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Call for essay contributions to anthology -- Reconciling the Unexpected: The Intersection of Homebirths and C-Sections

updated: 
Wednesday, October 1, 2014 - 7:18pm
full name / name of organization: 
Samantha D. Gottlieb, California State University, East Bay

Seeking personal essay contributions from mothers or partners of women who have had a c-section after a planned homebirth.

Please submit a 250 word abstract and brief author bio by October 15 to samantha.gottlieb@gmail.com

[UPDATE] ACLA 2015 CFP: Poetry After Language (3/26-3/29, Seattle, WA) Deadline: 14 October 2014

updated: 
Wednesday, October 1, 2014 - 6:14pm
full name / name of organization: 
Marijeta Bozovic, Yale University; Kevin M. F. Platt, University of Pennsylvania; Walt Hunter, Clemson University

The L-A-N-G-U-A-G-E school of poetry marked a shift—or a return to avant-garde practice—in American poetry in the 1970s. This seminar examines the continuing international significance of the L-A-N-G-U-A-G-E school of poetry in the wake of renewed politically engaged practices after the international years of protest of 2011-2013. At a moment when artistic movements across the world are taking up avant-garde and modernist strategies, what is the legacy of that earlier recovery of the avant-garde? Diverse poetic practices associated with the loosely defined movement edged toward the position, in Lyn Hejinian's words, that: "Language is nothing but meanings, and meanings are nothing but a flow of contexts.

Crossing the Borders of Comparative Epistemologies: Research and Teaching in the Global Academy

updated: 
Wednesday, October 1, 2014 - 4:02pm
full name / name of organization: 
American Comparative Literature Association, Annual Meeting

The American Comparative Literature Association's 2015 Annual Meeting will take place at the Sheraton Seattle in Seattle, Washington, March 26-29, 2015. Please consider submitting your paper to our panel topic! Graduate students are encouraged to submit. Paper submissions should be submitted through the ACLA conference website: http://www.acla.org/annual-meeting

Organizer: Jennifer Reimer, Bilkent University
Organizer: Michael Subialka, Oxford University

[UPDATE] - DEADLINE EXTENDED- CFP - Intersections: Complicating Sexualities in Middle English Literature (NeMLA, April 30-May 3,

updated: 
Wednesday, October 1, 2014 - 3:50pm
full name / name of organization: 
Northeast Modern Language Association (NeMLA)
contact email: 

In her contribution to Bullough and Brundage's Handbook of Medieval Sexuality (1996), Jacqueline Murray calls for the de-universalization of the male perspective common to the majority of manuscripts. By composing accounts of sexuality that are in conversation with medieval sexual norms but which also pay attention to the individual experience of sex, we can arrive at a more nuanced understanding of medieval sexuality. Considering the sexual experience of literary characters also allows us to consider questions of mediated representation and perspective.

(M)othering the Transatlantic: Representations of Motherhood in a Transatlantic Context, 2015 ACLA, March 26-29 2014

updated: 
Wednesday, October 1, 2014 - 11:53am
full name / name of organization: 
American Comparative Literature Association
contact email: 

In a 2006 Slate Magazine column, Stephen Metcalf asks, "Why is Beloved Beloved?" Why, almost twenty years after publication, does Beloved keep reappearing on the foreground of literary consciousness? Orientating ourselves on Morrison's choice to reimagine and reinvent the story of Margaret Garner, we can similarly ask how the continual haunting of infanticide in Beloved is a formal innovation that interrogates the place of Motherhood (and particularly black Motherhood) in both a slave and neo-slave era.

