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"Cinema Chauceriana": A Collection of Essays

updated: 
Monday, August 27, 2012 - 3:18pm
Tison Pugh & Kathleen Kelly

"Cinema Chauceriana" will explore the representation of Chaucer and his literature on film, as well as the surprising dearth of this corpus in comparison to other narrative artists of the English literary tradition (e.g., Shakespeare, Dickens, the Brontë sisters, Henry James). We envision the collection as comprising two primary sections, with the first explicitly theorizing this lack of cinematic representation and the second analyzing various representatives of Cinema Chauceriana, including Powell and Pressburger's "A Canterbury Tale" (1944), Pier Paolo Pasolini's "I Racconti di Canterbury" (1972), Brian Helgeland's "A Knight's Tale" (2001), and the BBC "Canterbury Tales" (2003), among others.

Rendering Romance in Word and Image--Medieval Assoc of the Pacific, San Diego CA, Mar 21-23, 2013

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Monday, August 27, 2012 - 3:04pm
Carol Harding/ Medieval Association of the Pacific

We invite conference papers for the 2013 Medieval Association of the Pacific conference to be held in San Diego, March 21-23. This particular panel session explores any feature(s) of manuscripts concerning word and/or image in medieval romance texts. How do images in a manuscript help us understand the romance text? its characters, setting, readership or patronage? Does a romance text form a visual or rhetorical relationship with other texts bound within the same manuscript? Are there heretofore unremarked rhetorical passages or patterns that conjure an imagined visual world in the romance text?

CFP: Motor Culture and the Road, SW/TX PCA/ACA, Ann. Conf. Feb, 13-16, 2013, Proposals Due: Nov. 16, 2012

updated: 
Monday, August 27, 2012 - 2:48pm
Southwest/Texas Popular Culture and American Culture Association

Southwest/Texas Popular and American Culture Association 34th Annual Conference, February 13-16, 2013, Albuquerque, New Mexico
Area: Motor Culture and the Road, Chair: Stacy Rusnak
Deadline for Submissions: November 16, 2012

Motor Culture and the Road relates to a wide variety of areas of cultural significance in the global context. By expanding the concept of "motor" to mobility in general, and increasing our understanding of the road as both a liberating and confining space, we can explore our ever-shifting notions of identity formation.

SWTX welcomes scholars at all levels. Graduate students are encouraged, and SWTX awards a number of monetary awards for the best graduate papers

The (New) Politics of Transitional Spain: Bodies, Culture and the Movida - NeMLA 2013 Convention Boston, MA; March 21-24, 2013

updated: 
Monday, August 27, 2012 - 1:06pm
The Northeast Modern Language Association (NeMLA)

This panel invites 20 minute contributions on any aspect of the Movida Madrileña and cultural backdrop of the Spanish transition from dictatorship to democracy. Topics may include: punk, sub and counterculture theory, body politics, visual arts, questions of identity (inherited and fabricated), relationships between various media, and the importance of language and aesthetic appearance in the assertion of modernity and transitional culture. Please submit 250-500 word abstracts to vcc220@nyu.edu or meggie.morris@gmail.com

UPDATE Calls for Edited Collection: Ethnic Perspectives on Ethnic Literatures: A Contemporary Critical and Theoretical Reader

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Monday, August 27, 2012 - 12:49pm
Editors: J. Stephen Pearson and Carrie Louise Sheffield

Inspired by Simon Ortiz's "Towards a National Indian Literature: Cultural Authenticity in Nationalism" and Jace Weaver, Craig Womack, and Robert Allen Warrior's American Indian Literary Nationalism, this collection will be a site for emerging as well as well-known ethnic critics and theorists to illustrate where they see their respective fields heading and construct perspectives outside of western ideologies. This collection will include 5 key areas: African American, Asian American, Latin American, Native American, and Arabic American literature and criticism. The first four areas represent the larger areas of ethnic studies in the academy today and will provide a necessary counter-point to the predominantly western (i.e.

CFP: Essays on Housework and Popular Culture (Due 10/15/2012)

updated: 
Monday, August 27, 2012 - 11:28am
Elizabeth Patton, New York University and Mimi Choi, Ryerson University

Home Sweat Home: Perspectives on Housework and Modern Domestic Relationships. Under contract with Scarecrow Press (imprint of Rowman & Littlefield Publishing Group)

Editors: Elizabeth Patton, Doctoral Candidate -- Media, Culture and Communication, New York University; Mimi Choi, MA -- Literatures of Modernity, Ryerson University

Contact e-mail: eap5@nyu.edu

4th Global Conference: Experiencing Prison (May 2013: Prague, Czech Republic)

updated: 
Monday, August 27, 2012 - 8:59am
Dr. Rob Fisher/ Inter-Disciplinary.Net

4th Global Conference
Experiencing Prison

Sunday 12th May – Tuesday 14th May 2013
Prague, Czech Republic

Call for Presentations:
This inter-disciplinary and multi-disciplinary conference marks the continuation of a project dedicated to the study of the experience of imprisonment.

