The VSAO executive invites proposals for 20-minute papers to be presented at the Association's 46th annual conference on 27 April 2013. The conference theme will be "Victorian Play(s): Excess and Expression." The venue will be Glendon College, York University, Toronto.
The monographic section will bring together a body of texts characterised by their critical capacity and their ability to bring new perspectives to the field of Basque Literary and Cultural Studies. Possible lines of investigation, though not an exhaustive list, may include:
a) Basque academia and the relationship between knowledge and power
b) Investigation of scientific discourse and its performative ability: epistemic and symbolic violence
c) Analysis of the Basque literary system and criticism thereof
d) Theoretical and methodological proposals for strategic reading
e) Analysis of literary texts and other texts as areas of ideological resistance/reproduction.
REGISTRATION FOR THIS EVENT HAS NOW OPENED.
To register for the conference please go here:
A draft programme (subject to change) for the conference can be found here:
We look forward to welcoming you to the conference in November.
* Note new deadline*
Call for Papers and Panels
37th Annual PAC Conference
21 - 23 March 2013
University of North Carolina at Asheville
We welcome papers and panels on any topic of interest to literature and language scholars. Past sessions have focused on English, American, world and multiethnic literatures, as well as on linguistics, composition, and pedagogy.
Email proposals along with a brief abstract and CV by 30 November 2012:
American / British Topics:
Dr. Gary Ettari (email@example.com)
Associate Professor of Literature and Language
University of North Carolina at Asheville
Foreign / Comparative / Linguistics / Pedagogy Topics:
6th Global Conference
Saturday 6th July – Monday 8th July 2013
Mansfield College, Oxford
"SUBMIT TO THE SUMMIT"
An Invitation to an International Performing Arts Summit
In Collaboration With
ACADIA UNIVERSITY & DALHOUSIE UNIVERSITY & HUMBER COLLEGE
June 15 to 18, 2013
Humber College Lakeshore Campus
This International SUMMIT will explore DIRECTING as a uniquely interdisciplinary art form. We invite proposals from artists and researchers for papers, practical presentations and conversations. Our focus is on DIRECTING across the disciplines, from theatre to film/TV to dance to musical drama to new media. Topics include, but are not limited to:
Because of their natural ability to imitate and improvise upon the songs and sounds of others, starlings exemplify the powers, the problems, and pleasures of mimesis. The mimicry of starlings, like that of parrots, raises many questions about the techniques of art, artifice, and paralinguistic performance within a comparative literary and cultural perspective. How do starling tropes orient classical texts from Dante to Shakespeare, Sterne to Austen, Mozart to Messiaen? How does the mimicry of the European starling compare to that of the parrot? How does it reorient colonial and postcolonial locations of culture, mimicry, and the (post)human? How do starlings and parrots, caged or uncaged, track the global positioning of cultures and languages?
The Visual Culture Area seeks research in all aspects of visual culture concerning the American experience, past and present. Visual Culture studies recognizes the predominance of visual forms of media, communication, and information in the postmodern world, including popular and "low" cultural forms, media and communications, and the "high" cultural forms or fine art, design, and architecture.
Trans-Scripts – an interdisciplinary online journal in the Humanities and Social Sciences at the University of California, Irvine – invites graduate students to submit their work for publication. The theme of the third volume is "Thinking Activism."
Published in 1863 to immediate success as the Civil War sloughed into its second year, _Hospital Sketches_ is now available in several paperback editions, most with excellent introductions detailing its relevance in a variety of classrooms—from literature and history in general to women's, gender, African American, and disability studies in particular. We seek abstracts describing successful classroom strategies that feature _Hospital Sketches_ or that present Alcott as an important figure in antislavery reform, women's history, and popular literature of the Civil War.
Writers as esteemed and influential as Gertrude Stein, Adrienne Rich, Cynthia Ozick, and J. K. Rowling have acknowledged a debt to Louisa May Alcott. References to and re-visionings of Alcott's writing and life have appeared in the work of such authors as Joyce Carol Oates, Barbara Kingsolver, Geraldine Brooks, Lynda Barry, and many others. Alcott's work has also been translated to stage and screen, in such forms as musicals, mini-series, and anime. And dozens of artists have created illustrations, including May Alcott, Frank Merrill, Jessie Willcox Smith, Norman Rockwell, Barbara Cooney, and Tasha Tudor.
Synthesis 7 (2014) Call for Papers
Acting (on) the text: the case of new media
National University of Ireland, Maynooth
18-19-20 October 2013
- Narrative strategies
- History and fiction in historical novels
- Writers and History
- Autofiction and autobiography
- Revisionism and historiography
- Myths, tales and legends
- Individual and collective histories
- History and memory
- Hidden histories
- Forgetting/forgotten history
- Literary history
- Historians and literature
- The history of Readership and reception
- French Literary Canon
- La politique et l'Histoire
- History and identity
- 1913-2013, centenaries and commemorations
9th Annual Université de Montréal English Graduate Conference
March 1 and 2, 2013
OF HUMAN BONDAGE: LITERATURES OF CONSTRAINT
Keynote Speaker: Sherry Simon (Concordia University)
Michel Foucault once remarked that "I believe that the anxiety of our era has to do fundamentally with space, no doubt a great deal more than with time." Indeed, there is a strong sense in which space has become one of the most privileged loci of economic, social, and cultural production in the age of globalization. Though many contemporary thinkers have addressed this postmodern "spatial turn," Fredric Jameson's theoretical discourse is remarkable for its insistence on space as a cultural dominant in the world today.