twentieth century and beyond

IRCL Special Issue on Energy Perspectives on Children’s and YA Literature

International Research in Children's Literature
deadline for submissions: 
Tuesday, December 15, 2026

CFP: IRCL Special Issue on Energy Perspectives on Children’s and YA Literature  

Have you ever paused to consider the energy infrastructure supporting the adventures of Anne in Lucy Mongomery’s Anne of Green Gables (1908)? As an avid walker, Anne probably has a relatively low carbon footprint. Over a century later, in Maja Lunde’s The End of the Ocean (2017), struggles over energy development has become a central literary topic, underscoring the message of the UN Secretary General António Guterres, who at COP 30 urged that “The fossil fuel age is ending. Clean energy is rising. Let us make the transition fair, fast, and final" (United Nations, 2025).   

Disposable Bodies and the Aesthetics of War

Studia Universitatis Babeș-Bolyai. Philologia
deadline for submissions: 
Tuesday, September 15, 2026

CALL FOR PAPERS

 

 

Disposable Bodies and the Aesthetics of War: Representations of Vulnerability, Violence, and Resistance in Literature and Culture

 

Studia Universitatis Babeș-Bolyai. Philologia

3/2027

 

Guest Editors:

 

Dr. Andrea Roxana Bellot

Associate Professor, Department of English and German Studies

Rovira i Virgili University (URV), Tarragona, Spain

andrearoxana.bellot@urv.cat

 

Asia in the Caribbean (Online)

American Comparative Literature Association
deadline for submissions: 
Tuesday, September 22, 2026

Asia in the Caribbean 

Virtual seminar at the

American Comparative Literature Association Annual Meeting

May 15, 16 2027

After the Human, Before the Machine: Rethinking Creativity, Reading and Interpretation in Contemporary Anglophone Culture

Lucian Blaga University of Sibiu
deadline for submissions: 
Monday, October 5, 2026

American, British and Canadian Studies

Special Issue
After the Human, Before the Machine: Rethinking Creativity, Reading and Interpretation in Contemporary Anglophone Culture
December 2026

Deadline extension: 5 October 2026

Guest Editors
Dr. Merritt Moseley, University of North Carolina, Asheville (moseley@unca.edu)
Dr. Alexandra Mitrea, Lucian Blaga University of Sibiu  (alexandra.mitrea@ulbsibiu.ro)

 

 

Steinbeck's Communities

NeMLA 2027
deadline for submissions: 
Wednesday, September 30, 2026

This panel aims to explore the political, social, and economic significance of community in the works of John Steinbeck. Steinbeck’s works reflect a deep concern over the sicknesses of the United States—racism, economic inequality, and political upheaval to name a few—that were causing its people to be increasingly more isolated from one another. As Charles Johnson notes, “homelessness and loneliness… shape and direct the speech and actions of every character and situation that Steinbeck presents.” In both his fiction and non-fiction narratives, Steinbeck laments the wounds left by social and economic systems whose persistence hinges upon isolation and discord.

Silences as Resistance in Public Narratives

Northeast Modern Language Association (NeMLA)
deadline for submissions: 
Wednesday, September 30, 2026

Silences as Resistance in Public Narratives

Silence is generally seen as something to surmount: we break silence; we give voice to silenced stories; we speak out against injustice. But silence can be a powerful mode of expression in its own right. There is a history of silent protest. Silence can reject dominant expectations or refuse to offer up a story for voyeurism, appropriation, or commodification. It can push reader-listeners to listen for something wordless, to play an active role in striving to understand, and simultaneously to recognize the limits of their ability to understand another person’s trauma. Silence is rarely ever singular.

William S. Burroughs as a Problem, Not a Subject

ACLA
deadline for submissions: 
Tuesday, September 22, 2026

This seminar proposes to approach William S. Burroughs not simply as a subject of study, but as a problem. We invite provocative papers grounded in comparative methodologies and attentive to less-travelled texts, episodes, affiliations, and cultural encounters. Rather than asking what Burroughs “was,” we want to ask what his work does—and to pause over the categories through which we have learned to understand his oeuvre, asking what they illuminate and, perhaps more importantly, what they conceal.