CFP: Theatre & Performance Studies

updated: 
Wednesday, October 1, 2014 - 10:33am
full name / name of organization: 
36th Annual Southwest PCA/ACA Conference
contact email: 

36th Annual Southwest PCA/ACA Conference
February 11-14, 2015, Albuquerque, NM
www.southwestpca.org
Conference Theme, "Many Faces, Many Voices: Intersecting Borders in Popular and American Culture"
Submission Deadline: 11/1/14

This Area encourages dialogue between varied fields of performance scholarship (i.e., performance studies; theatre, dance, and cultural studies; as well as queer and post-colonial theory), and exploration of critiques of race, ethnicity, class, sexuality, technology, and nation. Papers across performance modes, cultural contexts, and historical periods are welcome. Topics might include but are not limited to:

After Nature: Feminist Futures, March 26th to 29th, 2015, Seattle, WA

updated: 
Tuesday, September 30, 2014 - 10:21pm
full name / name of organization: 
American Comparative Literature Association Annual Meeting
contact email: 

http://www.acla.org/after-nature-feminist-futures

The deconstruction of categories of animal, human, and cybernetic organisms has led to wholesale rethinking of corporeal futures and agential action. Likewise, the increase of information-based interactions refigures interactivity in ways which seem to subvert embodied expectation. At these removes, who is an agential actor, and what are the borders of her presence? What are the frontiers of imagining embodied futures?

[UPDATE] Extended Deadline: 'Transitions, Fractures, and Fragments'

updated: 
Tuesday, September 30, 2014 - 9:49pm
full name / name of organization: 
Cerae: An Australasian Journal of Medieval and Early Modern Studies
contact email: 

Ceræ: An Australasian Journal of Medieval and Early Modern Studies is excited to announce a two week extension of the deadline for submissions to its second issue, to be published in 2015. The new deadline is October 15th, 2014.

JOURNAL: Call for Papers: EMOTIONS AND FEELINGS IN THE MIDDLE AGES

updated: 
Tuesday, September 30, 2014 - 9:28pm
full name / name of organization: 
Literature Compass

Literature Compass invites contributions for a special issue on emotions and feelings in the Middle Ages.

We are seeking submissions that treat medieval emotions and feelings from a variety of cultures and literatures. Submissions may be concerned with issues such as
- literary descriptions of emotional states; the meanings and significations of emotions
- the engagement of the audience's emotions; affective literacy; mediated emotions
- methodological and archival challenges in approaching emotions in the Middle Ages
- rhetorics, languages and social conventions concerning the emotions and medieval definitions of emotion; medieval conventions of 'interiority' or 'subjectivity'

[UPDATE] Cultural Indigestion (colon) Exploring the Complexities of Interculturalism in Theatre and Performance

updated: 
Tuesday, September 30, 2014 - 8:20pm
full name / name of organization: 
Association for Research in Theatre at Indiana University
contact email: 

Note the change in date for the conference and the extended deadline.
The conference has been moved to Dec. 12-13 to accommodate our keynote speaker and with the change in date, the deadline has been extended to October 10.

GRADUATE SYMPOSIUM @ INDIANA UNIVERSITY | CULTURAL INDIGESTION | DECEMBER 12-13, 2014

The 3rd Annual Indiana University Department of Theatre, Drama, and Contemporary Dance Graduate Symposium on Theatre & Performance Studies:

Cultural Indigestion (colon) Exploring the Complexities of Interculturalism in Theatre and Performance

"Tupi or not Tupi: that is the question." -Oswald de Andrade

Economies and Currencies in Literature ACLA Seattle March 26-29, 2015

updated: 
Tuesday, September 30, 2014 - 5:59pm
full name / name of organization: 
Anick S. Boyd/ Alisa Sniderman
contact email: 

This seminar will explore the representation of money, economies, and currencies in literature from a wide range of methodologies (materialist, historicist, formalist, etc.) to examine the process of value making in literature. One approach is to study the relationship between metaphor and economic exchange. As Marc Shell has shown, metaphor is itself an exchange, and language and thought internalize monetary form into what he calls "money of the mind." And, in On Truth and Lies in the Extra Moral Sense, Nietzsche compares "truths" to "coins which have lost their pictures and now matter only as metal, no longer as coins."

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