As the prophet of magic realism and an extraordinary satirist of political dictatorship, Gabriel Garcia Marquez's literary horizons are incomprehensibly vast, and the rigorous intensity of his writings is inexplicably multidimensional. Marquez challenges the luminal line between 'story' and 'history', and interrogates the public and private domain with an uncommon and effortless ease and clarity. He fuses the chaotic and the cosmic, the materialistic and the mystical, and invites us to participate in a magico-historical narrative of which he is an undisputed craftsman.
Call for Papers
Third Bremen Conference on Language and Literature in Colonial and Postcolonial Contexts (BCLL#3)
In Association with INPUTS, BIKQS, and IACPL
March 15-18, 2016
• Jeannette Armstrong (The University of British Columbia)
• Hamid Dabashi (Columbia University)
• Michel DeGraff (Massachusetts Institute of Technology)
• Gloria Emeagwali (Central Connecticut State University)
• Lisa Lim (The University of Hong Kong)
• Sinfree Makoni (The Pennsylvania State University)
Embodied Difference: Monstrosity, Disability, and the Posthuman in the Medieval and Early Modern World, edited by Richard H. Godden and Asa Simon Mittman
Call for Papers (Initial deadline, September 1)
Medieval and Early Modern art and literatures are replete with images of nonnormative bodies. Saints lives valorize physical challenges, fabliaux render them metaphorical, medical texts pathologize them, and marginal images make them subjects of amusement. Divergent bodies are viewed as gifts from God, markers of sin, or manifestations of medical imbalances. In many cases throughout Western history, a figure marked by what Rosemarie GarlandThomson has termed "the extraordinary body" is labeled a "monster."
We seek submissions for a collection of new examinations of settler colonialism as expressed and developed through literature or other "texts" (including films, historical documents, art, architecture, music, maps, and advertisements, among other types of texts). We are particularly interested in submissions that approach these texts as articulations of transnational connections developed by ways of settler migration and/or colonial displacement.
Humanism and its prefixes
(non-, trans-, post-, in-, a-)
October 3rd-4th, 2015
Organized by the graduate students of UC Berkeley's Department of Rhetoric
Doe Library, University of California, Berkeley
Heralded by The Telegraph as a 'global phenomenon,' BBC's Sherlock is now one of the most commercially and critically successful television series of all time. The global recognition of Sherlock, combined with the recent discovery of Arthur Berthelet's 1916 silent film Sherlock Holmes starring William Gillette in his only screen appearance as the famous sleuth, makes it especially timely for film scholars, students, and audiences to reassess the cultural legacy of Holmes onscreen. Forthcoming work by Hills (2016) and Poore (2016) argue strongly for Holmes as a continuing source of scholarly interest, spurring us to look at Holmes' filmic lives.
February 24, 2016 will mark the tenth anniversary of the passing of Octavia E. Butler. To commemorate her contributions to the world of letters, the Octavia E. Butler Society solicits papers for a special conference to be hosted by Spelman College February 26-28, 2016. The Society welcomes proposals of 250 words focused on any aspect of Butler's life, work, and influence. Because a major goal of the Society is to encourage the teaching of her works in the academy and beyond, we also invite submissions addressing approaches to teaching Butler in any pedagogical environment. Panel proposals are also encouraged.
The panel will explore transnational approaches to the portrait of Paul Frederick Bowles as an artist. Papers may be submitted for the following topics: Post examinations of Bowles ' s work, and criticism of Bowles as a writer and thinker:examinations of Bowles' s relationship with Morocco:teaching Paul Bowles from a transnational perspective: the American social scene and the origin of Bowles' s writings:film adaptations of Bowles' s works.
Please submit 300 word abstracts to Dr. Raj Chandarlapaty no later than July 20,2015.
CALL FOR PAPERS & ARTWORK
Special issue on Men, Masculinities, and Violence
Graduate Journal of Social Science
Time and Film Viewing: Spectators' Temporal Experiences
edited by Stefano Ghislotti and Elisa Pezzotta
The TIIKM's 2nd Annual World Conference on Women's Studies 2016 will be held on 5-7 May 2016 in Buffalo, New York, United States. The organizing committee of WCWS-2016 devotes itself to supply to you and all conference participants the most cutting-edge updated information relevant to women's studies. During the conference, we will set up a series of activities including Scientific Program, Exhibition, key note presentations, sessions, posters, and so on.
This special issue is the first dedicated to femslash, and it aims to collect and put in dialogue emerging research and criticism on the subject, from histories of lesbian fandom to current fan activities around queer female characters and pairings.
F/F, girlslash, altfic, saffic, and most commonly, femslash: the multiplicity of terms for female same-sex pairings attests to the heterogeneous and variable history of these fannish subcultures. While the male variety (occupying the default label, slash) has received sustained scholarly attention since the 1980s, femslash as a distinct phenomenon continues to exist on the margins of both media fandom and fan studies.
The reconsideration of Paul Frederick Bowles as an artist depends upon transnational definitions of narrative and re-consider action of art as political subject. Papers are invited for the following: post criticism of Bowles, and the mirror for criticizing Orientalism knowledge: film adaptations of the literature:essays on surreal technique and the American imagination:teaching the Paul Bowles story.
300 word abstracts are invited. The deadline is July 20,2015
Human knowledge ranges from pure science to pure myth. In between lies a broad gamut of conceptually different cognitive experiences and patterns of perception which represent the world in visions and theories. The authority to produce and authenticate/validate knowledge, that which allows for theoretically informed descriptions and explanations of the nature of any given social, cultural or linguistic phenomenon, however, has for years been a contested privilege among academics and field practitioners from myriad disciplines. Over-specialization, a by-product of the proliferation of fields of expertise in academia, presented itself for most of the second half of the twentieth century as a legitimate substitute for holistic knowing and thinking.
You & Me & Ut Pictura Poesis Make Three: Illustrated Poetry after 1900