Special Issue After the Human, Before the Machine: Rethinking Creativity, Reading and Interpretation in Contemporary Anglophone Culture December 2026

ABC, American, British and Canadian Studies Journal
deadline for submissions: 
Tuesday, October 6, 2026

American, British and Canadian Studies

Special Issue
After the Human, Before the Machine: Rethinking Creativity, Reading and Interpretation in Contemporary Anglophone Culture
December 2026

Deadline extension: 5 October 2026

Guest Editors
Merritt Moseley, University of North Carolina, Asheville (moseley@unca.edu)
Alexandra Mitrea, Lucian Blaga University of Sibiu  (alexandra.mitrea@ulbsibiu.ro)

 

 

(Forced-) Migration, Refugee, Exile and the Crises of Humanitarian Regimes in Literature, Arts, and Media

American Comparative Literature Association
deadline for submissions: 
Tuesday, September 22, 2026

“We are now in the middle of a deep and decisive moment towards a more disciplinary, authoritarian kind of society,” says Stuart Hall in his speech for Human Rights Day in 1979 (78). He proceeds to explain the components and manifestations of this “crisis,” which eventually morphs into a drive for more “Law and Order” (79). If that was the middle, are we at the end of the crisis? Our daily experiences prove otherwise, as the drive for more Law and Order keeps us in a chokehold. We seem to be in a perpetual global crisis in which we watch global systems of justice like international law and the International Criminal Court deteriorate in front of our eyes, while capitalist and genocidal systems globally continue to thrive and strengthen their hold.

Journal of Wyndham Lewis Studies CFP

Journal of Wyndham Lewis Studies
deadline for submissions: 
Sunday, January 31, 2027

Call for Papers: Journal of Wyndham Lewis Studies 13 (2026/2027 Issue)

The Journal of Wyndham Lewis Studies (JWLS) invites submissions of original articles and book reviews for its upcoming issue. As the pre-eminent peer-reviewed journal dedicated to the life, writings, and art of Wyndham Lewis (1882–1957), JWLS seeks contributions that make decisive, innovative interventions in Lewis scholarship and broader modernist studies.

Submission Guidelines

The Global Southern Gothic

58th Northeast Modern Language Association Convention
deadline for submissions: 
Wednesday, September 30, 2026

 

The Global Southern Gothic

58th Northeast Modern Language Association Convention
March 6-9, 2027
Newport, RI

The US South, representative of the nation, has long been associated with gothic forms and tropes in part as a result of the suppression of violent histories. According to Sheri-Marie Harrison, the use of gothic tropes in American literature reveals “how ideologies of American exceptionalism rely on repressing the nation’s history of slavery, racism, and patriarchy.” Like the return of the repressed, what hasn’t been reckoned with in the nation’s history, such as slavery, racial oppression, and cisheteronormative expectations, reemerge in weird or haunted ways.

Other Traditions and Queeries: Queer Poetics as Critical Practice (Panel)

Allison Vanouse / NeMLA
deadline for submissions: 
Wednesday, September 30, 2026

Seeking papers on queer poetics and criticism for a supple program on "other traditions" and (punning) "queeries". Contributors might consider models such as: Eileen Myles, whose essays and lectures construct a literary history inseparable from aesthetic inheritance; the New Narrative Writers; Anne Carson; Heather Love; José Muñoz; Elizabeth Freeman; the New York School poets and painters; and Wayne Koestenbaum, whose work models engagements with cultural history that amount to queer methodology in practice. Papers on related topics or their complications are enthusiastically sought.

 

"Transhistorical Plantings, Transnational Provision Grounds" - Virtual Symposium (Feb. 25th-26th, 2027)

Niall A. Peach
deadline for submissions: 
Thursday, October 15, 2026

The plantation’s agribiopolitical reorganization of environmental and (enviro-)racial relations has remained a focus of scholarship concerned with the afterlives of its logics. Yet, as Sylvia Wynter has argued, other narrative sites produced by and in dialogue with the plantation, such as the provision grounds, offer a means to think beyond the plantation’s hegemonic, monocultural narrative. In the Caribbean context of Wynter’s work, the provision grounds were found at the edge of the plantation hidden away from the main house, serving as a subsistence refuge for enslaved peoples to cultivate food on Sundays.

PCA 2027 Boston: Circus & Sideshow Area

Popular Culture Association
deadline for submissions: 
Saturday, October 31, 2026

Step right up! Circus and sideshow have long occupied a distinctive place within popular culture, functioning as community sites for entertainment, business, logistics, spectacle, performance, and insider culture. Circus and sideshow continually shape how we view the extraordinary. 

