"Circulations between Art Forms: Questioning Intersemioticity"
The purpose of this conference is to investigate how one conceives or experiences the circulation of representation between codes in intersemiotic works. It aims at examining what is at stake when one moves from one art form to another, as in adaptations, or when works themselves circulate between semiotic codes and combine them (operas, films, graphic novels, installations, iconotexts…). Is trans-code circulation fluid, or does one code predominate? Is intersemioticity merely the illusion of circulation, with codes remaining hermetic to one another, or is it the "effect" of another code instead of an actual circulation between systems of representation?