As both science and the arts engage in conversations about the proposed new geological epoch, the Anthropocene, this interdisciplinary panel seeks papers addressing the "human layer" in turn of the century and early twentieth century literatures. Currently, scientists measure the human layer quantitatively, defining the human in terms of geological impact. But how is the human layer conceived before such sophisticated scientific measurement was possible? Where does the human species—proven to be a geological agent —fit into the division of the Earth into spheres—the lithosphere, biosphere, atmosphere, and hydrosphere? How does the identification of these spheres affect the concept of the human, or does it?
Call for Papers for Victorian Poetry Special Issue: Ballads (Winter 2016)
Edited by Letitia Henville, University of Toronto
This special issue investigates one of the most collected and categorized poetic genres of the Victorian period: the ballad. While ballad collecting dates back to Samuel Pepys in the seventeenth century and Bishop Percy in the eighteenth, nineteenth-century ballad scholars were the first to try to classify all 'authentic' folk verses, most famously with Francis James Child's seven-volume The English and Scottish Popular Ballads (1882-1898), which attempted to pin down every version of every popular ballad and to categorize all regional variants.
Wreck Park: Interesting Literatures, Interested Criticism
Wreck Park is a double-blind, peer reviewed publication run out of Binghamton, New York. The journal publishes prose, poetry, criticism, and interviews, and is particularly interested in conceptual frameworks and developments that set to disrupt the canonical and standardized discourses of the contemporary academic and literary landscapes. The journal welcomes authors, poets, researchers, and thinkers whose work reflects an interrogation of engendered norms and traditions within societies, cultures, intellectual circles, and beyond.
The force of biopolitics in contemporary society marks boundaries beyond geopolitical borders, inscribing otherness on bodies simultaneously necessary to the functioning of society, while abjecting them as dangerous to the very fabric of that society; an anxiety that reimagines and reproduces disciplinary power structures employed in the regulation, control, and subjugation of the collective, as well as individual, body. In this panel we seek to examine the material implications of the construction and bordering of such biopolitical otherness in our contemporary moment as imagined across multiple modes of literary and scholarly production.
CSECS 2015: Vancouver
The annual meeting of the Canadian Society for Eighteenth-Century Studies conference will take place in Vancouver from October 14-17, 2015.
The conference theme is "States of the Book/Le livre dans tous ses états." The keynote speakers are Janine Barchas (University of Texas), and Roger Chartier (École des Hautes Études en Sciences Sociales in Paris, Collège de France, and University of Pennsylvania).
Proposals for papers or panels might consider the following themes, although this is not an exhaustive list:
• Authors and editors
• States of the book in the digital age
• Theatre of the book
• Book arts
• The manuscript in the age of print
Papers welcome that explore all aspects of Peninsular Literature after 1700. Please email abstracts of 250 words (along with your name, institution, email and paper title) to Dr. Kathy Korcheck at email@example.com. The deadline to submit proposals is April 5, 2015.
With the theme of "Arts and Sciences" in mind, we welcome papers exploring the relationship between the artistic and the scientific in American literary texts produced before 1870. Possible topics might include: representations of artistic or scientific innovation or discovery, explorations of pseudo-science and its cultural effects, the influence of literary texts on scientific and/or medical knowledge and practice, the influence of scientific and/or medical progress on the literary imagination, doctors and/or patients as characters in literary texts, art and/or artifice as theme, and the role of the arts and/or the sciences within the larger American culture.
We welcome papers that explore any aspect of Irish studies, but particularly those that integrate this year's conference theme of "Arts and Sciences." Thus, we welcome papers that consider the ways in which Irish writers—or scientists—have utilized or explored science in their literature or art. This panel takes a broad approach to the conference theme and papers may consider these aspects: narratives of scientific exploration, myth and literature, literature and scientific culture, the scientist as literary character, or scientific discovery.
This year's Science & Fiction panel is pleased to engage the convention theme "Arts and Sciences." The session invites papers exploring the relations between science and fiction in diverse cultural expressions such as literature, film, theater, and the visual arts. How does science, broadly conceived, interact with the arts, either as a subject or practice within a production of the arts, OR, how do scientific efforts or practices influence a specific text, shedding light on the interaction of science and art? Explorations of non-English language and non-canonical texts are welcome. Please send a 250-word abstract and a brief CV to Brett Wiley (firstname.lastname@example.org) and Oscar A.
In critical appraisals of Imagism, the early 20th century movement has often been portrayed as "revolutionary," especially in terms of form and technique. In 1963, William Pratt described the emergence of Imagism in England and America as a "battle for a new poetic style" and Helen Carr's 2009 history of the movement takes its title from the often invoked epithet of the Imagists: The Verse Revolutionaries; however, this panel seeks to interrogate just how revolutionary Imagist practice was in relation to contemporaneous poetry and poetic practice.
Possible topics include:
"Rebecca West and Dissent: The Politics and Poetics of Heresy"
Rebecca West famously did not toe lines, whether these lines were associated with party, ideology, literary movement, genre, gender, religious beliefs, etc. In most cases, from her leftist anti-communism, to her bourgeois leftism, to her paradoxical feminism, to her anti-atonement Christianity, to her genre-bending, West was a dissenter, a rebel, and a heretic—even within movements that were already oppositional such as feminism.
The Apollonian: A Journal of Interdisciplinary Studies (ISSN 2393-9001)
Call for Papers
Volume 2, Issue 2 | June 2015
FOCUS: Reading Queer in Literature, Film and Culture
Submissions are invited for the forthcoming issue of The Apollonian (Vol. 2, Issue 2) on the representations of the 'queer' in the various genres and sub-genres of literature, art, cinema, culture, critical theory, philosophy and history. The papers are expected to be scholarly in nature, and yet accessible to a fairly general readership.
Topics may include, but are not limited to:
What about those ideas you entertain but never fully develop? Those notions which are reviled and dismissed by peer gatekeepers? Follies so whimsical they unsettle even you?
We're looking for those submissions, the ones shunned by polite society and keepers of the status quo.
Let us be up front: Abstractshuns endeavors to become an ersatz academic journal, middlebrow at best. If Grindr/Tinder (depending on the orientation of the idea) spent a really naughty weekend with Notes and Queries, this would be the spawn, with Courtney Love and Jack Halberstam as godparents.
Please consider submitting 250-word abstracts to the following panel at the 2016 MLA in Austin, Texas.
We invite essays focusing on representations of death and/or violence in U.S. religiously-inflected fictions of the nineteenth century.
Essays might examine consider, for example:
-the ways authors associated with religious traditions have embraced or rejected imagery commonly associated with death and/or violence
-the kinds of spaces in which violence and/or death are figured
-death and/or violence as metaphors for religious experience
-the rhetorical strategies deployed to use religion as a justification for sectional, racial, and territorial violence