What role has the creative nonfiction genre played in documenting and responding to genocidal violence and civil conflicts?
------CFP DEADLINE EXTENDED------
Weird Council: An International Conference on the Writing of China Miéville
Saturday 15th September 2012
Senate House, University of London
School of Arts, Birkbeck, University of London
Sponsored by Gylphi: Arts and Humanities Publisher, Birkbeck, University of London and the University of Lincoln
Part of the Gylphi Contemporary Writers series
Professor Sherryl Vint (Brock University)
Professor Roger Luckhurst (Birkbeck, University of London)
Response and Q&A from China Miéville
Contributions are invited for a special issue of the international journal, Shakespeare, 'Shakespeare and Japan', edited by Dominic Shellard. Submissions will be considered on all aspects of Shakespeare and Japan, ranging from performances, film and television adaptations and translations of Shakespeare. Submissions (marked "Shakespeare and Japan Special Issue") should be sent to http://mc.manuscriptcentral.com/rshk
Deadline: 28th January 2013.
Enquiries can be made to Deborah Cartmell
CFP: Hitchcock's Children (working title)
The New York Trilogy and the American Metropolis
A two day conference at the University of Northampton (UK), 29th and 30th June 2012, in collaboration with the UK Network for Modern Fiction Studies and Critical Engagements journal
We have extended our deadline for our fourth issue of manycinemas (topic LOVE in non-romantic films). Please send us your proposal until 15/03/2012.
We are especially looking for articles on
- African Cinema
- Asian Cinema: Japan, Korea, Thailand, etc.
- and our rubric Beyond the screen seeks for an interesting article which is loosely connected to film like theater, music, dance, performance, visual culture, comic, graphic novels...
Please send your proposal to manycinemas
Helen Staufer and Michael Christopher
KEYNOTE SPEAKER: Dr. Russell Berman (Stanford University)
How do various systems of authority (e.g. literary, political, sexual, cultural, economic, linguistic) seek to control individuals, groups, or cultural movements? How do individuals, groups, or cultural movements engage in resistance to subjection?
2012 PAMLA Special Topics Session. "The Art of Translation --Spanish & English. The Re-creation of A Literary Text" (19-21 Oct., Seattle)
In recent years we have witnessed a substantial recognition and a clear academic conceptualization of the literary translation and the way translators deal with the cultural and linguistic nuances that surround a literary text. Papers for this session will focus on shifts in the field with particular attention to the role of the literary translator in the process of restructuring and redefining translation as a solid scholarly discipline.
Editors Andrea Wood, PhD and Brandy Schillace, PhD would like to encourage article submissions to an upcoming book collection.
This session welcomes proposals on any aspect of 19th C American literature, but especially those theorizing representations of illness and medicine. We invite papers that address autobiography, fiction, philosophy, poetry, diaries, and science writing. Topics may include, but are not limited to:
--madness and mental illness
--the home, hospital, and asylum
--the wounded body or soul
--pathographies, case studies, patient-authored narratives
--nurse-roles and healthcare
This panel invites papers that address the significance of the weather in modernist works (literature, film, visual art). How does the weather become a particularly modernist concern? What are the stakes of weather prediction, anticipated in the early part of the twentieth century? How are meteorological events forecast, observed, described, and interpreted? How might weather structure coordinates of knowledge and time? How does the weather negotiate the terrain of the ordinary and the spectacular?
Proposed special session for the International Conference on Romanticism to be held at Arizona State University, Tempe, AZ, Nov. 8-11, 2012
General Editor: Zahi Zalloua (Whitman College)
We welcome contributions that examine the representation and staging of antagonism in comparative studies and literary theory. How might one conceive of antagonism today? Why are certain forms of antagonism readily made visible while others remain hidden--or simply disavowed? How does the field of literary studies manage its own antagonism(s)? Is antagonism--antagonistic rivalry between critics--a hindrance to the faithful work of interpretation? Or is it better understood as, or in terms of, the field's engine of change? Topics of interest could include:
For many of us, gaming the system and SF&F bring to mind Captain Kirk's solution to the war simulation game known as the Kobayashi Maru, but games and gaming have long enjoyed a privileged position in Science Fiction and Fantasy. Works such as Ender's Game by Orson Scott Card and The Players of Null-A by A.E. Van Vogt have a game as the central feature of the narrative; the fantasy quest narrative is essential to the development of role-playing games; video gaming is an important element of much cyberpunk fiction in general (Tron may deserve its own mention with regard to video gaming); more recent works by writers such as Charles Stross and Cory Doctorow use online gaming to structure their narratives.