Sound has always been there. However, its ephemeral condition has prevented us from critically listening to the past and even from thinking about our everyday sonic experiences. Moreover, the sonic materialization of the Logos —voice— has been systematically relegated to a second level, even when orality was present in the production of any kind of text.
At the 2nd International Laurence Sterne Foundation Conference (26-28 October 2017, in Bydgoszcz, Poland) Prof. Peter de Voogd will be convening the panel "Sterne and (Post)Modernism revisited".
The panel will cover various aspects of Sternean echoes in later literature, revisiting some of the issues addressed in the collection "Laurence Sterne in Modernism and Postmodernism" (ed. Peter de Voogd, David Pierce; Rodopi, 1996).
[sic] – a journal of literature, culture and literary translation
University of Zadar
Obala kralja Petra Krešimira IV. br 2
Call for Papers
(Open, Non-Thematic Issue)
deadline extended until September 20!
[sic] – a journal of literature, culture and literary translation invites submissions for the upcoming 15th issue. We accept:
- original research papers: 5,000 to 7,000 words
- reviews: up to 2,000 words
- translations of literary texts: 5,000 to 7,000 words
This panel examines the relationship between identity, memory and the physical, linguistic, affective and geographic expressions of place in Latin American and Latino/a literature (20th-21st centuries). In particular, we will look at the ways movement and translation (linguistic and physical) serve as strategies for questioning, redeeming, liberating or reconstructing marginal places (e.g. prisons, slums, colonies) and identities. This session also aims to address the relationship between representations of place and theoretical debates surrounding nomadism (cf. Braidotti and Forcinito), intersectionality (cf. Crenshaw and Collins), and feminism/queer studies (cf. Haraway and Freccero) as modes of resisting fixity and fostering fluidity.
As Douglas Mao and Rebecca Walkowitz indicate in their article “The New Modernist Studies,” recent trends in modernist studies have operated a radical revision of the term “modernism,” moving away from the idea that modernism is confined to a single place (Europe, North America, and the West in general) or a single time (roughly 1890-1940). As the map of “transnational” and “global” modernisms expands, ever more attention has been given to new languages, phenomena of bilingualism and multilingualism, and translation as a fundamental practice in modernist writing (Yao, Rogers).
We seek proposals highlighting East-West literary connections, particularly interested in cross-disciplinary approaches which compare literary topics or methodologies with the fields of history, philosophy, religion, or film. Please see the link below for information on paper proposal submissions.
Culture In Focus, a new eJournal of the English Department at Middle Georgia State University, is seeking papers for its inaugural issue. Never before has culture been so important. Culture, after all, matters! So for our first issue of Culture in Focus we are setting our sights on nothing less than the state of cultural studies as it is being practiced throughout the realms of language and literature, and indeed, in all the relevant areas that fall within the scope of this journal. What is new in critical analysis? What is being reassessed or reinterpreted? What are cultural specialists doing and saying now?
This creative session seeks work that crosses, that inhabits several places or that moves relentlessly through and across places of genre, form, medium, and so on. It is meant as a partner and collaborator with the panel “Thinkings In and Out of Place,” though in this session the boundary-crossings activate and shape the works sought. The call is for scholarship|interpretive work projected into new forms with differently confluent streams of image and text, of prosaic and poetic, of academic and literary. Is there a way to project interpretation and theorization in such a way that resists or operates differently than the conventions of academic discourse, its unshakeable positivity and correlative thetic and agonistic stance?
Some texts resist the place(s) of genre classifications and are nevertheless—in spite of the resistances they perform—constituted as within these boundaries: Plato, Kierkegaard, Nietzsche, for example, tend to be held within disciplinary bounds of philosophy. In this panel, a focus will be on texts that seem to strive for displacement, for other places or, more radically, for a continual re-placement or release from place(s) of genre.