category: victorian

W.S. Gilbert--Author and Critic

full name / name of organization: 
MLA 2013--Lyrica Society for Word/Music Relations
contact email: 
DrJSDailey@aol.com

W.S. Gilbert changed English musical theatre. We are seeking proposals on all aspects of Gilbert's work, but studies dealing with music receive priority.

Underground in Legend and Tradition: 1-2 September 2012 at Matlock Bath Pavilion, Derbyshire, UK

full name / name of organization: 
Folklore Society
contact email: 
JHarte@epsom-ewell.gov.uk

Underground in Legend and Tradition: the seventh Folklore Society Legendary Weekend

CALL FOR PAPERS 1 June 2010 for conference on 1-2 September 2012 at Matlock Bath Pavilion, Derbyshire, UK

Transforming Objects, 28-29 May 2012, Northumbria University, UK

full name / name of organization: 
Northumbria University
contact email: 
transformingobjects@gmail.com

Transforming Objects
28-29 May 2012

Sutherland Building, Northumbria University

KEYNOTE SPEAKERS: Dr Sarah Haggarty (Newcastle) and Dr John Holmes (Reading)

Multiplicities: Mapping Identity Through Literature

full name / name of organization: 
Saint Louis University, Madrid Campus
contact email: 
slumadridconference@gmail.com

Multiplicities: Mapping Identity through Literature
Tenth Annual Graduate Student Conference
The Department of English and the Division of Languages and Literature

Sensualising Deformity: Communication and Construction of Monstrous Embodiment (Last Call)

full name / name of organization: 
The University of Edinburgh
contact email: 
sdefconference@ed.ac.uk

Deformity is traditionally sanitised and fitted into a structure of normality. The academy tends to obscure the complexity of the sensuous/sensual/sensed body of the deformed subject, and of the questions, anxieties, and denials which surround deformity when it is located within a continuum of sense.

From freak exhibitions and fairs, medical examinations and discoveries to various portrayals in arts and literature, images of deformity (or monstrosity, used separately or interchangeably depending on context) have captivated us for centuries. The result is a significant body of critical and artistic works where these bodies are dissected, politicized, exhibited, objectified or even beatified. Nonetheless, there remains a gap, an unexplored, unspoken or neglected aspect of this complex field of study which needs further consideration.

Conference CFP: 'Viewer, I married him': Reading (Re)Productions of the Long Nineteenth Century in Period Drama

full name / name of organization: 
University of Hull, Kingston-upon-Hull, UK
contact email: 
readingreproductions@gmail.com

29 June, 2012
Derwent Building, University of Hull

ABSTRACT DEADLINE: FEBRUARY 28, 2012
POSTGRADUATE BURSARY DEADLINE: FEBRUARY 28, 2012

CFP: ‘Reconfiguring Authorship’ - Nov 15-18, 2012, Ghent University, Belgium

full name / name of organization: 
Research on Authorship as Performance (RAP) project, English Studies, Ghent University
contact email: 
authorship.conference@gmail.com

CALL FOR PAPERS:

‘Reconfiguring Authorship’

Thursday, November 15-Sunday, November 18, 2012
Ghent University, Belgium

[EXTENDED DEADLINE] General Call for papers Popular Culture - Niagara Falls May 10-12, 2012

full name / name of organization: 
Popular Culture Association of Canada
contact email: 
conference@canpop.ca

The 2nd Annual Conference of the Popular Culture Association of Canada will be held at the Sheraton on the Falls Hotel, Niagara Falls, Ontario, Canada.

[UPDATE] CFP | Emerging Scholars in Performance Studies

full name / name of organization: 
ATHE Performance Studies Focus Group
contact email: 
gty2104@columbia.edu

Call for Papers: PSFG/ATHE 2012 Emerging Scholars Panel

Shakespeare and Performance [Update: January 31, 2012]

full name / name of organization: 
Early Modern Studies Journal (EMSJ) formally Early English Studies (EES)
contact email: 
Amy Tigner: altigner@gmail.com

The 2012 volume will focus on "Shakespeare and Performance." We are interested in articles that consider any aspect of performance in historical or contemporary productions of Shakespeare and his cont

Syndicate content