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Professing Parenthood: Edited Collection

updated: 
Tuesday, August 23, 2016 - 5:03pm
Dr. Jessica Riddell, Bishop's University
deadline for submissions: 
Saturday, October 1, 2016

Call for papers for an edited essay collection: Professing Parenthood

Books as Agents of Contact (RBS-Mellon Conference, Philadelphia, October 2017)

updated: 
Tuesday, August 23, 2016 - 5:03pm
Hansun Hsiung (Max Planck Institute for the History of Science), András Kiséry (The City College of New York), Yael Rice (Amherst College)
deadline for submissions: 
Tuesday, October 25, 2016

Call for Proposals

"Books as Agents of Contact"

Session Organizers: Hansun Hsiung (Max Planck Institute for the History of Science), András Kiséry (The City College of New York), Yael Rice (Amherst College)

Saturday, 14 October 2017, 8:30–10:00am

Bibliography Among the Disciplines Conference

12–15 October 2017, Philadelphia, PA

The book territorializes and deterritorializes. It binds together materials, technologies, and labor from far and abroad--a letter from Goa, an editor in Rome, Chinese paper, German engravers, Italian leather, English capital--only to be dispersed and reconstituted, from hand to hand, collection to collection, dismembered, reassembled, and reinvented for new audiences in new locations.

Authorship (RBS-Mellon Conference, Philadelphia, October 2017)

updated: 
Tuesday, August 23, 2016 - 5:03pm
Session Organizers: Andras Kisery (The City College of New York), Caroline Wigginton (University of Mississippi)
deadline for submissions: 
Tuesday, October 25, 2016

"Authorship"

Session Organizers: Andras Kisery (The City College of New York), Caroline Wigginton (University of Mississippi)

Friday, 13 October 2017, 3:45–5:15pm

Bibliography Among the Disciplines Conference, 12–15 October 2017, Philadelphia, PA

Medieval Texts in Transit: Continuities and Shared Spaces

updated: 
Tuesday, August 23, 2016 - 5:03pm
Miriam Edlich-Muth/ Free University Berlin and Alastair Matthews/ Centre for Medieval Texts (University of Southern Denmark/ University of York)
deadline for submissions: 
Friday, September 30, 2016

21–22 July 2017, Free University Berlin, in collaboration with the Sonderforschungsbereich 980, ‘Episteme in Bewegung’, Berlin, and the Centre for Medieval Literature, University of Southern Denmark (Odense)/University of York.

Do we overestimate the impact that the transient socio-political and formal linguistic borders of Western Europe had on the literary culture of the pre-nation state era?

The Child in Medieval Romance (Kalamazoo 2017)

updated: 
Tuesday, August 23, 2016 - 5:02pm
Medieval Romance Society
deadline for submissions: 
Thursday, September 15, 2016

Call for Papers: Medieval Romance Society, Kalamazoo IMCS 2017

Saints and Sinners: Literary Footprints of Mary and Margaret, Queens of Scots

updated: 
Tuesday, August 23, 2016 - 5:02pm
Lucy R Hinnie & Claire Harrill
deadline for submissions: 
Thursday, September 1, 2016

Saints and Sinners:

Literary Footprints of Mary and Margaret, Queens of Scots

6th & 7th of October 2016

IASH, University of Edinburgh 

With kind support from University of Birmingham CeSMA

 

A More Stable Stance: Privileging the Working Class in the Academy

updated: 
Tuesday, August 23, 2016 - 5:02pm
Katelynn DeLuca/ NeMLA
deadline for submissions: 
Friday, September 30, 2016

What does it mean to be working class? How do languages spoken, values held, and cultural representations vary given one’s class position? Though 62% of the country is working class (Zweig), the answers to these questions are left largely unclear and unspoken. Among others, these questions will be addressed via reflection and exploration from individuals from the working class, or who many call “working-class academics.”

