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Negotiating Shakespeare: History, Culture and Context: Oct. 9-11, 2015

updated: 
Wednesday, March 4, 2015 - 11:14am
full name / name of organization: 
Ohio Valley Shakespeare Conference
contact email: 

Please join us October 9-11, 2015 in Bowling Green, Ohio for the annual Ohio Valley Shakespeare Conference.This year, the OVSC is especially interested in papers and panels on the topic of negotiating Shakespeare through history, culture, and context.

Reminder: CFP 'Perfectly phrased and quite as true': Aphoristic Modernity, 1890–1950

updated: 
Wednesday, March 4, 2015 - 9:36am
full name / name of organization: 
Dr Kostas Boyiopoulos and Dr Michael Shallcross

We invite proposals for papers for the following academic conference, by 1st April 2015:

'Perfectly phrased and quite as true': Aphoristic Modernity, 1890–1950

4 July 2015, University of York

Plenary speakers:
Dr Mark Sandy, Durham University
Dr James Williams, University of York

[UPDATE] ARTICLE DEADLINE EXTENDED - Irish Journal of Gothic and Horror Studies

updated: 
Wednesday, March 4, 2015 - 7:53am
full name / name of organization: 
Irish Journal of Gothic and Horror Studies

The Irish Journal of Gothic and Horror Studies have extended the deadline for submission of articles for Issue #14 until 1st April 2015.

The journal publishes scholarly articles and reviews on all aspects of the gothic and horror across literature, film, new media, television and beyond.

Please see http://irishgothichorrorjournal.homestead.com/AboutUs.html for further details.

War and Representation Conference, 21 November 2015

updated: 
Wednesday, March 4, 2015 - 6:20am
full name / name of organization: 
School of English, University of Leicester UK
contact email: 

War and Representation Network Conference
Anniversary Culture II:
1815 and 1915: From Waterloo to Gallipoli
Saturday 21 November 2015, University of Leicester
Keynote Speakers:
Professor Simon Bainbridge, University of Lancaster
Professor Jane Chapman, University of Lincoln

Mothers without Frontiers: Inscriptions of Affective Maps in Contemporary Romania and the World

updated: 
Wednesday, March 4, 2015 - 12:14am
full name / name of organization: 
MLA 2016
contact email: 

This panel opens a conversation about how motherhood is co-opted in the labor migration forces that are driving the current global culture. The participation of mothers in labor migration deserves reflection because it illuminates a turning point in modes of thinking about home, motherhood, geo-political borders as territories of ideological stability. Traditionally, labor migration was a masculine practice that naturalized paternal duty to be exercised from outside the house, many times reduced to economic expression. For example, after World War II, Germany rebuilt the economy with massive labor imports from Turkey. Maghrebian workers were instrumental in France.

[UPDATE] Call for Editors: Rising Dragon, new journal of Pacific Rim culture and media studies

updated: 
Tuesday, March 3, 2015 - 11:45pm
full name / name of organization: 
The Rising Dragon

Call for Editors
We are pleased to present a call for editors for a proposed new publication, The Rising Dragon, a journal of Pacific Rim culture and media studies. We will cover topics ranging from copyright to ritual, fandom to technology, and many more besides. We take a broad view of what our mandate includes and encourage instructors and professionals from diverse fields to apply for a position as an associate editor of our new journal. The projected date for the first publication is Spring 2016.
Requirements:
• Fluency in Japanese and/or English. Spanish, Chinese, Korean, or any other Pacific Rim language fluency is desirable but not required.

[UPDATE] CFP: Fandom and Neomedia Studies (FANS) Conference

updated: 
Tuesday, March 3, 2015 - 11:41pm
full name / name of organization: 
Fandom and Neomedia Studies Association
contact email: 

We are pleased to announce a CFP for submissions to the Third Annual Fandom and Neomedia Studies (FANS) Conference in Dallas, TX, on 6 and 7 June 2015.

