category: twentieth century and beyond

The Scrutiny of the Public Eye in the Work of William Faulkner

full name / name of organization: 
Victoria Bryan
contact email: 
Victoria.M.Bryan@gmail.com

In keeping with SAMLA’s theme for this year (Human Rights and the Humanities) this panel aims to examine the ways in which the scrutinizing view of the public eye impacts the construction of a chara

"Between Worlds" Edited Collection; Abstracts 5/15/09; Papers 7/15/09

full name / name of organization: 
Ama Wattley, PhD
contact email: 
awattley@pace.edu

My colleague Dr.

New Grounds: Ecocriticism, Globalization and Cultural Memory (deadline proposals 1 Sept. 2009; Conference 13-15 January 2010).

full name / name of organization: 
Radboud University Nijmegen, the Netherlands
contact email: 
a.bracke@let.ru.nl

“New Grounds: Ecocriticism, Globalization and Cultural Memory”

13 – 15 January 2010
Radboud University, Nijmegen (the Netherlands)
http://www.ru.nl/hlcs/newgrounds/

John Ashbery in Paris International Conference - March 11-14, 2010

full name / name of organization: 
Antoine Cazé / Université Paris 7 Diderot - LARCA (Laboratoire de Recherche sur les Cultures Anglophones)
contact email: 
antcaze@wanadoo.fr

CALL FOR PAPERS

JOHN ASHBERY IN PARIS – INTERNATIONAL CONFERENCE
March 11-14, 2010
Université Paris 7 Diderot – LARCA (Laboratoire de Recherche sur les Cultures Anglophones)

Charlie in the Heartland: An International Charlie Chaplin Conference

full name / name of organization: 
Lisa Stein/Ohio University Zanesville
contact email: 
stein@ohio.edu

Call for Papers

Charlie in the Heartland
An International Charlie Chaplin Conference
October 28, 29, and 30, 2010
Ohio University Zanesville, Zanesville, OH USA

[UPDATE] “Catastrophe and the Cure”: The Politics of Post-9/11 Music (Deadline May 1, 2009)

full name / name of organization: 
Anthology Theorizing Post-9/11 Music
contact email: 
post911anthology@gmail.com

In current debates about the War in Iraq, it has become commonplace for politicians and journalists to conjure the specter of the Vietnam War as a means of quantifying the impact of the current war in American culture and throughout the world. Surprisingly, though, few have scrutinized these comparisons to examine the differences between the popular music of the Vietnam era and the music of the current post-9/11 era. While the Vietnam era found countless bands and musicians responding in protest to that war, there has arguably been a significantly smaller amount of contemporary musicians who have taken overt stances, in their music, about the politics of post-9/11 life, in America and elsewhere.

_“Catastrophe and the Cure”: The Politics of Post-9/11 Music_ is the title of a proposed anthology examining “post-9/11” music. Abstracts are sought for articles attempting to theorize what post-9/11 music is, if such a category can be said to exist, and what political action it takes (or needs to take), if any. Proposed articles should be theoretically engaged and should be written with an academic readership in mind. Of particular interest are abstracts that seek to extend discussions of post-9/11 music beyond the bands/musicians/albums—U2, _The Rising_, The Dixie Chicks, Toby Keith, etc.—typically associated with 9/11. Topics may include, but are not limited to, the following:

MSA 11: Modernist Languages of Feeling

full name / name of organization: 
Brandon Gordon
contact email: 
bgordon@uci.edu

Modernist Languages of Feeling

[UPDATE] CFP - Matter '09: A Creative Theology Event - (Deadline: May 15, 2009)

full name / name of organization: 
Shechem Ministries
contact email: 
info@mattercon.com

MSA 11: Aesthetic Depictions of Violence in Modernist Literature, 1890-1940

full name / name of organization: 
Dr. Jennifer Gilchrist
contact email: 
jengilchrist@gmail.com

Abstracts sought for a proposed panel at the 11th Annual Modernist Studies Association Conference in Montreal, Canada, November 5-9, 2009.

Matters of Taste (MSA 11, 5-8 November 2009, Montréal, Québec, Canada)

full name / name of organization: 
Mary Elizabeth Curtin (University of Toronto)
contact email: 
marybeth.curtin@utoronto.ca

The modernists’ innovations in art, literature, and design were not only aesthetic reactions to traditional forms—they were also critical responses to the idea of taste.

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