February 22nd – 24th 2013
Culture is mercurial and fluid. Thus research must create, but also dispute yet engage, a
transformational and reflective understanding of our subjects. The examination of
knowledge and epistemologies from varying perspectives reveals the interconnections of
vastly varying subjects. But to find these connections we first need to explore and
This year's Battleground States Conferences invites participants to facilitate creative,
experimental, and exploratory standpoints that expand their own area of knowledge from
unique and multifarious perspectives. In the nature of Interdisciplinary Studies, we seek
February 22nd – 24th 2013
How does music (its concepts, practices, and institutions) shape the exercise of diplomacy, the pursuit of power, and the conduct of international relations? We are pleased to announce an interdisciplinary conference, to be held at the Center for the Humanities at Tufts University and the Mahindra Humanities Center at Harvard University on March 1 and 2, 2013.
Where Are We Going? Reflections on the Future of Native American Studies [NEMLA 2013, Boston, March 21-24]
This panel invites scholars to think through texts that have contributed to the past, present, and future of Native American Indian Literatures, particularly in how they help to understand the cultures, economics, and politics of different Native American tribes as well as how they contribute to the future of these critical areas in Native American Studies. Applications of literature could include public policy, education, representation in film, or other literary studies. Please email your abstract to Jessica Bardill at firstname.lastname@example.org by 9/30/2012. Panelists will be announced October 4, 2012.
Listening Spaces: 21st Century Perspectives on Music, Technology, and Culture seeks proposals for writings to be included in a volume of new critical essays.
Seminar: Geocriticism and the Legacies of Edward Said
ACLA Conference, April 4-7, 2013, in Toronto.
Organizer: Robert T. Tally, Jr. (Texas State University)
7th Biennial Anthony Powell Conference 2013
Anthony Powell in the '20s & '30s
Friday 27 to Sunday 29 September 2013
Windsor, Berkshire, UK
First Announcement & Call for Papers
THE ATRIUM is not your run-of-the-mill academic journal! It is an engaging, unique, cross-disciplinary journal that seeks innovative, creative, and critical articles, including classroom best practices, research-based articles, and some fiction and poetry. Each issue features book and website reviews and conference CFPs. We do not accept previously-published material, theses, or dissertations. Show our readers the practical application of your great research and creative ideas! Material published has dealt with broad issues that connect classroom to culture and to community. The Atrium invites and encourages academic discourse across the disciplines. Please limit your articles to 5,000 words.
"Ethnofuturisms: Spatiotemporal Geographies"
44th Annual Convention, Northeast Modern Language Association (NeMLA)
March 21-24, 2013
Host Institution: Tufts University
The Department of English, at the Faculty of Philology, University of Banja Luka (Bosnia and Herzegovina) and the Department of English, De Montfort University (UK) are pleased to announce their first conference on English language and literary studies CELLS: Going against the Grain – Contemporary Approaches to the Study of Language, Literature and Culture.
CFP-edited book on Marxism and Urban Culture
Submissions are invited for an edited book on Marxism and Urban Culture that has received initial interest from an international publisher known for their strength in Marxian-themed series and titles.
While all abstracts using a Marxian framework to approach culture in urban contexts are welcome, it is anticipated that submissions will conform to one of two subtypes reflecting the division of the book into two parts:
Articles that explore the work of a specific Marxian thinker, stressing his/her importance for understanding urban culture/the culture of cities in a general sense. (Walter Benjamin; Henri Lefebvre; Antonio Gramsci…)
Call for Papers:
Mary Hood and the Southern Canon: A Conference
Gainesville State College*
April 27th, 2013
This conference is dedicated to the fiction of Mary Hood. While papers on all topics are welcome, we are interested in the ways that Hood's fiction extends and redefines the concerns of Southern literature. Suggested topics:
This one-day international conference will celebrate the achievement of Barbara Pym in the year that marks the 100th anniversary of her birth. Pym is now recognised as an increasingly important post-war British novelist,and we are seeking papers that discuss any aspect of her writing and that may open up new avenues in scholarship.
Abstracts may consider, but are not limited to the following:
Essay proposals are invited for a volume in the MLA's Options for Teaching series entitled Teaching Representations of the First World War, to be edited by Debra Rae Cohen and Douglas Higbee.
Scholarly essays are sought for a collection on the "dark/gothic" fairy tale motif in children's and young adult literature. One of the most popular and long standing traditions in literature for youth, fairy tales have always had elements of fantastical horror, dark motifs, and other Gothic themes built into them. Cannibalism, murders, despair, rape, kidnapping, reincarnations, broken families and many other horrific elements are to be found in these stories. Countless experts insist that their inclusion was, and still is, vital to the growth and maturation of the child reader. The melding of the traditional fairy tale and Gothic literature themes help the reader not only to see the positive aspects of life, but the darker side as well.
Charles Olson's influence on avant-garde poetry began with the publication of "Projective Verse," the first volumes of "The Maximus Poems," and Don Allen's "The New American Poetry." One thinks of Creeley, Dorn, Baraka, Ginsberg, Eshleman, Howe, Waldman, and others who have acknowledged that influence, but it also shows up where one doesn't expect it (in a poet like Amy Clampitt, for example). This panel asks whether Olson's influence is now merely historical, or whether it persists. If it is historical, can we define its parameters? If it has ended, why has it ended? If it persists, how does it persist? In other words, does Olson matter for contemporary poetry?