 

AMERICAN LIT at CEA 2027

College English Association (CEA)
deadline for submissions: 
Sunday, November 1, 2026

CALL FOR PAPERS/AMERICAN LITERATURE

COLLEGE ENGLISH ASSOCIATION ANNUAL CONFERENCE

APRIL 1-3, 2027 / ST LOUIS, MO

SUBMISSION SITE IS OPEN: https://www.conftool.pro/cea2027 

DEADLINE: 11/01/2026


 

For its 2027 annual conference,the College English Association (CEA) invites proposals for papers and panels that explore the theme of “Gateways” and their significance in literature, criticism, and pedagogy. we also encourage proposals on GENERAL TOPICS, including AMERICAN, BRITISH, AND WORLD LITERATURES.

DON'T KNOW CEA? YOU SHOULD!

Call for Papers: Journal of Beat Studies #14

Journal of Beat Studies
deadline for submissions: 
Tuesday, September 15, 2026

This is a final call for papers for the Journal of Beat Studies' 14th volume, welcoming new and renewed contributions on any Beat Generation or Beat Generation-adjacent relevant subject (including the New York School, Black Mountain College, San Francisco Renaissance, Umbra Writers Workshop, etc.). The journal is interested in essays that reconsider familiar figures, recover overlooked ones, and explore the connections as well as any frictions between these overlapping scenes and their legacies.

ACLA 2027 Seminar: Human Rights and Personhood in Literatures of the Global South

American Comparative Literature Association
deadline for submissions: 
Tuesday, September 22, 2026

As human rights institutions and legal frameworks are discredited, defunded, dismantled, and openly ignored across multiple national contexts, the question of what literature has to do with rights returns with new urgency. This moment demands new ways of thinking about these problems. This seminar responds by turning to the many literary traditions from the Global South and postcolonial contexts in which writers have narrated human rights and personhood on their own cultural terms and grounds.

Black Mountain Poetry and the Arts

The Charles Olson Society
deadline for submissions: 
Friday, September 11, 2026

As part of the 54th annual Louisville Conference on Literature and Culture, the Charles Olson Society invites papers on the theme of “Black Mountain Poetry and the Arts.” Working amidst the rich, interdisciplinary atmosphere of Black Mountain College and The Black Mountain Review, Charles Olson, Robert Creeley, Robert Duncan, Denise Levertov, and many others developed their conceptions of projectivist poetics in tandem with colleagues in painting, music, and dance. As multimedia events like the first “Happening,” which featured poetry by Olson, readings by M.C.

The Myth of Monogamy

NeMLA Roundtable
deadline for submissions: 
Wednesday, September 30, 2026

Originally coined by David P. Barash and Judith Even Lipton in their 2001 book The Myth of Monogamy: Fidelity and Infidelity in Animals and People, “the myth of monogamy” is defined as “the often unspoken assertion that even desire-at-a-distance is not only wrong, but a uniquely human sin.” This roundtable builds on this definition and suggests that in 2026, the “myth of monogamy” also refers more broadly to the pervasive (and socially constructed) idea that monogamy is biologically natural and socially superior.

Euromodernism’s ‘Chinese Eyes’: Orientalism and Formal Immediacy

David Seamans
deadline for submissions: 
Tuesday, September 22, 2026

European modernism often imagined aesthetic form as a way to overcome mediation: to make alienated experience, fragmented sociality, or absent truth appear immediately whole or present. At the same time, Edward Said identifies one of the core mechanisms of imperial representation as how it effaces its own mediation of the Orient, as if representation delivered “presence” rather than “re-presence.” This panel explores to what extent the modernist fantasy of formal immediacy was historically enabled by a fantasy of immediacy built into Orientalist representation.

Han as a "Genre"

AAAS 2027
deadline for submissions: 
Thursday, October 1, 2026

This panel invites papers that offer provocative insights into the Korean concept of han (한/恨) across a wide range of cultural forms and genres. Echoing this year's conference theme, this panel asks: how might we recapture the magic of, and reinstill a sense of wonder and joy in, Asian Americanist work on han? Over the past decade, if not longer, han has arguably become one of the most revisited concepts among Korean American writers, artists, and thinkers. If these overlapping prisms of political, cultural, and academic representation have taught us anything, it is that han, at its best, is conceptually elusive.

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