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Literature and Crime in the Early Nineteenth Century (NeMLA, March 21-24, 2013 - deadline for submissions, Sept 30, 2012)

Tuesday, September 11, 2012 - 12:31pm
Northeast Modern Language Association

Literature and Crime in the Early Nineteenth Century

This panel will explore ways in which nineteenth-century British literature published before 1859 engages with issues of crime and criminality. Papers might examine social responses to this literature or situate issues of class and gender in relation to the broader theme of the panel, though a focus on these particular inquiries is not required. Possible texts include, but are not limited to, gothic fiction, Newgate novels, penny 'bloods,' and works by G.W.M. Reynolds. Please send 300-500 word abstracts to Elizabeth Stearns,

AAH New Voices: Art and its Hierarchies

Tuesday, September 11, 2012 - 7:17am
Association of Art Historians

AAH New Voices: Art and its Hierarchies
University of Nottingham
November 24th 2012

Keynote Speaker: Dr. Gabriele Neher, University of Nottingham, 'Gender, space and plates: Renaissance hierarchies of 'art' under the spotlight'

eCanadian Journal of Humanities and Social Sciences

Tuesday, September 11, 2012 - 5:11am
Canadian Research Council

The foci of eCanadian Journals are to endorse and promote the erudite research among academicians, scientists, scholars, engineers, and students from around the world. ECJ select papers for publications throughout meticulous peer-review with a systematic assessment procedure for expeditious publications.

ECJ is pleased to welcome and receive eminence-quality and refereed papers and articles in the following areas.

Classics, History, Religion, Languages, Law, Literature, Performing Arts, Philosophy, Visual Arts, and Legitimation of the Humanities.

Anthropology, Education, Geography, History, Linguistics, Sociology, Psychology and Political Sciences

Critical Identities: Finding and Expressing Critical Identities in Humanities Scholarship [10/15/12;2/15/13]

Tuesday, September 11, 2012 - 1:49am
Natures 2013 hosted by La Sierra University (Riverside, California USA)

Have you tied the knot yet? Or are you still playing the field? Are you a committed feminist, poststructuralist, or ecocritic? Or do you pick up a critical perspective for one project and then using another for the next? Do you still fondly cling to your first love of close reading?

Festivals and Faires, March 27-30, Washington, DC

Monday, September 10, 2012 - 9:32pm
Popular Culture Association

The Festivals & Faires Area of the Popular Culture Association welcomes submissions for the 2013 PCA/ACA conference in Washington, D.C. on any festival or faire—modern or historical. Scholars of theatre / theater, drama, performance studies, American studies, popular culture, religion, history, anthropology, folklore, English, theory, and non-western traditions are encouraged to apply. Since the conference is in Boston, MA, any papers relating to festivals and faires in the city or state are greatly appreciated. Other specific areas of interest for this year's panels include, but are not limited to:

Borders and Beyond: Considering Communities (Oct. 11-13, 2012) --- Abstracts Due Sept. 15th

Monday, September 10, 2012 - 7:20pm
University of Florida English Graduate Organization

2012 University of Florida English Graduate Organization Conference
Borders and Beyond: Considering Communities
October 11-13, 2012 at the University of Florida

Keynote Speaker: Kristina Busse (University of South Alabama)
Guest Speaker: Catherine Tosenberger (University of Winnipeg)

Call for Papers

UPDATE:'The Road Not Taken': Explorations in Narrative Refusals, Disnarration, and Counterfactual Histories

Monday, September 10, 2012 - 11:57am
Indian Institute of Technology [IIT] Bombay

Plenary speakers:
Professor Jasbir Jain,
Hon Director, Institute for Research in Interdisciplinary Studies (IRIS), Sahitya Akademi Writer-in-Residence, 2009

Professor Supriya Chaudhuri
Professor and Coordinator, Centre of Advanced Study, Department of English, Jadavpur University

Papers are invited for a two-day refereed conference on Disnarration from 1st to 2nd March 2013, at IIT Bombay, Mumbai, India.

Gerald Prince's introduction of the 'disnarrated' in 1988 marks an interesting milestone in the evolution of narrative theory. The notion of what could have, but does not happen in a narrative, opens up new ways of looking at texts and at their visibility, overt and implicit.

Victorian Poetry: Forms and Fashions

Monday, September 10, 2012 - 11:46am
Victorian Poery

Papers on any aspect of Victorian Poetry and Poetics are invited, especially those devoted to: the reconsideration of poetic forms and formal innovations; fashions, trend, and modes in poetry; the publication and commerce of poetry; poetry book history; and Victorian prosody and stanzaic forms. Papers devoted to the "fashions" of scholarship on Victorian poetry for the last fifty years are also invited.

NeMLA 2013 Panel, Under Her Skin: Victorian Literature, the Female Body, and Touch

Sunday, September 9, 2012 - 10:42pm
Northeastern Modern Language Association

A recent trend in feminist scholarship explores the role the skin plays in formations of the self. The skin functions as a boundary between self and other that is permeable, specifically in relation to touch. This panel invites abstracts that explore constructions of female subjectivity and sexualities in Victorian literature, focusing on the skin surface localized to the hand, or more generally to the female body, as a site of tactile exchange. Send 250-500 word abstracts to Kimberly Cox, SUNY Stony Brook,

Deadline: Sept. 30, 2012

Symposium - Creativity and Authorship: Law and Changing Practice, 17-18 December

Sunday, September 9, 2012 - 7:41pm
University of Canberra

Symposium - Creativity and Authorship: Law and Changing Practice
Call for Proposals
17 and 18 December 2012
Inspire Centre, University of Canberra

Hosted by the Law and Culture research group, Faculty of Business, Government and Law and Faculty of Arts and Design

This Symposium will explore practices of authorship, creativity and cultural innovation, and how they intersect with law. Do law and policy effectively protect and meet the changing needs of authors and other creative practitioners? How does law itself frame authorship and cultural practice? How has this changed over time, and what lessons are there for the future?