Luvah: Journal of the Creative Imagination http://luvah.org is seeking submissions for our Summer 2015 issue. We are looking for short stories, poetry, and critical articles. Regarding fiction, the sky is the limit, but for the critical articles, we desire pieces focused on Romanticism, classical art, and pieces that take a new and interesting stand on political, social, or philosophical issues. As a literary journal, we both desire fully creative pieces as well as articles which comment upon or interpret literature or philosophy.
The contemporary rebranding of Gothic as a global phenomenon has led to an exploration of previously unchartered cultural territories in search of texts that are open to such interpretation. In particular, the recognition of Asia as a promising site for Gothic Studies reveals complex intra-Asian connections and cultural influences, shared heritage, philosophical and religious worldviews, beliefs, and values that foreground the need to investigate the local forms that are associated with Gothic contexts. This underscores a non-generic understanding of Gothic and the need to develop a methodology that can be applied to study a variety of texts.
Call For Papers: ANIMAL SPIRITS
International conference organised by
Micheline Louis-Courvoisier (UNIGE) and Sylvie Kleiman-Lafon (Université Paris 8)
4-5-6 February 2016, the Hardt Foundation, Geneva.
The theme of the 2015 Conference on the Black Experience (COBE) is: Civil Rights and Student Activism in America: Unfinished Business. The COBE Committee has selected this theme to mark the 50th anniversary of events, such as the 1964 Civil Rights Act, Bloody Sunday, and the Voting Rights Act of 1965. Such events are still very relevant and should be studied and discussed for insights into not just individuals, but ideas, organizations, and actions that changed the trajectory of America for the good.
It seems that someone is always travelling somewhere in the Western. Be it progressive or populist, romantic or realistic, epic or tragic the American errand into the Western's wilderness transmits sets of assumptions about the American Character and the American Experience. Commenting on the economic, psychological, political, and social fluidities of American life, the Western frontier is itself constantly in flux.
As both science and the arts engage in conversations about the proposed new geological epoch, the Anthropocene, this interdisciplinary panel seeks papers addressing the "human layer" in turn of the century and early twentieth century literatures. Currently, scientists measure the human layer quantitatively, defining the human in terms of geological impact. But how is the human layer conceived before such sophisticated scientific measurement was possible? Where does the human species—proven to be a geological agent —fit into the division of the Earth into spheres—the lithosphere, biosphere, atmosphere, and hydrosphere? How does the identification of these spheres affect the concept of the human, or does it?
Call for Papers for Victorian Poetry Special Issue: Ballads (Winter 2016)
Edited by Letitia Henville, University of Toronto
This special issue investigates one of the most collected and categorized poetic genres of the Victorian period: the ballad. While ballad collecting dates back to Samuel Pepys in the seventeenth century and Bishop Percy in the eighteenth, nineteenth-century ballad scholars were the first to try to classify all 'authentic' folk verses, most famously with Francis James Child's seven-volume The English and Scottish Popular Ballads (1882-1898), which attempted to pin down every version of every popular ballad and to categorize all regional variants.
Wreck Park: Interesting Literatures, Interested Criticism
Wreck Park is a double-blind, peer reviewed publication run out of Binghamton, New York. The journal publishes prose, poetry, criticism, and interviews, and is particularly interested in conceptual frameworks and developments that set to disrupt the canonical and standardized discourses of the contemporary academic and literary landscapes. The journal welcomes authors, poets, researchers, and thinkers whose work reflects an interrogation of engendered norms and traditions within societies, cultures, intellectual circles, and beyond.
The force of biopolitics in contemporary society marks boundaries beyond geopolitical borders, inscribing otherness on bodies simultaneously necessary to the functioning of society, while abjecting them as dangerous to the very fabric of that society; an anxiety that reimagines and reproduces disciplinary power structures employed in the regulation, control, and subjugation of the collective, as well as individual, body. In this panel we seek to examine the material implications of the construction and bordering of such biopolitical otherness in our contemporary moment as imagined across multiple modes of literary and scholarly production.
CSECS 2015: Vancouver
The annual meeting of the Canadian Society for Eighteenth-Century Studies conference will take place in Vancouver from October 14-17, 2015.
The conference theme is "States of the Book/Le livre dans tous ses états." The keynote speakers are Janine Barchas (University of Texas), and Roger Chartier (École des Hautes Études en Sciences Sociales in Paris, Collège de France, and University of Pennsylvania).
Proposals for papers or panels might consider the following themes, although this is not an exhaustive list:
• Authors and editors
• States of the book in the digital age
• Theatre of the book
• Book arts
• The manuscript in the age of print
Papers welcome that explore all aspects of Peninsular Literature after 1700. Please email abstracts of 250 words (along with your name, institution, email and paper title) to Dr. Kathy Korcheck at email@example.com. The deadline to submit proposals is April 5, 2015.
With the theme of "Arts and Sciences" in mind, we welcome papers exploring the relationship between the artistic and the scientific in American literary texts produced before 1870. Possible topics might include: representations of artistic or scientific innovation or discovery, explorations of pseudo-science and its cultural effects, the influence of literary texts on scientific and/or medical knowledge and practice, the influence of scientific and/or medical progress on the literary imagination, doctors and/or patients as characters in literary texts, art and/or artifice as theme, and the role of the arts and/or the sciences within the larger American culture.
We welcome papers that explore any aspect of Irish studies, but particularly those that integrate this year's conference theme of "Arts and Sciences." Thus, we welcome papers that consider the ways in which Irish writers—or scientists—have utilized or explored science in their literature or art. This panel takes a broad approach to the conference theme and papers may consider these aspects: narratives of scientific exploration, myth and literature, literature and scientific culture, the scientist as literary character, or scientific discovery.
This year's Science & Fiction panel is pleased to engage the convention theme "Arts and Sciences." The session invites papers exploring the relations between science and fiction in diverse cultural expressions such as literature, film, theater, and the visual arts. How does science, broadly conceived, interact with the arts, either as a subject or practice within a production of the arts, OR, how do scientific efforts or practices influence a specific text, shedding light on the interaction of science and art? Explorations of non-English language and non-canonical texts are welcome. Please send a 250-word abstract and a brief CV to Brett Wiley (firstname.lastname@example.org) and Oscar A.