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Gylphi SF Storyworlds [UPDATE]

updated: 
Tuesday, June 8, 2010 - 8:23am
full name / name of organization: 
Dr Paul March-Russell

SF Storyworlds is a new critical studies series in science fiction published by UK academic press, Gylphi. Our aim is to explore the development of SF from the nineteenth century to the present day, including its impact upon social and cultural thought. We are interested in rethinking the possibilities of the genre, such as its relationship to mainstream culture, the influence of different media, and the roles of critical theory and translation studies, including SF from Europe, Africa, Asia and Latin America. A central question is that of genre (for example, in the work of Gwyneth Jones, China Miéville or Jeff Vandermeer) as an indicator of the current and future directions of SF. Possible themes might include (but are not limited to):

Decadent Poetics, 1-2 July 2011

updated: 
Tuesday, June 8, 2010 - 4:23am
full name / name of organization: 
Centre for Victorian Studies, University of Exeter, UK

Keynote speakers: Stephen Arata (Virginia); Joseph Bristow (UCLA); Regenia Gagnier (Exeter); Catherine Maxwell (Queen Mary, London)

Transatlantic Literature and the Production of National Identities, 1870-1910

updated: 
Monday, June 7, 2010 - 7:55pm
full name / name of organization: 
Keridiana Chez
contact email: 

This panel has already been accepted by the Midwest Conference for British Studies, October 8-10, 2010, Cleveland. We are seeking a fourth paper.

Arizona's recent attack on ethnic studies brings to glaring light the relationship between the production of cultures, racial identities, and nations. How are national identities contingent on the constitution of, or at least the appearance of, a homogeneous racial identity, which in turn, is produced and maintained through the vigilant regularization of a distinct national culture?

Dickens Universe Nineteenth-Century Seminar---8/1--8/7 2010--Proposal due June 15th

updated: 
Saturday, June 5, 2010 - 10:14am
full name / name of organization: 
The Dickens Project
contact email: 

Invitation to Apply for the Dickens Universe Nineteenth-Century Seminar

The Dickens Project is a consortium of over 30 universities, whose faculty and graduate students attend the lectures, seminars, workshops, and social events called the Dickens Universe each year in the first week of August at UC-Santa Cruz. This year the Universe is offering a new faculty/graduate student seminar to welcome participants whose schools are not currently members.

CFP: The Cowper and Newton Journal (Spring 2011 Issue)

updated: 
Friday, June 4, 2010 - 3:24pm
full name / name of organization: 
The Cowper and Newton Museum, Olney, UK

The Cowper and Newton Journal

CALL FOR PAPERS

The Cowper and Newton Journal, a new scholarly annual published by the Trustees of The Cowper and Newton Museum, Olney, UK, is seeking submissions for its first issue, to be published in Spring 2011.

The Journal accepts contributions on any topic related to William Cowper, John Newton and their circle but also embraces the wider milieu – literary, artistic, religious, historical, horticultural – of their contemporaries in the eighteenth and early nineteenth centuries. In keeping with its museum origins, the Journal's scope also covers material culture: the study of relevant objects from the period and their wider significance.

Literary Dress: Fashioning the Fictional Self (due 9/30; NEMLA 4/7-4/10, New Brunswick NJ)

updated: 
Friday, June 4, 2010 - 12:29pm
full name / name of organization: 
Heath Sledge and Helen Dunn/ NEMLA 2011
contact email: 

Literary Dress: Fashioning the Fictional Self

Fashion, fabricate, artifice, make-up: all these terms have a double valence. Each term in noun form denotes a prosthetic application of something foreign atop something natural (usually a human body) with the intention of concealing or enhancing the natural item beneath. Each term in verb form, though, carries a connotation of constitution and creation: a sense of literal "becoming," or even investiture. In some way, these terms gesture towards the ephemeral, frivolous, and the temporary AND towards a sense of ontological making.