The Condemned Playground: Aldous Huxley and his Contemporaries

updated: 
Monday, August 27, 2012 - 7:49am
University of Oxford, English Faculty & Balliol College

The Condemned Playground:
Aldous Huxley and his Contemporaries
Balliol College, Oxford University
8-11 September 2013

Scheduled to coincide with the centenary of Aldous Huxley's arrival at Balliol College as an undergraduate, this major international conference seeks both to reassess his diverse oeuvre, and to bring new attention to a constellation of writers whose work developed in dialogue with literary modernism. The conference, which incorporates the Fifth Annual International Aldous Huxley Symposium, will look broadly at Huxley's engagements with fellow British and American writers and with some of the key movements of his time.

3rd Global Conference: Urban Popcultures (May 2013: Prague, Czech Republic)

updated: 
Monday, August 27, 2012 - 6:34am
Dr. Rob Fisher/ Inter-Disciplinary.Net

3rd Global Conference
Urban Popcultures

Sunday 12th May – Tuesday 14th May 2013
Prague, Czech Republic

Call for Presentations:
This inter- and multi-disciplinary conference aims to examine, explore and critically engage with issues related to urban life. The project will promote the ongoing analysis of the varied creative trends and alternative cultural movements that comprise urban popcultures and subcultures. In particular the conference will encourage equally theoretical and practical debates which surround the cultural and political contexts within which alternative urban subcultures are flourishing.

1st Annual Comic Conference of the University of Seville (15-17 November 2012) – "COMICS: FORMS & FUNCTION"

updated: 
Monday, August 27, 2012 - 6:06am
Research Group HUM-753 “Escritoras y Escrituras” (Female writers and writing) - Universidad de Sevilla

There is no doubt that comics have made themselves a place in the realm of arts, among more traditional ones like literature, music or cinema. With hundreds of conventions all over the world taking place every year, international prestigious awards, some work with several thousands of copies sold worldwide, specialized literature and museums, comic, are stronger than ever, reassuring its place between the arts.

8th Global Conference: Cybercultures (May 2013: Prague, Czech Republic)

updated: 
Monday, August 27, 2012 - 5:40am
Dr. Rob Fisher/ Inter-Disciplinary.Net

8th Global Conference
Cybercultures

Wednesday 15th May – Friday 17th May 2013
Prague, Czech Republic

Call for Presentations:
This inter- and multi-disciplinary conference aims to examine, explore and critically engage with the issues and implications created by the growing adoption of information technologies for inter-human communication. The project will also focus on assessing the continuing impact of emergent cybermedia for human communication and culture. In particular the conference will encourage equally theoretical and practical debates which surround the cultural contexts within which cybermedial and technological advances are occurring.

The Famished Road: Ben Okri's Imaginary Homelands - deadline for submissions: 20 October 2012

updated: 
Monday, August 27, 2012 - 12:09am
Vanessa Guignery / Ecole Normale Supérieure de Lyon

This collection of essays, which will be published by Cambridge Scholars Publishing in Britain, will focus on Ben Okri's Booker prize-winning novel The Famished Road in order to try and offer new perspectives, a little more than twenty years after its publication. Contributors are welcome to adopt a variety of approaches that will illuminate the main themes, narrative strategies, literary traditions, modes of writing, generic traits and any other component of the novel. All papers are to be in English and will be peer-reviewed. Papers should be around 7000 words (40 000 to 50 000 signs, spaces included).

Please send an abstract (300 words) along with a short biography (200 words).
Contact Vanessa Guignery to be sent the stylesheet.

The Politics of Violence in Contemporary Latin American Cinema

updated: 
Sunday, August 26, 2012 - 10:34pm
Monica Filimon and Henry Tarco-Carrera/NEMLA 2013

This panel will examine the social, moral, and aesthetic implications of violence as it has been conceptualized in post-2000 Latin American cinema. What role does violence play in today's communities? How and why does violence cross national borders? Is violence always transgressive or can it be legitimated? What are the moral connotations of the consumption of violent films? Please send 300-500 word abstracts and brief biographical statements to Henry Tarco-Carrera at henrytar@buffalo.edu and Monica Filimon at mefilimon@yahoo.com. Deadline: September 30, 2012

Communities Re-imagined in Postmodern Texts

updated: 
Sunday, August 26, 2012 - 10:27pm
Northeast Modern Language Association (NeMLA) 2013 Boston Conference

[UPDATE] This panel seeks papers to examine the ways that particular postmodern texts (such as Midnight's Children), which initially served to subvert foundational fictions in diverse societies, have become canonical in the ways these communities are now imagined. Why have these texts become canonical and how does that impact our readings of them? How are these texts read within their own communities? How have these re-imaginings altered the master narratives of these communities? Please send 200-300 word abstracts and a brief biography to Kenneth Sammond, ksammond@fdu.edu by September 30, 2012.

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