This panel will explore how institutions dedicated to the collection, preservation, and circulation of material knowledge manage sexuality. Sex materials create conflicting imperatives for librarians. As one collections curator at the New York Public Library recently told a reporter, "We needed to collect life as it was lived… It was always part of our mandate." Yet librarians at NYPL also had a mandate to protect the mass of pornographic magazines, pulp novels, and fliers they collected by carefully regulating access to them. Until recently, sex materials at NYPL labeled with three stars required supervision. That one example illustrates how sequestration generally determines who can read about sex and under what conditions.
Seeking submissions for this panel at PAMLA's 2016 convention--November 11-13 in Pasadena, CA
The early twentieth century traveller possessed an ever-increasing accumulation of documents, manifesting from newly implemented juridical requirements and new technologies of communication and replication. This collection included tickets, itineraries, packing lists, passports and visas, letters of introduction, bank transfers, and the telegrams received or sent home.
The veil's ancient and modern history and its resurgence in our time is an important subject for discussion for those of us posing new questions about women and Islam in literature, film, and fine arts. In Europe and the U.S., the veil is often presented through errors of conceptualizations. The media, in particular, seems to be obsessed with the role of the veil. Recurrently, these discussions run along essentialist and ahistorical lines associating Islam with the ideology of shame and honor. Moreover, the Muslim immigrant "problem" in Europe and the U.S. and the fear of Islam and Muslims in connection with terrorism has heightened the controversy on the issue of the veil.
Spring Magazine (ISSN: 2455-4715)is inviting essays and articles from teachers, research scholars and students on any area of English Literature. Know more at http://www.springmagazine.net/call-for-papers
How to Prepare Essays
An essay can be of 150-3000 words with references.
MLA style-sheet reference system should be followed.
Include Endnotes only.
Send a short bio-note of not more than 60 words along with a small (not more than 100px in width).
Use your own or copyright-free or CC-licensed pictures if necessary.
How to Send:
Pennsylvania English Call for Papers
Redrafting Literary History
Special Issue on Graphic Novels, Comic Books, and Digital Texts as Literature
Deadline: August 1, 2016
Wreck Park is an international journal run out of Binghamton, New York. The journal publishes prose, poetry, criticism, and interviews, and is particularly interested in conceptual frameworks and developments that set to disrupt canonical and standardized discourses of the contemporary academic and literary landscapes. Wreck Park is a member of the Council of Editors of Learned Journals and welcomes authors, poets, researchers, and thinkers whose work reflects an interrogation of engendered norms and traditions within societies, cultures, intellectual circles, and beyond.
RISKING THE FUTURE: VULNERABILITY, RESISTANCE, HOPE
Durham University, UK
12-13 July 2016
Keynote Speakers: Michaeline Crichlow; Simon During; Walter Mignolo
Extended deadline for the submission of abstracts: 2 May 2016
Études irlandaises 42.1 Spring/Summer 2017 issue: "Embodying/Disembodying Ireland".
The International Conference Stereo & Immersive Media'16 aims to gather researchers, artists, curators, and archivists working on visual and sound media renowned for their immersive features.
"Stereo" environments (stereoscopic and stereophonic) have been widening the fields of photography and sound since the 19th century, contributing to the emergence of a progressively immersive media culture. This conference aims to bring together photography and sound research fields and their relationship with stereo environments, including other immersive visual media (e.g. panoramas, optical displays or virtual games) as well as sound art practices.
August 19-21, 2016
Halifax, Nova Scotia
'I am Elizabeth Reegan and another day of my life is beginning' she said to herself. 'I am lying here in bed. I've been five weeks sick in bed, and there is no sign of me getting better. Though there's little pain, which is lucky, and the worst is fear and remorse and often the horrible meaninglessness of it all. Sometimes meaning and peace come but I lose them again, nothing in life is ever resolved once and for all.
- John McGahern, The Barracks (1963)