Legal Fictions, NEMLA, April 7-10, 2011

updated: 
Wednesday, June 2, 2010 - 10:33pm
full name / name of organization: 
42nd Annual Convention, Northeast Modern Language Association
contact email: 

The concept of a "legal fiction"—"a supposition avowedly false, but treated as if it were true, for the imagined convenience of administering the law" (Lewis, 1832)—describes the pretenses that disguise changes in the application of a legal rule. However, as its terminological indebtedness to the institution of fiction underscores, the concept also offers a suggestive rubric for understanding the nexus between law and literature—reminding us that law, as much as literature, is an unstable amalgam of fact and fiction. Examining the fictional elements of law, nonetheless, need not end only in textual ambiguity. The characterization of extant laws as mere fictions of the state has often been a strategy for political critique and legal reform.

Victorian Sensation Fiction at the <em>Fin de Siecle</em>

updated: 
Sunday, May 30, 2010 - 4:16pm
full name / name of organization: 
Northeast Modern Language Association (NeMLA)
contact email: 

This panel will examine the ways in which Victorian Sensation Fiction interacted with Modernity. We will ask: How did the genre anticipate and respond to late 19th century Parliamentary activity? In what ways did sensation fiction challenge or reflect evolving ideas about gender and identity? Panelists will interrogate sensation fiction's relationship to art and aestheticism movements, advances in technologies including "iron horses," commercial culture, and Modernity's historical and political events, including Britain's empire project. We will discuss the ways in which sensation fiction seeded later literary movements such as the "New Woman" novels.

2011 British Women Writers Conference: "Curiosities" (March 31- April 3, 2011)

updated: 
Sunday, May 30, 2010 - 12:58pm
full name / name of organization: 
18th and 19th Century Women Writers Association (BWWA)
contact email: 

The 19th Annual 18th- and 19th-Century British Women Writers Conference The Ohio State University Columbus, OH "Curiosities" March 31- April 3, 2011 Call for Papers: The theme for this year's conference is "Curiosities." We encourage submissions that consider how the concept of curiosity—in its dual meaning of intellectual pursuit and particular material objects—influenced the lives and work of eighteenth- and nineteenth-century women writers, and continues to drive our scholarship today.

Dracula and Beyond: The Evolution of the Vampire/NEMLA 2011 convention, New Brunswick, NJ, April 7-10, 2011

updated: 
Thursday, May 27, 2010 - 11:24am
full name / name of organization: 
Anne DeLong/Kutztown University
contact email: 

Dracula and Beyond: The Evolution of the Vampire

42nd Annual Convention, Northeast Modern Language Association (NeMLA)
April 7-10, 2011
New Brunswick, NJ – Hyatt New Brunswick
Host Institution: Rutgers University

This panel seeks papers that explore the figure of the vampire in folklore, fiction, film, and popular culture, including Stoker's Dracula and its literary predecessors and descendents. Papers should address the evolution of the metaphorical significance of vampires as cultural barometers for analyzing themes of sexuality, xenophobia, contagion, and/or consumption. Please submit 250-500 word abstracts to Anne DeLong at delong@kutztown.edu

Dickens in 2012: Preparing for Boz's Bicentennial

updated: 
Thursday, May 27, 2010 - 11:10am
full name / name of organization: 
Northeast Modern Language Association (NeMLA)
contact email: 

42nd Annual Convention, Northeast Modern Language Association (NeMLA)
April 7-10, 2011
New Brunswick, NJ – Hyatt New Brunswick
Host Institution: Rutgers University

"The record of bitter moments": Prison Writing as a Genre, NeMLA convention, April 7-10, 2011

updated: 
Thursday, May 27, 2010 - 9:42am
full name / name of organization: 
Kristina Lucenko, Stony Brook University

From John Milton to Aphra Behn to Oscar Wilde to Angela Y. Davis, a striking number of writers have experienced some sort of imprisonment. This panel seeks papers on the role of prisons in textual and literary creation. Some of the questions we wish to address include: What are the various prison experiences across time periods--the gaol, the bridewell, the convent, the workhouse-prison, the psychiatric hospital--and how does each serve as a site of cultural production? How does the prison intersect with issues of gender, class, and nation? How does prison writing fit with other generic forms? Which genres of writing emerged from imprisonment? How do writers figure their incarceration--as periods of dispossession, withdrawal, renewal, or triumph?

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