Femspec (a peer reviewed journal dedicated to critical and creative works that challenge gender through speculative means in a variety of genres) is seeking submissions on speculative aspects of divination through any means including Tarot – particularly representations of Tarot and other readings in film, speculative literature, art, poetry, and popular culture.
Femspec is an interdisciplinary feminist journal dedicated to sf, fantasy, magical realism, surrealism, myth, folklore, and other supernatural genres. We have been in print since 1999 and boast of an advisory board that includes Suzie Charnas, Pamela Sargeant, and Samuel Delany. We are currently seeking submissions for a special issue or themed section dedicated to women who balance the worlds of adventurer and caregiver, with a focus on mothering and reproduction in sf.
International Graduate Student Conference
Call for Papers - "Re-presenting Memory"
"Re-presenting Memory" is the fourth of a series of graduate conferences, organized annually by the Department of American Culture and Literature at Istanbul University. It is part of the "Literature and ..." conferences, the aim of which is to establish an intellectual platform for the discussion of literature in relation to other systems of signification and representation including the cultural, social, political, historical and so on.
We welcome contributions to a collection of essays tentatively entitled "Intuiting the Past: New Age and Neopagan Medievalisms." Scholars of Religious Studies, Gender Studies, Art History, Music History, and Cultural Studies, as well as historians and literary critics, are particularly encouraged to contribute.
Topics may include but need not be limited to:
Appropriations of Kabbalah
Medievalism and Tarot
Hildegard of Bingen and New Age music
Neopagan and New Age Pilgrimage
Grails and femininity
Quests and masculinity
Christian mystics in New Age contexts
Herbal and "alternative" healing
Aristotle's Poetics defines complex action in tragedy as a change accompanied by reversal or recognition, or both. Given this definition, is change then not a requirement of literature? Even in the Nouveau Roman, change is provided by an unexpected outlook and by stylistic choices in the writing itself. Change is often and legitimately equated to crisis or catastrophe, but may also be seen as a critical element of Literature–in Aristotle's view inherently so. A literary work develops through change, its interpretation by character or reader, and is thus assumed into or by the narrative. The imagination is fed by change. This seminar investigates how literary works represent change in a way that reinterprets or avoids catastrophe.
The theme for this year's VSAO conference is "Victorian Thresholds: Between Literature and Anthropology." The executive invites abstracts for 20 minute papers to be presented at our morning panel. Please send electronic copies of proposals (300-500 words) and a brief biographical statement to Matthew Rowlinson (firstname.lastname@example.org) by 28 January 2012. Alternatively, hard copies can be sent by mail to Matthew Rowlinson / Department of English / University of Western Ontario/ London, ON CANADA N6A 3K7
As part of the bicentenary celebrations of Dickens's birth, the editors of a special issue of Neo-Victorian Studies on 'The Other Dickens: Neo-Victorian Appropriation and Adaptation' invite contributors to consider the 'other' Dickens – those aspects of Dickens's life and work that have been the subject of recent revision, reappraisal, and transformation in contemporary culture. The special issue will aim to critically assess our persisting fascination with this canonical Victorian figure and, more generally, the 'Dickensian' cultural legacy of the Victorian age in the twentieth and twenty-first centuries.
The 2nd Annual Conference of the Popular Culture Association of Canada will be held at the Sheraton on the Falls Hotel, Niagara Falls, Ontario, Canada.
We invite proposals for papers and/or panels on theories of popular culture, research methods in popular culture, the teaching of popular culture, and any epiphenomena of popular culture, past or present.
Our broad definition of popular culture encompasses communicative texts, practices and experiences, mediated and unmediated, contemporary and historical, Canadian and non-Canadian (including the local and the global).
Violence Studies Conference 2012
Call for Papers
The Humanities Research Institute at the University of Newcastle invites academics from a wide a variety of disciplines — including anthropology, art, criminology, history, international relations, law, literature, psychology, philosophy, political science and sociology — to submit proposals for panels and individual papers at its conference, Histories of Violence, to be held in the city of Newcastle from 21-23 August 2012.
Arjun Appadurai, New York University
Rosemary Gartner, University of Toronto
Gyanendra Pandey, Emory University
New submission deadline is November 15th, 2011.
Call for Papers:
"Spheres of Influence: Navigating World, Globe, and Planet," UCLA Comparative Literature Graduate Student Conference Thursday February 23rd and Friday February 24th, 2012.
Keynote: Wai Chee Dimock.
Misfits, Outcasts and Exiles: Reading the Margins
6th Annual Graduate Student Conference
LSU Department of French Studies
March 2nd & 3rd, 2012
Il n'y a pas pire enfer que le silence de la marginalité. (Noël Mamère, Ma République, 1999)
Si mes respectables et bons confrères veulent continuer à me marginer, tout ira bien. (Voltaire, lettre à Duclos, 1761)
This conference seeks to assess the state of contemporary neo-Victorian literature, film, television and other media, with papers offering new readings of neo-Victorian texts. The conference also seeks to interrogate the critical field surrounding the notion of the neo-Victorian by asking how we, as scholars, understand this genre and its allied politics. Does the current cultural interest in the "new Victorian" imply a resistance to post-modernism, post-structuralism or post-humanism? Or, can neo-Victorianism help us interrogate these terms? How does our post-Victorian landscape accommodate and manipulate the neo-Victorian urge?
Organizers of the 33rd annual Southwest/Texas Popular Culture and American Culture Association conference seek paper and panel submissions to the "Literature (General)" category. This area will provide a forum for scholarly presentations on American, British, and other World literatures outside of our more specific Literature areas. (Before submitting, see the following link for our present Area list: http://swtxpca.org/documents/123.html#Literature.)
The Graduate Student Association of the University of Wisconsin-Madison English Department is pleased to invite papers for the 8th annual MadLit conference to be held March 1-3, 2012. This year's theme, "Visual Memory: Mind, Monument, Metaphor" seeks to investigate the role that vision plays in the creation, recollection, and use of memory as well as to challenge the relationship between optic experience and the visual idioms often used to describe these processes.
Graduate students are hybrid creatures in academia: we are both educators and students, innovators and learners. As we strive to master the foundational knowledges of our disciplines, we also challenge preconceptions, explore neglected or newly discovered areas, rethink our assumptions; ultimately, we create new knowledge.
This year, the Virginia Tech English Graduate Student Organization (EGSO) warmly invites our colleagues from all disciplines to share the ways in which they are revising, reforming, and recreating accepted disciplinary knowledge to form the next generation of scholarship. We welcome interdisciplinary approaches and also encourage proposals from traditional humanities.