The second half of the nineteenth century was marked by the emergence of the global women’s movement. Feminist writer Sarah Grand (1854-1943) is considered to be the first to have coined the term “New Woman” in 1894 in England. New Woman writers (in Victorian literature the New Woman novel forms a separate genre) participated in the feminist debate. Feminism altered the course of literature by challenging those literary conventions that governed the portrayal of women and women's experience at the fin de siècle. Feminist texts explicitly advocated social change and discussed new women’s roles in society.
This landmark Companion aims to define the academic field of literature and art history. It is the first volume of its kind to comprehensively survey, question, and attempt to organize, interdisciplinary research across these richly inter-related arts. The book is aimed at literature and art history students, as well as at academics and practitioners, who are interested in mapping out intersections between literature, the visual arts, and their respective academic disciplines. The editor is seeking twenty to thirty newly commissioned chapters on any literary or art historical era.
Centre for Nineteenth-Century Studies One-Day Conference
21 January 2017
Durham University, UK
CFP Deadline: 1 September 2016
Conference website: https://www.dur.ac.uk/cncs/conferences/musicbritainww1/
‘Disruption or Continuity? Elgar’s Cello Concerto and the Modern Romantic Ideal’
Charles Edward McGuire (Oberlin College)
Call for Papers
Roundtable Discussion on Pedagogies Across Disciplines (addressing 19th century works)
Nineteenth Century Studies Association Meeting, “Memory and Commemoration”
February 2-4, 2017 in Charleston, SC
This session seeks proposals which intend to explore Victorian translations of medieval texts as the transmission of cultural capital and as acts of transformation. More specifically, papers might address some of the following questions: how did Victorians adapt medieval texts to their own ideologies? How were medieval texts adapted into original compositions? How did Victorians approach translation and what does that reveal? How did Victorians think of faithfulness to the text? To the audience? What role did non-British scholars play in translating medieval texts into English (for example, Guðbrandur Vigfússon’s role in George Webbe Dasent’s translations, or Eiríkur Magnússon’s in William Morris’s output and thinking)?
APOCALYPTIC SOUND AND VISION: INTERSECTIONS OF LITERATURE AND MUSIC. SAMLA 88 Panel. MUSIC & FICTION
We invite proposals for any papers dealing with Gothic literature, culture and film. This session welcomes proposals on a wide variety of topics, with particular consideration granted to papers that engage with the 2016 conference theme of "Archives, Libraries, Properties." Possible foci might include sociohistorical context, intellectual heritage, culture and circulation, and textual materiality in (and of) the Gothic.
Proposals may be submitted via PAMLA's online submission form: http://www.pamla.org/2016/topics/gothic
Coldnoon: Travel Poetics (International Journal of Travel Writing) | www.coldnoon.com
invites writings (prose/nonfiction/research/opinions/poetry/travelogues) on travel/space/geography/landscapes/cities/urbanism etc.
Submissions in this category would only be for our exlcusive online segments, Diaries and Dialogues. These are published daily. if you wish to consider submitting for the journal please follow the call for submissions here: coldnoon.com/mapping-the-metropolis-london-lahore-cairo-calcutta/.
Submissions are invited in two categories:
The legacies of both Marxism and poststructuralism have loomed large in literary studies in recent years. The ongoing publication of the late seminars of both Foucault and Derrida, as well as the long awaited translation of Althusser’s On The Reproduction Of Capitalism suggests a sustained interest in such methodologies, while what has been called the “descriptive turn”—which encompasses practices as disparate and ill-defined as Latourian Actor-Network Theory, Morettian “distant reading”, and Heather Love’s revival of “thin description”—has attempted to caution scholars away from symptomatic reading, ideology critique, and broadly “deconstructive” critical practice.