The College of Arts and Letters at Stevens Institute of Technology invites submissions for a collection of essays addressing the life and legacy of George Perkins Marsh (1801-1882) -- environmentalist, diplomat, philosopher, and scholar. The publication will include revised proceedings from our recent conference, George Perkins Marsh: An American for All Seasons. Send essays (10,000 words max.) or proposals (250-500 words) to Edward Foster, email@example.com. Deadline: 28 June 2012.
The Essay has constituted an important prose form from the sixteenth century until the present and constitutes an intriguing field for interdisciplinary study. Applied to such a heterogeneous range of writings as maxims, aphorisms and proverbs, letters, treatises in philosophy and the sciences, as well as criticism and journalism of different kinds, it has eluded clear definition. Not surprisingly, literary and cultural studies have been reluctant to tackle what appears to be a random array of prose texts straddling the boundaries between literature, philosophy and scientific writing, criticism and journalism.
Sujet: Chercher et faire fortune
VSB-Technical University of Ostrava, Ostrava, Czech Republic
July 16-18, 2012
All the papers will be reviewed and the accepted papers in the conference will be submitted for potential inclusion in the digital library of SDIWC
The proposed conference on the above theme will be held at VSB-Technical University of Ostrava, Ostrava, Czech Republic, From July 16-18, 2012 which aims to enable researchers build connections between different digital applications.
Technology and Trauma in Modern War Writing
How do you "see" literature? How do you "write" photography? In recent years, scholars have drawn a connection between the nineteenth-century realist novel and the rise of photography, suggesting that the novel genre is intrinsically photographic. This argument hinges, in part, on realism, or at the very least on reality effects. Nineteenth-century photography was indeed often used to document: to record landscapes, cityscapes, portraits, and crime scenes. Yet it was also from the start a creative technology, a mode of representation open to experimentation and artistic innovation. How does photography intersect with literature when the aims of one or both are not to represent reality?
Call for Editorial Board Members
In Book V of Paradise Lost, Raphael aptly summarizes the difficulties of communicating sacred truths to the human consciousness: "how shall I relate / To human sense th' invisible exploits / …; how last unfould / The secrets of another World, perhaps / Not lawful to reveal?" His intriguing suggestion that earth may be "but the shaddow of Heav'n" invokes a rich complex of early modern traditions that view "the shadow" as an image of the divide between the worldly and the otherworldly, and a figure that can potentially bridge that divide. This panel examines ways early modern English literature exploits and explores "the shadow" in its attempts to mend the gap between material and spiritual worlds felt to be intimately connected, yet inextricably divided.
Papers are welcome on any topic relevant to modern textual studies, textual editing, manuscript studies or digital textuality. 250-word abstracts by 6 June to Jonathan Allison, University of Kentucky: firstname.lastname@example.org
This panel seeks to investigate the reasons for the endurance of Seamus Heaney's importance as poet, critic and translator. Suggested topics include but are not limited to studies of Heaney's poetry, translations, drama, and criticism; the reception and/or influence of Heaney; Heaney's place within modern and contemporary poetry; Heaney's relations with other poets and the poetry of other nations or regions; Heaney and America; Heaney in library archives; the place of Heaney in the classroom and/or the academy. 250-word abstracts by 8 June, 2012 to Jonathan Allison, University of Kentucky, at email@example.com
This panel explores the way authors in Golden Age Spain accounted for textual debts, whether in their own production or in that of others. How do poets trace literary heritage, such as the sonnet or epic forms, or Petrarchan traditions? How do authors view material 'borrowed' or imitated by contemporaries? How do authors figure their own 'borrowings'? Textual forms and modes such as translation, adaptation, the sequel/continuation, and the re-edition are all valuable points of interest, but of equal importance are technical elements such as allusion or style that produce similar forms of textual indebtedness.
In The Varieties of Religious Experience, William James informs us that the mystical state operates in an ineffable realm and, as such, language remains incapable of accurately narrating or textualizing the mystical experience. And yet, mystical literature has attempted to find expression for what, ostensibly, can be described as an absence, a lack, a debt within the normative structures of communicative and discursive language. If the mystical experience inhabits a landscape beyond the limits and borders of language, how do writers find the words to describe the ineffable? How do form, word-play, negative dialectics and deconstructive tendencies help structure, out of an absence, a mystic analysis or language of unity?
Appropriating the Bible in Medieval and Early Modern Cultures
44th Annual Convention, Northeast Modern Language Association (NeMLA)
March 21-24, 2013
Host Institution: Tufts University
During the medieval and early modern periods, the Bible was a source of worship, instruction, and entertainment. This panel invites papers that address ways the Bible was read, misread, adapted, or performed. A variety of approaches and perspectives are welcomed. Topics might include translation and adaptation, Bible illustration, the commentary tradition, biblical exempla, apocryphal narrative, and drama.
"The Spaces of Women's Studies" – SAMLA Women's Studies session