Disclosing Class: Pedagogy and the Working Class

updated: 
Tuesday, August 23, 2016 - 5:02pm
Katelynn DeLuca/ NeMLA
deadline for submissions: 
Friday, September 30, 2016

Researcher and social activist Jean Anyon, in her investigations of social class reproduction in education, suggests "there is a ‘hidden curriculum’ in school work that has profound implication for theory—and practice—in education” (“Social Class” 67). By making class unhidden in the curriculum, students no longer feel they must "hide" themselves, and allows faculty to foster more honest conversations and writing about such issues.

Understanding Nietzsche, Understanding Modernism

updated: 
Tuesday, August 23, 2016 - 5:02pm
Brian Pines
deadline for submissions: 
Tuesday, September 20, 2016

                                                                                  Understanding Nietzsche, Understanding Modernism

                                                                             A collection of essays edited by Douglas Burnham and Brian Pines

This collection divided into three sections:

Urban Pastoralism - 2017 NeMLA Conference (Baltimore, March 23rd - 26th)

updated: 
Tuesday, August 23, 2016 - 5:02pm
Matthew Lambert / Carnegie Mellon University
deadline for submissions: 
Friday, September 30, 2016

This is a cfp for my panel, "Urban Pastoralism," at NeMLA's 2017 conference in Baltimore, MD from March 23rd to March 26th.  Please see the following paragraphs for information on the panel as well as how to submit abstracts.

Narrativas del miedo: Terror en la literatura y cinema latinoamericanos del siglo XX

updated: 
Tuesday, August 23, 2016 - 5:02pm
Lehman College, U of Waterloo, Truman SU
deadline for submissions: 
Saturday, October 15, 2016

La crítica literaria se ha ocupado extensamente de diversas representaciones de fenómenos como la violencia, la guerra, las dictaduras, la represión, las revoluciones y el exilio en la literatura latinoamericana, pero se ha dejado de lado el estudio de una de las reacciones humanas que más estrecha conexión tiene con estos fenómenos: el miedo. De forma directa o indirecta, el miedo ha estado presente como tema constante en las obras literarias de diversos géneros, épocas, filiaciones estéticas, compromisos ideológicos y agendas políticas, dentro de un espacio como el de Latinoamérica, tan convulso como diverso política y socialmente.

Frank Yerby Panel at CLA 2017

updated: 
Tuesday, August 23, 2016 - 5:02pm
Matthew Teutsch
deadline for submissions: 
Monday, September 5, 2016

Frank Yerby, over the course of his literary career, published thirty-three books. Throughout his lifetime, he sold millions of copies of those books becoming a millionaire in the process. Even with these successes, Yerby remains a footnote in the histories of American literature. As such, we seek to organize a panel for the 2017 College Language Association in Columbia, Missouri, on Frank Yerby’s work and life.

Animating the Early Modern Stage (ACLA, Utrecht)

updated: 
Tuesday, August 23, 2016 - 5:02pm
Ellen Welch, UNC-Chapel Hill and Alison Calhoun, Indiana University
deadline for submissions: 
Friday, September 23, 2016

"Animating the Early Modern Stage," ACLA Seminar, July 6-9, 2016, Utrecht This seminar will explore what theater and the performing arts contribute to early modern theories of life, the soul, and autonomy. At a time when European philosophers debated the distinction between material bodies and lively bodies, between organic machines and ensouled beings, artists and performers innovated new techniques for bringing stage objects to life through mechanical or human manipulation. We invite contributions that examine a wide array of techniques for “animation” in theater and the performing arts of the sixteenth through eighteenth centuries, from any national/cultural perspective.

Il Parlaggio - new issue December 2016

updated: 
Tuesday, August 23, 2016 - 5:02pm
Edizioni Sinestesie (Italy)
deadline for submissions: 
Sunday, October 30, 2016

This section of the academic journal “Sinestesieonline” is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages.

“Il Parlaggio” is the name created by Gabriele d’Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the “neverending show”.

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