Proposed special session for the International Conference on Romanticism to be held at Arizona State University, Tempe, AZ, Nov. 8-11, 2012
General Editor: Zahi Zalloua (Whitman College)
We welcome contributions that examine the representation and staging of antagonism in comparative studies and literary theory. How might one conceive of antagonism today? Why are certain forms of antagonism readily made visible while others remain hidden--or simply disavowed? How does the field of literary studies manage its own antagonism(s)? Is antagonism--antagonistic rivalry between critics--a hindrance to the faithful work of interpretation? Or is it better understood as, or in terms of, the field's engine of change? Topics of interest could include:
For many of us, gaming the system and SF&F bring to mind Captain Kirk's solution to the war simulation game known as the Kobayashi Maru, but games and gaming have long enjoyed a privileged position in Science Fiction and Fantasy. Works such as Ender's Game by Orson Scott Card and The Players of Null-A by A.E. Van Vogt have a game as the central feature of the narrative; the fantasy quest narrative is essential to the development of role-playing games; video gaming is an important element of much cyberpunk fiction in general (Tron may deserve its own mention with regard to video gaming); more recent works by writers such as Charles Stross and Cory Doctorow use online gaming to structure their narratives.
The recent earthquakes in Chile, Christchurch and Japan have left a host of powerful images in the minds and memories of millions of people around the world. Film has always played a crucial role in the imagination of disaster. From its earliest days, cinema has registered the impact of seismic events. The aftermath of the 1906 San Francisco earthquake is recorded on film. In New Zealand, footage from the Napier earthquake of 1931 shows the destruction of the town. Hollywood even recast New Zealand in Green Dolphin Street (Saville, 1947) as the fictional setting for a special effects mega-quake and tsunami.
Bodies on the Marketplace: Supply and Demand
This sessions welcomes papers on the body in performance, the media, the arts, and in pedagogy, i.e., the student body. Please send 250-word abstracts to Ann C. Hall, halla@ohio dominican.edu, by May 1. Include your name, address, phone, and email.
The Incorporation of American Literature
Call for Papers: Popular Romance
2012 Midwest Popular Culture Association/American Culture Association Conference
Friday-Sunday, October 12-14, 2012
Renaissance Columbus Downtown Hotel
(Conference info: http://www.mpcaaca.org)
Deadline for submission: April 30, 2012.
Human beings have always lived in a state of ecological, nutritional, and psychological dependence on plants, yet the attitudes toward plant life expressed in the imaginative literature of Western culture are ambivalent. In the nineteenth century, Emerson's delight in "the suggestion of an occult relationship between man and vegetable" finds its dark echo in Hawthorne's "Rappaccini's Daughter," in which the loveliness of the mad scientist's garden conceals a latent threat to human personhood.
Join the Women's Caucus of the Modern Languages at the MLA convention to 2013! (Boston, Jan. 1-3 2013). Our general rubric for our three panels is "Women's Work," by which we mean not only working conditions for women in academia, but also the gendering of those conditions, which includes male workers as well. We would appreciate it if you would circulate these calls widely to appropriate lists, as well as sending in proposals yourself.
Journal of Theory and Criticism
Semiotics as a Theory of Culture: Deciphering the Meanings of Cultural Texts
International trans-disciplinary conference focusing on practice and theory of trade policy for small states in the contemporary global economy drawing on the experience and lessons from the Caribbean.
Call for Papers
Caribbean Conference on Trade Policy, Innovation Governance and Small State Competitiveness
11-13 June, 2012
Shridath Ramphal Centre, University of the West Indies, Cave Hill Campus, Barbados
This session invites submissions which explore Denise Levertov's poetics as a converging space of transcendental lyricism, religious meditation and ecological and sociopolitical protest. 300-word abstracts and short bios by 15 March 2012