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Dickens Universe Nineteenth-Century Seminar---8/1--8/7 2010--Proposal due June 15th

updated: 
Saturday, June 5, 2010 - 10:14am
The Dickens Project

Invitation to Apply for the Dickens Universe Nineteenth-Century Seminar

The Dickens Project is a consortium of over 30 universities, whose faculty and graduate students attend the lectures, seminars, workshops, and social events called the Dickens Universe each year in the first week of August at UC-Santa Cruz. This year the Universe is offering a new faculty/graduate student seminar to welcome participants whose schools are not currently members.

CFP: The Cowper and Newton Journal (Spring 2011 Issue)

updated: 
Friday, June 4, 2010 - 3:24pm
The Cowper and Newton Museum, Olney, UK

The Cowper and Newton Journal

CALL FOR PAPERS

The Cowper and Newton Journal, a new scholarly annual published by the Trustees of The Cowper and Newton Museum, Olney, UK, is seeking submissions for its first issue, to be published in Spring 2011.

The Journal accepts contributions on any topic related to William Cowper, John Newton and their circle but also embraces the wider milieu – literary, artistic, religious, historical, horticultural – of their contemporaries in the eighteenth and early nineteenth centuries. In keeping with its museum origins, the Journal's scope also covers material culture: the study of relevant objects from the period and their wider significance.

Literary Dress: Fashioning the Fictional Self (due 9/30; NEMLA 4/7-4/10, New Brunswick NJ)

updated: 
Friday, June 4, 2010 - 12:29pm
Heath Sledge and Helen Dunn/ NEMLA 2011

Literary Dress: Fashioning the Fictional Self

Fashion, fabricate, artifice, make-up: all these terms have a double valence. Each term in noun form denotes a prosthetic application of something foreign atop something natural (usually a human body) with the intention of concealing or enhancing the natural item beneath. Each term in verb form, though, carries a connotation of constitution and creation: a sense of literal "becoming," or even investiture. In some way, these terms gesture towards the ephemeral, frivolous, and the temporary AND towards a sense of ontological making.

Legal Fictions, NEMLA, April 7-10, 2011

updated: 
Wednesday, June 2, 2010 - 10:33pm
42nd Annual Convention, Northeast Modern Language Association

The concept of a "legal fiction"—"a supposition avowedly false, but treated as if it were true, for the imagined convenience of administering the law" (Lewis, 1832)—describes the pretenses that disguise changes in the application of a legal rule. However, as its terminological indebtedness to the institution of fiction underscores, the concept also offers a suggestive rubric for understanding the nexus between law and literature—reminding us that law, as much as literature, is an unstable amalgam of fact and fiction. Examining the fictional elements of law, nonetheless, need not end only in textual ambiguity. The characterization of extant laws as mere fictions of the state has often been a strategy for political critique and legal reform.

CFP: Iconoclasm: The Breaking and Making of Images, March 17-19, 2011

updated: 
Tuesday, June 1, 2010 - 9:55pm
Rachel Stapleton, Centre for Comparative Literature, University of Toronto

Iconoclasm: The Breaking and Making of Images
University of Toronto, March 17–19, 2011
Confirmed Keynote Address by Carol Mavor (Manchester) (others to follow)

Victorian Sensation Fiction at the <em>Fin de Siecle</em>

updated: 
Sunday, May 30, 2010 - 4:16pm
Northeast Modern Language Association (NeMLA)

This panel will examine the ways in which Victorian Sensation Fiction interacted with Modernity. We will ask: How did the genre anticipate and respond to late 19th century Parliamentary activity? In what ways did sensation fiction challenge or reflect evolving ideas about gender and identity? Panelists will interrogate sensation fiction's relationship to art and aestheticism movements, advances in technologies including "iron horses," commercial culture, and Modernity's historical and political events, including Britain's empire project. We will discuss the ways in which sensation fiction seeded later literary movements such as the "New Woman" novels.

2011 British Women Writers Conference: "Curiosities" (March 31- April 3, 2011)

updated: 
Sunday, May 30, 2010 - 12:58pm
18th and 19th Century Women Writers Association (BWWA)

The 19th Annual 18th- and 19th-Century British Women Writers Conference The Ohio State University Columbus, OH "Curiosities" March 31- April 3, 2011 Call for Papers: The theme for this year's conference is "Curiosities." We encourage submissions that consider how the concept of curiosity—in its dual meaning of intellectual pursuit and particular material objects—influenced the lives and work of eighteenth- and nineteenth-century women writers, and continues to drive our scholarship today.

