Latinness, whatever its numerous metamorphoses over the centuries, is still vibrant today. But what does the term cover and what cultural place and functions does it have in a globalized world? Sometimes associated with the Roman Empire's hegemony, sometimes neutralized and recycled by reactionary ideologies, it might open up to fresh re-interpretations and other becomings.
Foreign Language Film Conference V
"Rights and Representations"
University of Alabama at Birmingham
1-4 November 2012
"Telling Truths: Crime Fiction and National Allegory"
Conference convened by Professor Ian Buchanan,
Professor Catherine Cole and Professor Sue Turnbull
December 6-8 2012, University of Wollongong (Australia)
Keynote Speaker: Fredric Jameson (Duke University)
When Peter Temple's Truth won the Miles Franklin Literary Award in 2010 it was taken as a sign of a long overdue recognition of the fact that today there is no qualitative distinction between genre fiction and so-called literary fiction. Crime writers are every bit the equal (in terms of style and substance) of their less generically bound contemporaries and these days many literary writers turn to crime fiction to frame their works.
In The Varieties of Religious Experience, William James informs us that the mystical state operates in an ineffable realm and, as such, language remains incapable of accurately narrating or textualizing the mystical experience. And yet, mystical literature has attempted to find expression for what, ostensibly, can be described as an absence, a lack, a debt within the normative structures of communicative and discursive language. If the mystical experience inhabits a landscape beyond the limits and borders of language, how do writers find the words to describe the ineffable? How do form, word-play, negative dialectics and deconstructive tendencies help structure, out of an absence, a mystic analysis or language of unity?
Readers and critics have long compared the writings of Eudora Welty and Flannery O'Connor, especially in terms of their uses of "the grotesque." This panel, a joint venture with the Flannery O'Connor Society, aims to put Welty and O'Connor's works (both visual and literary) in conversation with each other in ways that are not commonly seen in criticism. While papers dealing with more familiar conversation points between Welty and O'Connor's works will be considered, the session's specific goal is to expand our understanding of the authors' thematic intersections and parallels. Suggested topics include, but are not limited to, Welty and O'Connor's treatments of region, race, gender, and class.
Bioethics was developed in the 1970's as a structured response to the atrocities committed against human beings during the Second World War and to the human rights movement that followed (Durand, 2003) . Bioethics Committees have since been created in hospitals worldwide, aiming to discuss complex issues. They focus on human dignity and improvement in the rapport between patients and health professionals, preserving both sides' autonomy (Gohel et al., 2005) .
Miranda famously declares at the conclusion of The Tempest that she now exists in a "Brave new world." This oft-quoted line is frequently misremembered as referring to the enchanted island itself, when in fact she only utters it upon first encountering all of the Europeans who've been shipwrecked on the island. As Prospero makes clear to his daughter, in actuality Miranda's new world is an old world. This scene in Shakespeare's most colonial of plays subverts our expectations of what "encounter" means in a New World context. In this panel we will look at narratives that upend the standard representations of encounter in the early modern age of exploration, that convert new world into old, and old into new.
This panel seeks papers to examine the ways that particular postmodern texts, which initially served to subvert foundational fictions in diverse societies, have become canonical in the ways these communities are now imagined. Why have these texts become canonical and how does that impact our readings of them? How are these texts read within their own communities? How have these re-imaginings altered the master narratives of these communities? Please send 200-300 word abstracts and a brief biography to Kenneth Sammond, email@example.com.
VIOLENCE, TRAUMA, RESILIENCE, RECOVERY: FACTORS IN BLACK WOMEN'S HEALTH
The Second Annual Black Women's Health Conference at Tulane University
February 15-16, 2013
New Orleans, Louisiana
CALL FOR PAPERS
The mission of the Black Women's Health Task Force at Tulane University is to raise health awareness and increase knowledge of health-related issues and concerns that disproportionately impact black women and girls. The Black Women's Health Conference provides an annual forum for sharing, matching, and coordinating empirical evidence with praxis and experience to better understand and enrich health outcomes for black women and girls.
An analysis of Elie Wiesel's Night
AP Literature Period 0
30 May 2012
Seeing the Light from the Darkness of Night
The Wide Net, the country's first journal of exclusively Master's level research in English and cultural studies invites submissions for its summer issue: Bread and Circuses.
"Bread and Circuses": the possible catchphrase of all politics. The Romans used it in its most literal sense, yet our tribunes and senators still defer to its symbolic significance. While we constantly worry about our bread in these depressed economic times, we are also constantly subjected to a 24-hour view of the gladiatorial arena of our cultural circus. For our second issue we want to examine the contemporary cultural relevance of the phrase.
Conference theme- Text as Memoir: Tales of Travel, Immigration and Exile
Panel: "The Flâneuse, or the Female Urban Walker, in Contemporary Literature"
The Marginalised Mainstream addresses popular culture and its role in cultural production in the long twentieth century, especially under-valued and under-researched areas of the mainstream.
Keynote speakers: Professor Phillip Tew (Brunel University), Professor Christoph Lindner (University of Amsterdam), Professor James Chapman (University of Leicester), and Professor Nicola Humble (Roehampton University)
'Texts are always sites of evaluative struggle between the "high" and the "low", whatever the presumed hierarchical positioning of their overall domain.' (Léon Hunt)
Asian American literature emerged as a recognized area of literary interest in the late 1960s and 1970s, just as the sea change of the civil rights movement was redefining "the color line" inside and outside of the academy and new critical and theoretical models were being applied to how American literature is read and understood. Drawing on African American models of identity, response, and resistance and models of success largely defined by the white majority, Asian American literature has charted its own course, at once illuminating existing trends within contemporary American literature and challenging existing cultural and critical boundaries.