Fandom for us includes all aspects of being a fan, ranging from being a passive audience member to producing one's own parafictive or interfictive creations. Neomedia includes both new media as it is customarily defined as well as new ways of using and conceptualizing traditional media.

Toni Morrison and Mothering/Motherhood - CFP for Edited Collection

updated: 
Tuesday, March 3, 2015 - 9:54pm
full name / name of organization: 
Lee Baxter and Martha Satz / Demeter Press

We are seeking and welcome perspectives from a variety of disciplines, historical, comparative, and cross-cultural, for a collection of essays entitled Toni Morrison and Mothering/Motherhood. In her vast body of work, fiction and non-fiction, Toni Morrison explores and critiques American/African American culture. While Morrison's novels examine multiple topics such as race, slavery, trauma, and identity, the theme Morrison continually returns to in her work is motherhood. Her most well-known work, for example, Beloved, is a relentless exploration of the dilemmas of motherhood under slavery. Motherhood, however, is a problematic term as it is a social construction dominated by patriarchy and in the case of African-American motherhood, racism.

CFP - Philament 21: Terror Australis

updated: 
Tuesday, March 3, 2015 - 8:59pm
full name / name of organization: 
Chris Rudge, University of Sydney
contact email: 

Philament, the peer-reviewed online journal of the arts and culture affiliated with the University of Sydney, seeks submissions from postgraduate students and early-career scholars (up to five years since qualification) that explore the notion or thematic "Terror Australis."

Panic, apprehension, alarm, fear, dread: these and other relatives of terror have long infected Australian texts. Resisting demarcation, terror can be a protean sense, a chimerical substance, an uncontainable ill feeling, or an institutionalised technic—a form of disciplinary power.

MLA Conference Special Session: "Missed Connections: Satire and Its Publics" (Jan. 7-10, 2016) CFP Due Mar. 15

updated: 
Tuesday, March 3, 2015 - 8:46pm
full name / name of organization: 
Janessa Toro
contact email: 

This panel welcomes papers concerning the intersections of satire, political art, and other forms of subversive humor with various audiences during any time period. A discussion of any medium or combination of media is welcome. How does political art and satire affect various audiences/publics? How has this effect changed through time? What does this effect look like in the present? And finally, how has the changing nature of "audience" concomitantly affected forms of satire, political art, and/or subversive humor? Submit a 300 word abstract by March 15,2015 to Janessa Toro (jltz85@mail.missouri.edu).

Modernism's Revolutionary Geographies (MSA 17--Nov. 19-22,2015--Boston, MA, USA) Abstracts Due April 1, 2015

updated: 
Tuesday, March 3, 2015 - 5:47pm
full name / name of organization: 
Modernist Studies Association
contact email: 

Panel Title: Modernism's Revolutionary Geographies*
Submissions Due April 1, 2015 to Candis Bond at cbond2@slu.edu
*This panel is for MSA 17 Boston. The theme of MSA 17 is "Modernism and Revolution." The conference general CFP can be accessed here http://msa.press.jhu.edu/conferences/msa17/CFP.html

Caribbean Cinema Now - September 24-26 (Port-of-Spain)

updated: 
Tuesday, March 3, 2015 - 4:13pm
full name / name of organization: 
trinidad+tobago film festival and UWI Film Programme

Over the last decade, there has been an unprecedented upsurge in film production across the nations of the Caribbean, yet little has been said in scholarly circles about these works or the nascent institutions that have helped facilitate their production and circulation. In September 2015, as part of the celebration of the tenth anniversary of the trinidad+tobago film festival (ttff), The ttff, in association with the University of the West Indies (UWI) Film Programme, is inviting proposals for papers to be presented during this year's edition of the festival.

Proposals for 30-minute presentations are welcome on any topic related to Caribbean cinema over the last ten years, but the organisers are especially interested in topics such as:

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