Call for Papers
ITARC – London 2011
International Trade & Academic Research Conference (ITARC)
7th - 8thNovember, 2011
Overview of the Conference
The dynamics of international trade have taken on an added significance in
the light of the challenges created by the recent global financial crisis. Entire
sectors and even nations have begun to reassess their trading relationships
and the more enlightened are eager to gain an insight into the theories and
processes that have helped certain economies to weather the storm. The
emerging giants of Brazil, China and India are demanding greater attention
Call for Papers
rom Diane DiMassa's caffeinated homicidal heroine in Hothead Paisan to Lee Edelman's sinthomosexual who "chooses not to choose the Child," revenge – if only phantasmatic – invigorates queer narratives, theory, even politics. And given that oppression breeds resentment, it is no intellectual leap to consider why revenge becomes a popular trope. But is there something inherently queer about revenge? Could we envision distinctly queer forms of revenge? Or is such an essentialist application of "queer" its very antithesis?
This conference addresses the key role that empire retains in European and North American consumer culture despite decades of postcolonial challenges to imperial control.
Reconstruction: Studies in Contemporary Culture Presents
Gender and Popular Fiction, Edited by Cameron Leader-Picone and Matthew Schneider-Mayerson
with articles by Jan Goggans, Ashley Barner, Erin Hollis, Linda Ledford-Miller, and K.C. Harrison
We also are still accepting abstracts for the following two special issues:
Games and/as Resistance (Nov 1)
"(In)Securities " (Nov 15)
See website for further details.
Criterion seeks original, well-researched, and intellectually rigorous essays written from diverse critical perspectives and about texts from any time period or literary tradition. Submissions are peer-reviewed by a selection board at BYU, and final decisions are made by the journal's two Editors-in-Chief in consultation with a faculty advisor. Essays may be submitted on a year-round basis, but Criterion is currently soliciting submissions for its 2012 issue, scheduled for publication in April of 2012. The submission deadline for the 2012 issue is 20 January 2012. Essays received after this deadline will be considered for the 2013 issue.
The editors of After NAFTA are seeking ONE additional submission for an essay collection to be published by Wilfrid Laurier University Press in 2012. To date we have received and selected proposals that submitted to the following CFP—
Seeking to explore literary iterations of the current dystopian mood, the editors of 'After NAFTA: Contemporary North American Dystopian Literature' encourage submissions about a variety of literary genres - novels, short fiction, or graphic novels (written in English or translated) - published by Canadian,
American, and Mexican authors between 1994 and 2010.
Currently, we are seeking a proposal exploring the so-called 'rapture erotica' genre as it pertains to dystopian studies.
Abstracts due December 1, 2011 (500 words; please include contact info and short bio)
Final essays due by 10 August 2012 (4,000-5,000 words)
The editor of a contracted collection of essays titled PHILIP ROTH: TRANSATLANTIC PERSPECTIVES is seeking proposals for additional contributions for the remaining sections.
Philip Roth is a highly literary and referential writer. The essays collected in this volume will offer an assessment of the conflicting influences on his work by his American and European forebears William Faulkner, Stephen Crane, Henry James, Franz Kafka, Leo Tolstoy, Fyodor Dostoevsky, Anton Chekov, Nikolai Gogol, the medieval English morality "The Summoning of Everyman," among others.
Nothing New Under the Sun?
Novelty, Game-Changing, and Genre-Breaking
2011 University of Florida English Graduate Organization Conference
October 28-29, 2011, at the University of Florida
Keynote Speaker: Richard Flynn (Georgia Southern University)
The English Graduate Organization of the University of Florida invites papers across disciplines concerning the idea of novelty in literature, film, rhetoric or the production of art. By interrogating the causes and effects of novelty in the life of an artist, scholar or artistic movement, we hope to destabilize the boundaries around the "old" and "new" and trace the lingering impact of these game-changers across both time and disciplines.
Peaks Interdisciplinary Conference 2012
"This is the End": Transformations & New Beginnings
Rumors of the end of the world have existed for as long as humans have been able to articulate fear. The year 2012 has provided us with yet another instance of this phenomenon. This year's conference will highlight our ideas about endings, beginnings, and rebirths in all of their various forms. We hope to see visions of Armageddon, conceptualizations of endings or changes in art, media, and culture, and new explorations of beginnings and endings in language studies, education, and the sciences.
February 24th and 25th
Kickoff on February 23rd
NAU University Union
Entries are now being accepted for the 2012 Southern Writers Symposium Emerging Writers Contest. This year categories will feature fiction and poetry as well as creative nonfiction (particularly creative nonfiction dealing with issues of military life).
The first- and second-place writers in each category will read from their winning work at the conference and receive cash awards of $300 and $200, respectively. The contest is open to writers who meet at least two of the following criteria:
* currently live in the South;
* are natives of the South;
* write about the South.
CALL FOR PAPERS / CALL FOR PROJECTS: MARXISM AND NEW MEDIA
DUKE UNIVERSITY PROGRAM IN LITERATURE (DURHAM, NC)
JANUARY 20 & 21, 2012
KEYNOTES: ALEX GALLOWAY (NYU) and RICARDO DOMINGUEZ (UCSD)
DEADLINE FOR ABSTRACTS: OCTOBER 30, 2011
Julie Tharp and Susan MacCallum-Whitcomb write in This Giving Birth: "Ever since a pregnant Demi Moore exploded the beauty myth by posing nude for a magazine cover and Madonna cast off her boy-toy image to sing the praises of maternity, popular culture has also begun to embrace dear old mom." At the same time, Modern Family, Mr. Mom, Thomas Beatie, the At-Home Dads Convention, and Superdad: a Memoir of Rebellion, Drugs and Fatherhood are just a few examples testifying to how popular culture has been embracing dad.
I am looking for papers for multiple panels for the new PCA Area Motherhood/Fatherhood which showcases (from humanities and social sciences perspectives) any aspect of motherhood and or fatherhood in popular culture.
How does an early career teacher negotiate tensions between university instruction and real-world expectations in rural settings? How does a mid-career teacher maintain energy and enthusiasm amid an educational culture focused on testing and objective definitions of knowledge, especially in rural schools? How does a late-career teacher continue to effect change and grow as a professional in rural communities? Several books and articles have described and theorized the difficult journey to becoming an English teacher, including Britzman's Practice Makes Practice (1991) and Alsup's Teacher Identity Discourses: Negotiating Personal and Professional Spaces (2006).
Body Sweats: The Uncensored Writings of Elsa von Freytag-Loringhoven
Join us in New York City for a reception to celebrate Body Sweats: The Uncensored Writings of Elsa von Freytag-Loringhoven (MIT Press, 2011) edited by Irene Gammel and Suzanne Zelazo.
Friday, November 4th, 2011, 6 – 8pm
Come and enjoy the art work, music, and poetry. Refreshments will be served.
Francis M. Naumann Fine Art
24 West 57th Street, Suite 305
New York, NY 10019
Call for Papers Transgressive/Trash/Exploitation/Art Cinema
Southwest/Texas Popular Culture and American Culture Associations
Please make plans to attend our 33rd Annual Conference
February 8-11, 2012 at the Hyatt Regency Hotel & Conference Center in
Albuquerque, New Mexico
Hyatt Regency Albuquerque
330 Tijeras NW
Albuquerque, New Mexico, USA 87102
Tel: +1 505 842 1234 or 888-421-1442
Proposal submission deadline: December 1, 2011
Who We Are/What We Do