 200th year.
Potential topics include, but are not limited to: