This session seeks proposals which intend to explore Victorian translations of medieval texts as the transmission of cultural capital and as acts of transformation. More specifically, papers might address some of the following questions: how did Victorians adapt medieval texts to their own ideologies? How were medieval texts adapted into original compositions? How did Victorians approach translation and what does that reveal? How did Victorians think of faithfulness to the text? To the audience? What role did non-British scholars play in translating medieval texts into English (for example, Guðbrandur Vigfússon’s role in George Webbe Dasent’s translations, or Eiríkur Magnússon’s in William Morris’s output and thinking)?
APOCALYPTIC SOUND AND VISION: INTERSECTIONS OF LITERATURE AND MUSIC. SAMLA 88 Panel. MUSIC & FICTION
We invite proposals for any papers dealing with Gothic literature, culture and film. This session welcomes proposals on a wide variety of topics, with particular consideration granted to papers that engage with the 2016 conference theme of "Archives, Libraries, Properties." Possible foci might include sociohistorical context, intellectual heritage, culture and circulation, and textual materiality in (and of) the Gothic.
Proposals may be submitted via PAMLA's online submission form: http://www.pamla.org/2016/topics/gothic
Coldnoon: Travel Poetics (International Journal of Travel Writing) | www.coldnoon.com
invites writings (prose/nonfiction/research/opinions/poetry/travelogues) on travel/space/geography/landscapes/cities/urbanism etc.
Submissions in this category would only be for our exlcusive online segments, Diaries and Dialogues. These are published daily. if you wish to consider submitting for the journal please follow the call for submissions here: coldnoon.com/mapping-the-metropolis-london-lahore-cairo-calcutta/.
Submissions are invited in two categories:
The legacies of both Marxism and poststructuralism have loomed large in literary studies in recent years. The ongoing publication of the late seminars of both Foucault and Derrida, as well as the long awaited translation of Althusser’s On The Reproduction Of Capitalism suggests a sustained interest in such methodologies, while what has been called the “descriptive turn”—which encompasses practices as disparate and ill-defined as Latourian Actor-Network Theory, Morettian “distant reading”, and Heather Love’s revival of “thin description”—has attempted to caution scholars away from symptomatic reading, ideology critique, and broadly “deconstructive” critical practice.
William Morris’s long and productive career offers multiple entry points for the study of Victorian radicalism: literature and radical politics; the relations among art, art history, and protest; utopianism; and medievalism as a counter-hegemonic discourse. Papers need not confine themselves to Morris. This panel, sponsored by the William Morris Society of the United States, welcomes papers that address topics associated with Morris, including sexuality, gender, poetry, and publishing, using a variety of theoretical approaches.
The 2017 NeMLA convention will be held March 23-26, 2017 in Baltimore, MD.
In anticipation of the release of the entire Collected Works of Hopkins by Oxford University Press and to commemorate the centenary of the poetry of Hopkins (1918-2018), Religion and the Arts 20.5 (June 2018) invites scholarly articles for a special issue on interactions, intersections, and crosscurrents between Hopkins’s spirituality and poetry, and the diverse and complex relationship between them. Please submit electronically an anonymous 5000-10000 word article in MLA Style Manual.
Legacies of Victorian Women’s Fiction: Looking Beyond the 'Neo'
“Daring Second Glances: Rereading the Rape Narrative” elicits new perspectives on well-known texts that depict sexual violence. This panel seeks to curate a trans-historical discussion about new ways to approach representations of sexual violence. In her book Framing the Rape Victim, Carine Mardorossian argues that postmodern feminists of the 1990s ironically placed the onus of rape deterrence back on women when they “began locating the source of women’s sexual oppression in the representational and rhetorical codes of feminism rather than in societal norms” (42).