In collaboration with the Institute for the Humanities at Simon Fraser University, Modern Horizons' second annual conference will take place in Vancouver, BC from October 25th to 27th at SFU's Harbour Centre. We invite abstracts for 20-minute presentations that explore the theme of 'Modernity, Ideology, and the Novel.'
Modern Language Studies, the journal of the Northeast Modern Language Association, is seeking reviews for the winter 2012 issue.
I am especially interested in reviews of primary sources (including scholarly editions, contemporary literature, art, film, comic books, visual and popular culture), pedagogical works, and hypertext publications. However, reviews are no longer restricted to these categories.
Graduate students are welcome to contribute to the journal. Please submit your review electronically (as a Word attachment) to Randy Robertson, Reviews Editor of MLS, at email@example.com.
In Projections (2012), Jared Gardner calls comics "perhaps the most understudied of the vernacular modernisms of the twentieth century." This proposal for a special issue of Modernist Cultures (Edinburgh UP) on comics and modernism intends to develop and in some cases initiate critical conversations on the relationships between modernism and comics.
The loose boundaries of comparative literature have continuously raised questions about the scholarly value and practical use of the field. This seminar proposes to explore the significance of comparative literature as academic discipline where the worth of global literatures in the field of humanities is persistently challenged by the pragmatic orientation of public opinion.
This NEMLA 2013 session will examine the social, moral, and aesthetic implications of violence as it has been conceptualized in post-2000 Latin American cinema. The panel aims to start a discussion about the role of new Latin American cinemas in reflecting and confronting the widespread violence in the region. What role does violence play in today's communities? How is it transmitted from one generation to another? How does violence infiltrate and reshape the relationship between the sexes, races, ethnic groups, and social classes? What types of violence dominate? How and why does violence cross national borders? Is violence always transgressive or can it be legitimated? What are the moral connotations of the consumption of violent films?
The College of Arts and Letters at Stevens Institute of Technology invites submissions for a collection of essays addressing the life and legacy of George Perkins Marsh (1801-1882) -- environmentalist, diplomat, philosopher, and scholar. The publication will include revised proceedings from our recent conference, George Perkins Marsh: An American for All Seasons. Send essays (10,000 words max.) or proposals (250-500 words) to Edward Foster, firstname.lastname@example.org. Deadline: 28 June 2012.
The Essay has constituted an important prose form from the sixteenth century until the present and constitutes an intriguing field for interdisciplinary study. Applied to such a heterogeneous range of writings as maxims, aphorisms and proverbs, letters, treatises in philosophy and the sciences, as well as criticism and journalism of different kinds, it has eluded clear definition. Not surprisingly, literary and cultural studies have been reluctant to tackle what appears to be a random array of prose texts straddling the boundaries between literature, philosophy and scientific writing, criticism and journalism.
Sujet: Chercher et faire fortune
VSB-Technical University of Ostrava, Ostrava, Czech Republic
July 16-18, 2012
All the papers will be reviewed and the accepted papers in the conference will be submitted for potential inclusion in the digital library of SDIWC
The proposed conference on the above theme will be held at VSB-Technical University of Ostrava, Ostrava, Czech Republic, From July 16-18, 2012 which aims to enable researchers build connections between different digital applications.
Technology and Trauma in Modern War Writing
How do you "see" literature? How do you "write" photography? In recent years, scholars have drawn a connection between the nineteenth-century realist novel and the rise of photography, suggesting that the novel genre is intrinsically photographic. This argument hinges, in part, on realism, or at the very least on reality effects. Nineteenth-century photography was indeed often used to document: to record landscapes, cityscapes, portraits, and crime scenes. Yet it was also from the start a creative technology, a mode of representation open to experimentation and artistic innovation. How does photography intersect with literature when the aims of one or both are not to represent reality?
Call for Editorial Board Members
In Book V of Paradise Lost, Raphael aptly summarizes the difficulties of communicating sacred truths to the human consciousness: "how shall I relate / To human sense th' invisible exploits / …; how last unfould / The secrets of another World, perhaps / Not lawful to reveal?" His intriguing suggestion that earth may be "but the shaddow of Heav'n" invokes a rich complex of early modern traditions that view "the shadow" as an image of the divide between the worldly and the otherworldly, and a figure that can potentially bridge that divide. This panel examines ways early modern English literature exploits and explores "the shadow" in its attempts to mend the gap between material and spiritual worlds felt to be intimately connected, yet inextricably divided.
Papers are welcome on any topic relevant to modern textual studies, textual editing, manuscript studies or digital textuality. 250-word abstracts by 6 June to Jonathan Allison, University of Kentucky: email@example.com