Dracula and Beyond: The Evolution of the Vampire/NEMLA 2011 convention, New Brunswick, NJ, April 7-10, 2011

updated: 
Thursday, May 27, 2010 - 11:24am
Anne DeLong/Kutztown University

Dracula and Beyond: The Evolution of the Vampire

42nd Annual Convention, Northeast Modern Language Association (NeMLA)
April 7-10, 2011
New Brunswick, NJ – Hyatt New Brunswick
Host Institution: Rutgers University

This panel seeks papers that explore the figure of the vampire in folklore, fiction, film, and popular culture, including Stoker's Dracula and its literary predecessors and descendents. Papers should address the evolution of the metaphorical significance of vampires as cultural barometers for analyzing themes of sexuality, xenophobia, contagion, and/or consumption. Please submit 250-500 word abstracts to Anne DeLong at delong@kutztown.edu

Dickens in 2012: Preparing for Boz's Bicentennial

updated: 
Thursday, May 27, 2010 - 11:10am
Northeast Modern Language Association (NeMLA)

42nd Annual Convention, Northeast Modern Language Association (NeMLA)
April 7-10, 2011
New Brunswick, NJ – Hyatt New Brunswick
Host Institution: Rutgers University

"The record of bitter moments": Prison Writing as a Genre, NeMLA convention, April 7-10, 2011

updated: 
Thursday, May 27, 2010 - 9:42am
Kristina Lucenko, Stony Brook University

From John Milton to Aphra Behn to Oscar Wilde to Angela Y. Davis, a striking number of writers have experienced some sort of imprisonment. This panel seeks papers on the role of prisons in textual and literary creation. Some of the questions we wish to address include: What are the various prison experiences across time periods--the gaol, the bridewell, the convent, the workhouse-prison, the psychiatric hospital--and how does each serve as a site of cultural production? How does the prison intersect with issues of gender, class, and nation? How does prison writing fit with other generic forms? Which genres of writing emerged from imprisonment? How do writers figure their incarceration--as periods of dispossession, withdrawal, renewal, or triumph?

UPDATE "Mrs Gaskell in Context"

updated: 
Thursday, May 27, 2010 - 9:09am
Trevor Harris, Université François-Rabelais, Tours (France)

Mrs Gaskell remains a central figure in the development of the Victorian conscience, and not least an accomplished exponent of its militant, middle-class, humanitarian ethics. And her friendships with the Brontë sisters, with Carlyle or Dickens, Ruskin or Harriet Beecher Stowe, combine to alert us to the significance of her work in the context of British intellectual history.

Mary Barton (1848) and North and South (1854) complete a triptych of works which all convey a vivid image of mid-nineteenth-century life in England: the two novels published either side of the "provincial" Cranford doing so from a resolutely industrial perspective against the backdrop of the massive new manufacturing centre of Manchester.

[UPDATE] GLITS Interdisciplinary Postgraduate Research Conference: PARADOX (REGISTRATION is open; conference 26 June 2010

updated: 
Thursday, May 27, 2010 - 5:08am
Goldsmiths College, University of London

Registration for the GLITS Goldsmiths Literature Seminar Interdisciplinary Postgraduate Research Conference, is open. Admission is free.

The second annual conference is to be held at Goldsmiths College in London, UK, Saturday 26 June 2010. The keynote speaker is Christopher Norris.

The focus of the event this year is paradox, the strange territory between reason and intuition, involving the simultaneous processes of grasping and letting go of the doxa.

"RAVENNA" 3 is ONLINE

updated: 
Thursday, May 27, 2010 - 2:25am
http://www.oscholars.com/Ravenna/Ravenna3/toc.htm

I am pleased to announce the publication of the third volume of "Ravenna", an online interdisciplinary journal devoted to the relationship between nineteenth-century Britain and Italy. "Ravenna" is edited by Elisa Bizzotto and Luca Caddia and published by Steven Halliwell at The Rivendale Press as one of THE OSCHOLARS group of fin de siècle journals under the general editorship of David Charles Rose.

http://www.oscholars.com/Ravenna/Ravenna3/toc.htm

This issue includes the following articles:

- Fabio Camilletti, "Veils. A Reading of Dante Gabriel Rossetti's 'St. Agnes of Intercession'";

CFP: "'I am born': The Characters of Charles Dickens" (9/15/10; NeMLA 4/7-4/10/2010, New Brunswick, NJ)

updated: 
Wednesday, May 26, 2010 - 3:00pm
Wm Moeck / Northeast Modern Language Association

"'I am born': The Characters of Charles Dickens"

Saluting the 2012 Boz Bicentennial, this panel explores Charles Dickens's art of characterization in the novels and stories. The ability of Dickens's readers to visualize figures in OT, CC, DC, TTC, and GE, for example, links his oeuvre to the allegorical tradition of Spenser, Bunyan, Hogarth and Grimm. Papers analyzing Dickens's adaptation of allegory in his character portrayals are as welcome as those analyzing the way particular characters have been further adapted by the stage, cinema, and visual arts.

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